| | BOOK FORMAT Paperback, 6.5 x 8.5 in. / 128 pgs. PUBLISHING STATUS Pub Date 10/2/1999 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 1999 PRODUCT DETAILS ISBN 9782906571921 TRADE List Price: $29.95 CAD $39.95 AVAILABILITY In stock | TERRITORY NA LA ASIA AU/NZ AFR ME | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Contemporary PracticesArt and ExperienceText by Paul Ardenne, Pascal Beausse, Laurent Goumarre.
Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction.
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FORMAT: Paperback, 6.5 x 8.5 in. / 128 pgs. LIST PRICE: U.S. $29.95 LIST PRICE: CANADA $39.95 ISBN: 9782906571921 PUBLISHER: Dis Voir AVAILABLE: 10/2/1999 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 1999 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Contemporary Practices Art and Experience Published by Dis Voir. Text by Paul Ardenne, Pascal Beausse, Laurent Goumarre. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction.
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