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| | BOOK FORMAT
Paperback, 4.75 x 6.25 in. / 160 pgs. PUBLISHING STATUS
Pub Date 5/2/1996
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 1996 PRODUCT DETAILS
ISBN 9782906571532 TRADE
List Price: $37.95 CDN $45.00 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AU/NZ AFR ME | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Clement Greenberg: Between The LinesBy Thierry de Duve.
The late critic Clement Greenberg remains best known as the man who almost single-handedly put Jackson Pollock, Barnett Newman and Clyfford Still on the map of modern art. His formalist conception of art was violently contested by the succeeding generation of artists and critics, who found Greenberg's approach narrow and dogmatic. In this aptly titled study, art historian Thierry de Duve offers a long-overdue reassessment of Greenberg's work, stripping the mask off the familiar icon of modernism. Giving his seminal essays the most careful rereading in years, de Duve reveals an unexpected Greenberg, a passionate art lover open to changes in judgment, a cultured student of modernity and a subtle theorist at odds with nascent postmodernity. An invaluable reference for anyone interested in how critics help to shape the culture they write about.
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FORMAT: Paperback, 4.75 x 6.25 in. / 160 pgs.
LIST PRICE: U.S. $37.95
LIST PRICE: CANADA $45
ISBN: 9782906571532
PUBLISHER: Dis Voir
AVAILABLE: 5/2/1996
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 1996 | PRESS INQUIRIES
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| Clement Greenberg: Between The Lines Published by Dis Voir.
By Thierry de Duve. The late critic Clement Greenberg remains best known as the man who almost single-handedly put Jackson Pollock, Barnett Newman and Clyfford Still on the map of modern art. His formalist conception of art was violently contested by the succeeding generation of artists and critics, who found Greenberg's approach narrow and dogmatic. In this aptly titled study, art historian Thierry de Duve offers a long-overdue reassessment of Greenberg's work, stripping the mask off the familiar icon of modernism. Giving his seminal essays the most careful rereading in years, de Duve reveals an unexpected Greenberg, a passionate art lover open to changes in judgment, a cultured student of modernity and a subtle theorist at odds with nascent postmodernity. An invaluable reference for anyone interested in how critics help to shape the culture they write about.
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