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| | | | The Readymade CenturyBy Dieter Daniels.
When Marcel Duchamp invented the readymade 100 years ago, few could have predicted that these random objects taken from everyday life would have such a lasting influence on art. The Readymade Century examines Duchamps readymades from two perspectives, beginning with the genesis and consistency of Duchamps concept in the first 50 years of the readymade century, 1916 to 1964. The second part, Readymade Exposition, describes the history of the readymades reception, which extends far beyond Duchamps lifetime. The editions of Duchamps readymades as multiples and the exhibition of Andy Warhols Brillo Boxes constitute the hinge between the two sections. Occurring at the same time, independently of one another, these two events in 1964 mark a turning point in the middle of the readymade century that has direct relevance for contemporary artistic practices of the already made.
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FORMAT: Pbk, 4.5 x 7.5 in. / 152 pgs / 80 color.
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $33.95
ISBN: 9783959051392
PUBLISHER: Spector Books
AVAILABLE: 8/20/2019
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA AFR ME | D.A.P. CATALOG: SPRING 2018 Page 172 | PRESS INQUIRIES
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| The Readymade Century Published by Spector Books.
By Dieter Daniels. When Marcel Duchamp invented the readymade 100 years ago, few could have predicted that these random objects taken from everyday life would have such a lasting influence on art. The Readymade Century examines Duchamps readymades from two perspectives, beginning with the genesis and consistency of Duchamps concept in the first 50 years of the readymade century, 1916 to 1964. The second part, Readymade Exposition, describes the history of the readymades reception, which extends far beyond Duchamps lifetime. The editions of Duchamps readymades as multiples and the exhibition of Andy Warhols Brillo Boxes constitute the hinge between the two sections. Occurring at the same time, independently of one another, these two events in 1964 mark a turning point in the middle of the readymade century that has direct relevance for contemporary artistic practices of the already made.
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