Badlands Unlimited: A Selection of eBooks


JRP|Ringier eBooks


Cooper-Hewitt eBooks


DesignFile eBooks


Guggenheim Museum eBooks


Kaya Press eBooks




eBook Edition

Art Collector Report eBook

Foreword and text by Christoph Noe, Lasse Steiner, Magnus Resch.

This is the eBook edition of Art Collector Report, originally published in print form in June 2015. Which city in the world currently has the highest density of contemporary art collectors? Which country? Why does Germany have nearly as many private art museums as the United States? What are the future trends for the global art market? Exploring the answers to these questions through data collected on the most significant art collectors in the world, the Art Collector Report is the inaugural publication of the research of the online art collectors' database Larry's List. Larry's List launched in September 2013, aiming to compile up-to-the-minute information on art collectors and collecting trends. Featuring detailed information on the leading art collectors from around the world, the 2014 Art Collector Report is an invaluable resource for art-market professionals.


Art Collector Report eBook


Art Collector Report eBook



Art Collector Report

Foreword and text by Christoph Noe, Lasse Steiner, Magnus Resch.
ISBN: 9783869845302 | US $50.00
Pub Date: 6/23/2015
Out of stock indefinitely | Not available


The Passion of Images
Art and Autonomy: A Critical Reader
Productive Archiving
A Picture Held Us Captive
Black Phoenix: Third World Perspectives on Contemporary Art and Culture
Lastgaspism: Art and Survival in the Age of Pandemic
Re_Visioning Bodies
Fundamental Painting
Bande à part: On Independent Art Institutions
The Sounding Cosmos
Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives
Why Art Criticism? A Reader
Performing Mourning
Writings on Art 2006–2021
Let's Have a Talk: Conversations with Women on Art and Culture
The Agency: Readymades Belong to Everyone®
Psychic Wounds
Forces of Art
Beyond the Ghetto
Creative Theories of (Just About) Everything
Dirty Ear Report #3
Let the River Flow
Plasticity of the Planet: On Environmental Challenge for Art and Its Institutions
The Aesthetics of Ambiguity
The Artist’s Novel: A New Medium
The Artist's Novel: The Fantasy of the Novel
The Female Side of God
The Trouble with Value
Time Machine
Another Version: Thinking through Performance
Artists on Robert Smithson
The Pragmatism in the History of Art
Genealogies of Art, or the History of Art as Visual Art
Conversations with Artists II
Slow Down Fast, A Toda Raja
The Crossing of Innumerable Paths
Permanent Recession
Reclaiming Artistic Research
Pow Up
Tacit Knowledge
Drawing Then
Facing Value: Radical Perspectives from the Arts
Do It
Mnemosyne: A History of the Arts of Memory
Pierre's Issue 01
Cabinet 62: Milk
Cabinet 63: The Desert
Parkett No. 99
Esopus 23
British Black Art
Interrupting the City
What's the Use?
Mobile Autonomy
When Art Meets Money
Triple Canopy and Ralph Lemon: On Value
Sukhdev Sandhu
I Cry: The Desire to Be Rejected
Douglas Crimp: DISSS-CO (A Fragment)
Notes on Glaze
The Dept. of Corrections
Site of Sound: Of Architecture and the Ear
Artist-Run Spaces
The Digital Wunderkammer
Impuls Marcel Duchamp
Variantology V: Neapolitan Affairs
Pure Views
From Image to Interaction
Community Art
See It Again, Say It Again
Illuminating Video: An Essential Guide To Video Art
Art On the Edge...and Over
Art On the Edge...and Over
Air Guitar
Last Chance For Eden
Last Chance For Eden
The World Of Jeffrey Vallance
Deep Design
The Invisible Dragon
Courage To Be Alone
Vortex Of Silence
The Gift: Generous Offerings, Threatening Hospitality
Joseph Beuys: The Felt Hat
Expressive Edge
Robert Lehman Lectures On Contemporary Art No. 1
Robert Lehman Lectures On Contemporary Art No. 2
Robert Lehman Lectures on Contemporary Art No. 4
Robert Lehman Lectures On Contemporary Art No. 3
Clement Greenberg: Between The Lines
Contemporary Practices
In Favor Of Today's Art
Sound And The Visual Arts
Site Of Sound
Varieties of Audio Mimesis
Room 5: Arcade
Seen, Written
On Per Kirkeby
The Biennial Reader
Art & Economy
Public Art
Public Art
Branding From A To Z
Brands & Desires
The Art Of Branding
P0Es1S: The Aesthetics Of Digital Poetry
Beyond Preconceptions
David Robbins: The Velvet Grind
Collection Diary
Thomas Lawson: Mining For Gold
John Miller: The Price Club
Institutional Critique and After
Warhol's Dream
Theft Is Vision
The Aesthetics of Risk: SoCCAS Symposium Vol. III
Utopics: Systems and Landmarks
Everything You Always Wanted to Know About Gallerists But Were Afraid to Ask
Hans Ulrich Obrist: Battery City: A Post-Olympic Beijing Mini-Marathon
How to Do Things with Art
Black Sphinx: On the Comedic in Modern Art
Time Action Vision
The Secret Files of Gilbert & George
White: Whiteness And Race In Contemporary Art
Museums Of Tomorrow
The 1980s: An Internet Conference
Postmodernism: A Virtual Discussion
Kahnweiler: My Galleries And Painters
Roger Shattuck: The Innocent Eye
The Blaue Reiter Almanac
Art Czar: The Rise and Fall of Clement Greenberg
Arts of Japan: MFA Highlights
The Pop Revolution
Art in Its Own Terms
9 Evenings Reconsidered
Political, Minimal
Listen Here Now! Argentine Art of the 1960s
Gerhard Richter: Doubt And Belief In Painting
Manet and the Execution of Emperor Maximillian
New Commitment: In Architecture, Art And Design
Open 07: (No) Memory
Open 09: Sound
Technology: Art, Fairs And Theatre
All that Dutch: International Cultural Politics
Imaginary Economics
Information Is Alive
Making Art Of Databases
The Regime of Visibility
Secret Publicity
The Image Society
Open 10: (In)tolerance
Interact or Die: There Is Drama In The Networks
Delusive Spaces
Questioning History: Imagining the Past in Contemporary Art
6(0) Ways
Arts in Society
Difference on Display
Now is the Time
Shifting Map
Open 08: (In)Visibility
Open 06
Artists Talk: 1969-1977
Modernism And Modernity
Rethinking the Contemporary Art School
Making History: Wu Hung on Contemporary Art
Wu Hung on Contemporary Chinese Artists
The Wild, Wild East: An American Art Critic's Adventures in China
The Murmuring of the Artistic Multitude
Let's Entertain
Think Art
In the Making
Rembrandt's Nose: Of Flesh and Spirit in the Master’s Portraits
Universal Experience: Art, Life, And The Tourist'S Eye
Joseph Beuys: Mapping The Legacy
Warren Neidich: Blow-Up
Who Cares
Owning Art: The Contemporary Art Collector's Handbook
Benjamin's Blind Spot
The New Gatekeepers
Great Bear
Geo-Graphics: A Map of Art Practices in Africa, Past and Present
The Eighth Day: The Transgenic Art Of Eduardo Kac
Hou Hanru: On The Mid-Ground
That Bodies Speak Has Been Known For A Long Time
Witness to Her Art
Conflicts With Modernism Or The Absence Of Kurt Schwitters
New Histories
Raw Among the Ruins
Frieze Projects: Artists Commissions and Talks
Inclinations: Further Writing and Interviews By Stuart Morgan
A Question of Evidence
The Making of Art
Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series
Variantology 2: On Deep Time Relations of Arts, Sciences and Technologies
Variantology 1: On Deep Time Relations of Arts, Sciences and Technologies
Under Construction: Perspectives on Institutional Practice
Interviews Volume 1 By Gerald Matt
Hans Ulrich Obrist & Thomas Demand: The Conversation Series
Hans Ulrich Obrist & Yona Friedman: The Conversation Series
Exile of the Imaginary: Politics Aesthetics Love
Variantology 3
Looking through Duchamp’s Door
JFL: What Does Why Mean?
Native Land
Art & Activism in the Age of Globalization
A Pocket History of 20th-Century Chinese Art
Jac Leirner in Conversation with Adele Nelson
Exhibiting the New Art
Variantology 4
Judgment and Contemporary Art Criticism
Iconography and Archetypes
Art for Sale
Gender Check: A Reader
Raising Frankenstein
Global Studies
Griselda Pollock: Allo-Thanatography or Allo-Auto-Biography: A Few Thoughts on One Painting in Charlotte Salomon's 'Leben? oder Theater?'
Teaching Art in the Neoliberal Realm
During the Exhibition the Gallery Will Be Closed
The Art Life: On Creativity and Career
Invalid Format: An Anthology of Triple Canopy
Intangible Economies
Institutions by Artists
The Secession Talks
Smoke Shadows: Jannis Kounellis Interviewed by Jérôme Sans
Curiosity and Method: Ten Years of Cabinet Magazine
New Relations in Art and Society
Closer than Fiction
7th Berlin Biennale for Contemporary Art
Archetypes and Historicity
Vital Beauty
Contemporary Sculpture
Parachute: The Anthology
Moving Together
Thinking Contemporary Curating
The Unexpected Guest
Art Is a Problem
Contemporary Art Theory
Subverting Disambiguities
Image and Narrative
We Roma
Bruce Altshuler: Biennials and Beyond
Bruce Altshuler: Salon to Biennial
Shifting Gravity
Play & Prosume
Re/New Marxist Art History
Parachute: The Anthology, Volume II
She’s Got What It Takes
Women's Work. Is Never Done
Participation Is Risky
Luis Camnitzer in Conversation with Alexander Alberro
Invalid Format: An Anthology of Triple Canopy
Of Bridges & Borders Vol. II
Arthur C. Danto: Remarks on Art and Philosophy
Engadin Art Talks
60 Wrd/Min Art Critic
The Best Most Useless Dress: Selected Writings of Claudia La Rocco
8th Berlin Biennial for Conteporary Art
Artist?: The Hypothesis of Bodiness
The Ethics of Art
Robert Lehman Lectures on Contemporary Art No. 5
ReNew Marxist Art History
Cultural Anthropophagy
The Teaching Manual to In the Making PDF
Art Collector Report
Reinventing the Company for the Digital Age
Speculations (The future is ______)
Curating Research
Fairland: Explorations, Insights and Outlooks on the Future of Art Fairs
What Is Art?
The Shape of Evidence
Aesthetic Justice
Parachute: The Anthology, Vol. III
Faux Vagin
Auctioneers Who Made Art History
Hippias Minor or The Art of Cunning
Parachute: The Anthology, Vol. IV
Danto on Scully
Ambulo Ergo Sum
Spaces for Criticism
The Murmuring of the Artistic Multitude
VOTI: Union of the Imaginary
Critical Writing Ensembles
CyberArts 2017
Pontus Hultén and Moderna Museet: The Formative Years
Jens Hoffmann: (Curating) From Z to A
Artists on Walter De Maria
Being Public
Brian O'Doherty/Patrick Ireland: Word, Image and Institutional Critique
Cabinet 64: The Nose
Cabinet 65: Knowledge
Carolee Schneemann: Uncollected Texts
Conversations with Artists
Critical Mass
Give Up Art
Hotel Theory Reader
In Part: Writings by Julie Ault
Interviews on Art
Into Words: The Selected Writings of Carroll Dunham
Liquid Antiquity
Lost and Living (in) Archives
Re-reading the Manual of Travelling Exhibitions
The Lure of the Biographical
Somewhere Totally Else
An Associative Art History
Marathon Marathon
You Are Here
Artists Working from Life
Cabinet 67
Fifty Years of Great Art Writing
Craig Owens: Portrait of a Young Critic
Whitewalling: Art, Race & Protest in 3 Acts
Video Writings by Artists
Adrian Piper: A Reader
Cabinet 66
The Artist as Curator
Size Matters! (De)Growth of the 21st Century Art Museum
The Readymade Century
The Eternal Baroque
The American Tornado: Art in Power 1949-2008
London Dialogues
In the World: Essays on Contemporary South African Art
Duchamp: By Hand, Even
The Trade of the Teacher
Localizing the Contemporary
One Rock upon Another
Art & Crisis
Plan and Play, Play and Plan
Artists on Andy Warhol
Artists on Bruce Nauman
The Algorithm of Manfred Mohr
Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins
The Long 1980s
Being an Artist
The Halifax Conference
David Hammons Is on Our Mind
Hans Ulrich Obrist: The Athens Dialogues
More Than Real: Art in the Digital Age
Writings on Art
Recto / Verso
En Plein Air
You, Me and Art
Unlearning Exercises
The Future of the New
Practising Art Internationally
Freedom of the Presses
Copy This Book
No Internet, No Art
Post-Digital Print
Artist, Authorship & Legacy: A Reader
Oslo Pilot (2015–17)
Magicians & Charlatans
The Standard Book of Noun-Verb Exhibition Grammar
Artist-Run Europe
The Trials of Art
The Collected Writings of Jon Thompson
The Space Between: Collected Writings
Medium of Contingency
Dawn Ades: Writings on Art and Anti-Art
Lawrence Gowing: Selected Writings on Art
Ticio Escobar: The Invention of Distance
Somebody's Got To Do It: Selected Writings by Pavel Buchler Since 1987
Sovereign Words
The Death of the Artist
Global Identities
Black Mirror 2
In the Shadow of the Art Work
A Mental Masquerade
Thinking from the Border
Writings on Art 1980–2005
Making and Being
Scott Burton: Collected Writings on Art and Performance, 1965-1975
The Place of Sculpture in Daily Life
Feminist Art Activisms and Artivisms
Twelve Paintings
Black Art Notes
Art and Solidarity Reader
Making Matters
The Dialectic of Creativity
The Artist's Estate: A Handbook for Artists, Executors, and Heirs
The Material Kinship Reader
Bad Manners
Strange Cargo
Yale: History of an Art School
In Conversation, 2020–2021
The Guardians of Art
Talking Bodies
On Care
For a Manifesto of the New Ceramics
Fieldwork for Future Ecologies
Software for Artists Book: School(s) for Poetic Computation
The Impossibility of Silence: Writing for Designers, Artists & Photographers
The New Alphabet
Soft Spots
Sensing Earth
Essays from a Lifetime in the Arts
The Invisible Dragon
Play with Me