Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
Geo-Graphics: A Map of Art Practices in Africa, Past and Present
Edited by Anne-Marie Bouttiaux, David Adjaye. Text by Jean Muteba Rahier, Ken Ndiaye, Gustaaf Verswijver, Viviane Baeke, Julien Volper, Didier Schaub, Yacouba Konatè, et al.
Confronting contemporary African art’s awkward coexistence with earlier African art as “ethnographic artifact,” Geo-Graphics celebrates the flourishing of African art on the international circuit, while simultaneously asserting its ancestry and critiquing the valorization of heritage. David Adjaye’s photographs of African capitals and an examination of contemporary African art centers further contextualize the continent’s recent cultural transformations.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 9.5 x 11.25 in. / 384 pgs / 250 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9788836616589 PUBLISHER: Silvana Editorale AVAILABLE: 10/31/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR ME
Geo-Graphics: A Map of Art Practices in Africa, Past and Present
Published by Silvana Editorale. Edited by Anne-Marie Bouttiaux, David Adjaye. Text by Jean Muteba Rahier, Ken Ndiaye, Gustaaf Verswijver, Viviane Baeke, Julien Volper, Didier Schaub, Yacouba Konatè, et al.
Confronting contemporary African art’s awkward coexistence with earlier African art as “ethnographic artifact,” Geo-Graphics celebrates the flourishing of African art on the international circuit, while simultaneously asserting its ancestry and critiquing the valorization of heritage. David Adjaye’s photographs of African capitals and an examination of contemporary African art centers further contextualize the continent’s recent cultural transformations.
