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MIT List Visual Arts CenterBOOK FORMAT
Paperback, 8.25 x 13 in. / 88 pgs / 4 color and 60 duotones. PUBLISHING STATUS
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| | | MIT LIST VISUAL ARTS CENTER9 Evenings ReconsideredArt, Theater, and Engineering, 1966Edited by Catherine Morris. Essays by Clarisse Bardiot and Michelle Kuo. Texts by Lucy Lippard and Brian O'Doherty. Introduction by Jane Farver.
In 1966, a Bell Laboratories physicist brought a group of avant-garde artists together with 10 open-minded members of the science and technology fields for 9 Evenings: Theatre and Engineering, a series of investigatory Happenings which took place at the 69th Regiment Armory and were duly noted by critics Lucy Lippard and Brian O'Doherty. The resulting seminal performances included John Cage's Variations VII, in which 30 photocells were mounted around the performance space, activating a variety of sound sources--including a blender, 20 radio channels and two Geiger counters--as the performers moved around. Other contributors included Lucinda Childs, Alex Hay, Deborah Hay, Oyvind Fahlstrom, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. The events were photographed by Peter Moore, whose pictures, many never before been published, are featured here. Also included are Lippard and O'Doherty's original reviews; new scholarship by Clarisse Bardiot, Michelle Kuo and Catherine Morris; and an interview with one of the engineers.
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FORMAT: Paperback, 8.25 x 13 in. / 88 pgs / 4 color and 60 duotones.
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ISBN: 9780938437697
PUBLISHER: MIT List Visual Arts Center
AVAILABLE: 8/15/2006
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| 9 Evenings Reconsidered
Art, Theater, and Engineering, 1966 Published by MIT List Visual Arts Center.
Edited by Catherine Morris. Essays by Clarisse Bardiot and Michelle Kuo. Texts by Lucy Lippard and Brian O'Doherty. Introduction by Jane Farver. | In 1966, a Bell Laboratories physicist brought a group of avant-garde artists together with 10 open-minded members of the science and technology fields for 9 Evenings: Theatre and Engineering, a series of investigatory Happenings which took place at the 69th Regiment Armory and were duly noted by critics Lucy Lippard and Brian O'Doherty. The resulting seminal performances included John Cage's Variations VII, in which 30 photocells were mounted around the performance space, activating a variety of sound sources--including a blender, 20 radio channels and two Geiger counters--as the performers moved around. Other contributors included Lucinda Childs, Alex Hay, Deborah Hay, Oyvind Fahlstrom, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. The events were photographed by Peter Moore, whose pictures, many never before been published, are featured here. Also included are Lippard and O'Doherty's original reviews; new scholarship by Clarisse Bardiot, Michelle Kuo and Catherine Morris; and an interview with one of the engineers.
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