Brian O'Doherty/Patrick Ireland: Word, Image and Institutional Critique
Edited by Christa-Maria Lerm Hayes. Text by Alexander Alberro, Hans Belting, Anne-Marie Bonnet, Lucy Cotter, Patricia Falguières, Christina Kennedy, Ingmar Lähnemann, Christa-Maria Lerm Hayes, Thomas McEvilley, Brenda Moore McCann, Whitney Rugg, Yvonne Scott, Mary-Ruth Walsh.
This volume assembles fresh perspectives on the seminal work of New York–based Brian O’Doherty (born 1928) and his alter ego Patrick Ireland: his visual art practice, art criticism, institutional leadership and critique, media work and literary writing.
The contributing authors (including Alexander Alberro, Hans Belting, Lucy Cotter, Patricia Falguières and Thomas McEvilley, among others) provide new ideas on O’Doherty’s versatile oeuvre. O’Doherty’s role in conceptual art and minimalism in New York is as much a theme of this volume as his seminal critique of the modernist “white cube” gallery space, his art-historical ventures and Irish origins.
in stock $30.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 6.25 x 9 in. / 320 pgs / 60 b&w. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $40 ISBN: 9789492095244 PUBLISHER: Valiz/vis-à-vis AVAILABLE: 11/21/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME
Brian O'Doherty/Patrick Ireland: Word, Image and Institutional Critique
Published by Valiz/vis-à-vis. Edited by Christa-Maria Lerm Hayes. Text by Alexander Alberro, Hans Belting, Anne-Marie Bonnet, Lucy Cotter, Patricia Falguières, Christina Kennedy, Ingmar Lähnemann, Christa-Maria Lerm Hayes, Thomas McEvilley, Brenda Moore McCann, Whitney Rugg, Yvonne Scott, Mary-Ruth Walsh.
This volume assembles fresh perspectives on the seminal work of New York–based Brian O’Doherty (born 1928) and his alter ego Patrick Ireland: his visual art practice, art criticism, institutional leadership and critique, media work and literary writing.
The contributing authors (including Alexander Alberro, Hans Belting, Lucy Cotter, Patricia Falguières and Thomas McEvilley, among others) provide new ideas on O’Doherty’s versatile oeuvre. O’Doherty’s role in conceptual art and minimalism in New York is as much a theme of this volume as his seminal critique of the modernist “white cube” gallery space, his art-historical ventures and Irish origins.
