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Pub Date 1/1/2008
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In stock | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | The Aesthetics of Risk: SoCCAS Symposium Vol. IIIEdited by John C. Welchman. Text by Jane Blocker, Douglas Crimp, Rachel Greene, Richard Shiff, et. al.
This anthology of essays, images and dialogues exploring contemporary art's engagements with risk--physical, social, political and aesthetic--brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS). Some content there was so intense that it came with a warning label: "Contains graphic depictions of violence, nudity and bodily functions. No one under the age of 18 years will be admitted." The Aesthetics of Risk showcases conversations between Catherine Opie and Douglas Crimp, Paul McCarthy and Kristine Stiles, and presentations including "Aestheticizing Risk in Wartime: The SLA to Iraq." Featured artists include Brock Enright and Steve Kurtz. Featured critics and commentators include Jane Blocker of the University of Minnesota, independent curator Rachel Greene, Richard Shiff of the University of Texas at Austin and Stiles, Professor at Duke University. Editor John C. Welchman is professor of modern and contemporary art history and theory at the University of California, San Diego, and the editor of the most recent title in this series, Institutional Critique and After.
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| | | OF RELATED INTEREST |  | JRP|RINGIERISBN: 9783905701203
USD $25.00 | CAN $34.5Pub Date: 8/15/2005
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|  | Edited by John C. Welchman. Essays by Alexander Alberro, Jens Hoffmann, Andrea Fraser, Renee Green, Isabelle Graw and Lauri Firstenberg, et. al.JRP|RINGIERISBN: 9783905701654
USD $25.00 | CAN $30Pub Date: 9/15/2006
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| FORTHCOMING AND NEW: CRITICISM AND THEORY |  | MOUSSE PUBLISHINGISBN: 9788867493425
USD $37.00 | CAN $55Pub Date: 2/19/2019
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|  | Edited by Daniel Mcclean.RIDINGHOUSEISBN: 9781905464036
USD $59.95 | CAN $75Pub Date: 10/1/2007
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USD $37.55 | CAN $55Pub Date: 4/1/2011
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|  | By Michael Bracewell.RIDINGHOUSEISBN: 9781905464388
USD $35.00 | CAN $45Pub Date: 10/1/2011
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|  | Introduction by Robin Mackay. Text by Reza Negarestani, Elie Ayache, Matthew Poole.RIDINGHOUSEISBN: 9781905464395
USD $22.00 | CAN $29.95Pub Date: 3/15/2011
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|  | Edited by Doro Globus.RIDINGHOUSEISBN: 9781905464630
USD $36.00 | CAN $49.95Pub Date: 6/19/2015
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|  | Text by Sarah Whitfield.RIDINGHOUSEISBN: 9781905464654
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|  | RIDINGHOUSEISBN: 9781905464951
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|  | RIDINGHOUSEISBN: 9781909932319
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|  | ONOMATOPEEISBN: 9789491677915
USD $25.00 | CAN $34.95Pub Date: 8/25/2016
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|  | ONOMATOPEEISBN: 9789491677564
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FORMAT: Paperback, 6.75 x 9.5 in. / 416 pgs / 16 b&w.
LIST PRICE: U.S. $25.00
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ISBN: 9783905770551
PUBLISHER: JRP|Ringier
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| The Aesthetics of Risk: SoCCAS Symposium Vol. III Published by JRP|Ringier.
Edited by John C. Welchman. Text by Jane Blocker, Douglas Crimp, Rachel Greene, Richard Shiff, et. al. | This anthology of essays, images and dialogues exploring contemporary art's engagements with risk--physical, social, political and aesthetic--brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS). Some content there was so intense that it came with a warning label: "Contains graphic depictions of violence, nudity and bodily functions. No one under the age of 18 years will be admitted." The Aesthetics of Risk showcases conversations between Catherine Opie and Douglas Crimp, Paul McCarthy and Kristine Stiles, and presentations including "Aestheticizing Risk in Wartime: The SLA to Iraq." Featured artists include Brock Enright and Steve Kurtz. Featured critics and commentators include Jane Blocker of the University of Minnesota, independent curator Rachel Greene, Richard Shiff of the University of Texas at Austin and Stiles, Professor at Duke University. Editor John C. Welchman is professor of modern and contemporary art history and theory at the University of California, San Diego, and the editor of the most recent title in this series, Institutional Critique and After.
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