Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
OPEN EDITIONS
Distributed
Edited with text by David Blamey, Brad Haylock. Text by Ahmed Ansari, Stuart Bertolotti-Bailey, Justin Clemens, Alex Coles, Jonathan Lindley, Neil Cummings, Arnaud Desjardin, Markus Miessen, Billie Muraben, Patricia Reed, Adrian Shaughnessy, Freek Lomme, Eva Weinmayr, et al.
The power of knowledge lies not only in generating ideas, but also in controlling their dispersion. For those who would seek to influence others, the dissemination of ideas is paramount. For those looking to protect the fruits of intellectual labor for reasons of profit or ethics, distribution is something to control. Either way, distribution is a key concern across the spectrum of cultural production, particularly at a time when digital networks have facilitated an unprecedented access to audiences.
Bringing together contributors from a variety of backgrounds, Distributed presents the act of distribution as a subject of significant social and economic importance and argues that it merits serious creative consideration. From the attention-seeking impulse of the “influencer” to the democratization of art via books, performances, videos or sound, the increased urge to disseminate is explored here as an elemental phenomenon of our time.
in stock $35.00
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The D.A.P. Catalog www.artbook.com
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FORMAT: Pbk, 6.25 x 8.5 in. / 264 pgs. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $47.5 ISBN: 9780949004093 PUBLISHER: Open Editions AVAILABLE: 6/19/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ME
Published by Open Editions. Edited with text by David Blamey, Brad Haylock. Text by Ahmed Ansari, Stuart Bertolotti-Bailey, Justin Clemens, Alex Coles, Jonathan Lindley, Neil Cummings, Arnaud Desjardin, Markus Miessen, Billie Muraben, Patricia Reed, Adrian Shaughnessy, Freek Lomme, Eva Weinmayr, et al.
The power of knowledge lies not only in generating ideas, but also in controlling their dispersion. For those who would seek to influence others, the dissemination of ideas is paramount. For those looking to protect the fruits of intellectual labor for reasons of profit or ethics, distribution is something to control. Either way, distribution is a key concern across the spectrum of cultural production, particularly at a time when digital networks have facilitated an unprecedented access to audiences.
Bringing together contributors from a variety of backgrounds, Distributed presents the act of distribution as a subject of significant social and economic importance and argues that it merits serious creative consideration. From the attention-seeking impulse of the “influencer” to the democratization of art via books, performances, videos or sound, the increased urge to disseminate is explored here as an elemental phenomenon of our time.
