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Paperback, 4.75 x 6.25 in. / 160 pgs. PUBLISHING STATUS
Pub Date 5/2/1996
Out of print DISTRIBUTION
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Catalog: SPRING 1996 PRODUCT DETAILS
ISBN 9782906571532 TRADE
List Price: $37.95 CDN $45.00 GBP £27.95 AVAILABILITY
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| | | Clement Greenberg: Between The LinesBy Thierry de Duve.
The late critic Clement Greenberg remains best known as the man who almost single-handedly put Jackson Pollock, Barnett Newman and Clyfford Still on the map of modern art. His formalist conception of art was violently contested by the succeeding generation of artists and critics, who found Greenberg's approach narrow and dogmatic. In this aptly titled study, art historian Thierry de Duve offers a long-overdue reassessment of Greenberg's work, stripping the mask off the familiar icon of modernism. Giving his seminal essays the most careful rereading in years, de Duve reveals an unexpected Greenberg, a passionate art lover open to changes in judgment, a cultured student of modernity and a subtle theorist at odds with nascent postmodernity. An invaluable reference for anyone interested in how critics help to shape the culture they write about.
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USD $20.00 | CAN $27.95Pub Date: 11/25/2013
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|  | Edited by Hans Ulrich Obrist, Rem Koolhaas.SKIRAISBN: 9788857200590
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USD $30.00 | CAN $45Pub Date: 9/1/2016
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|  | Edited by David Mollin, John Reardon.RIDINGHOUSEISBN: 9781905464135
USD $35.00 | CAN $45Pub Date: 10/1/2009
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|  | By Jon Thompson.RIDINGHOUSEISBN: 9781905464371
USD $37.55 | CAN $55Pub Date: 4/1/2011
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USD $35.00 | CAN $45Pub Date: 10/1/2011
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FORMAT: Paperback, 4.75 x 6.25 in. / 160 pgs.
LIST PRICE: U.S. $37.95
LIST PRICE: CANADA $45
GBP £27.95
ISBN: 9782906571532
PUBLISHER: Dis Voir
AVAILABLE: 5/2/1996
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RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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| Clement Greenberg: Between The Lines Published by Dis Voir.
By Thierry de Duve. | The late critic Clement Greenberg remains best known as the man who almost single-handedly put Jackson Pollock, Barnett Newman and Clyfford Still on the map of modern art. His formalist conception of art was violently contested by the succeeding generation of artists and critics, who found Greenberg's approach narrow and dogmatic. In this aptly titled study, art historian Thierry de Duve offers a long-overdue reassessment of Greenberg's work, stripping the mask off the familiar icon of modernism. Giving his seminal essays the most careful rereading in years, de Duve reveals an unexpected Greenberg, a passionate art lover open to changes in judgment, a cultured student of modernity and a subtle theorist at odds with nascent postmodernity. An invaluable reference for anyone interested in how critics help to shape the culture they write about.
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