Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins
Edited by Steve Clay, Ken Friedman. Afterword by Hannah Higgins.
Dick Higgins and his Something Else Press epitomized the riotous art of the ‘60s
There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers.
Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
Featured image is reproduced from 'Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins.'
PRAISE AND REVIEWS
The Brooklyn Rail
Jennie Waldow
This volume contains a wealth of primary source texts which attest to Higgins’s ability to put words to the swirling cacophony of postwar art.
Kirkus
A provocative firsthand account delving into the importance of artist collectives, the making of hybrid art forms, and the trials of independent publishing.
Glasstire
Michael Galbreth
Essential reading for any young artist who is ready to strike out into something new, something else.
Artforum
Natilee Harren
An intoxicating, multifaceted bouquet of various genres of Higgins’s writing, the anthology highlights the artist’s role as participant-historian in numerous early postmodern currents across the visual arts, literature, music, theater, and dance.
Hyperallergic
James Gibbons
Apart from its value in making several had-to-find essays available, this volume imparts a nuanced sense of a man who not only styled himself an avant-garde philosophe (not unlike his teacher John Cage) but also made a sustained and messy effort to create a worldly space for a certain kind of art, performance, and writing—and life.
Bookforum
Brian Dillon
It's an unruly guide to publishing and preserving one's cultural present.
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"Dick Higgins, Fluxus affiliate and founder of the Something Else Press, once described the books he published as a series of 'love letters to the future.' A new volume of writings by the artist, composed between 1962 and 1997 and selected by Steve Clay and Ken Friedman, delivers on this promise, making Higgins’ underappreciated contributions as publisher, editor, patron, theorist and historian of the 1960s neo-avant-gardes legible to today’s students and scholars of the marginal, obscure and quirkily experimental. An intoxicating, multifaceted bouquet of various genres of Higgins’s writing, the anthology highlights the artist’s role as participant-historian in numerous early postmodern currents across the visual arts, literature, music, theater and dance. Above all, Higgins served as a mouthpiece for Fluxus, concrete and sound poetry and intermedia—the latter a term he adopted and reinvented in the mid-sixties to describe the myriad new practices that probed the gaps between established mediums and disciplines." Read the entirety of Natilee Harren's review here. And see other staff favorite Holiday Gift Books here. continue to blog
Tuesday, April 30 from 5–7 PM, Printed Matter presents three publishers in conversation about Dick Higgins’s influence and legacy. Join Damon Krukowski of Exact Change, James Hoff of Primary Information and Lisa Pearson of Siglio as they converse about Higgins’s influence on their own publishing projects, the extraordinary lineage of the Something Else Press in the wider publishing community, and how SEP continues to ignite an expansive field of possibilities. Conversation begins at 5:30 PM. continue to blog
FORMAT: Pbk, 7.25 x 9.75 in. / 336 pgs / 95 color / 60 b&w. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $47.5 GBP £30.00 ISBN: 9781938221200 PUBLISHER: Siglio AVAILABLE: 11/20/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins
Published by Siglio. Edited by Steve Clay, Ken Friedman. Afterword by Hannah Higgins.
Dick Higgins and his Something Else Press epitomized the riotous art of the ‘60s
There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers.
Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
