| | BOOK FORMAT Paperback, 6.25 x 9.25 in. / 350 pgs. PUBLISHING STATUS Pub Date 3/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 82 PRODUCT DETAILS ISBN 9783865600509 TRADE List Price: $45.00 CAD $60.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Variantology 2: On Deep Time Relations of Arts, Sciences and TechnologiesEdited by Siegfried Zielinski, David Link, Eckhard Fuerlus, Nadine Minkwitz. Text by Amir Alexander, Peter Blegvad, Oksana Bulgakova, Andrea Hacker.
What does a thirteenth-century Majorcan missionary have to do with logical machines? Were the astrolabes of the late Middle Ages really only used to calculate the orbits of stars and planets, or were they philosophical instruments? Was the first avant garde in Russia more interested in Jesuit affect theory or H.G. Wells's time machine? Where do radar angels live? These excursions into the relationships between the arts, the sciences and technology lead neither to a revised history of art nor to a revised history of the media; they question our understanding of what we have defined as art and what we have seen as the media.
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FORMAT: Paperback, 6.25 x 9.25 in. / 350 pgs. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9783865600509 PUBLISHER: Walther König, Köln AVAILABLE: 3/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2007 Page 82 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Variantology 2: On Deep Time Relations of Arts, Sciences and Technologies Published by Walther König, Köln. Edited by Siegfried Zielinski, David Link, Eckhard Fuerlus, Nadine Minkwitz. Text by Amir Alexander, Peter Blegvad, Oksana Bulgakova, Andrea Hacker. What does a thirteenth-century Majorcan missionary have to do with logical machines? Were the astrolabes of the late Middle Ages really only used to calculate the orbits of stars and planets, or were they philosophical instruments? Was the first avant garde in Russia more interested in Jesuit affect theory or H.G. Wells's time machine? Where do radar angels live? These excursions into the relationships between the arts, the sciences and technology lead neither to a revised history of art nor to a revised history of the media; they question our understanding of what we have defined as art and what we have seen as the media.
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