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Open Editions/Hordaland Art CentreBOOK FORMAT
Flexi, 6.25 x 8.5 in. / 168 pgs / illustrated throughout. PUBLISHING STATUS
Pub Date 9/30/2013
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2013 p. 152 PRODUCT DETAILS
ISBN 9780949004178 TRADE
List Price: $26.00 CDN $36.00 AVAILABILITY
Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | OPEN EDITIONS/HORDALAND ART CENTRESelf-OrganisedEdited by Stine Herbert, Anne Szefer Karlsen. Text by Julie Ault, Maibritt Borgen, Céline Condorelli & Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Charles Esche, Barnaby Drabble, et al.
The current economic situation and society’s low confidence in its institutions demands that artists become more imaginative in their self-organization. If labels such as ‘alternative,’ ‘non-profit’ and ‘artist-run’ dominated the self-organized art scene of the late nineties, the separatist position implied by the use of these terms has been moderated during the intervening years. This new anthology of accounts from the frontline includes contributions by artist practitioners as well as their institutional counterparts providing a fascinating account of the art world as a matrix of positions where the balance of power and productivity constantly shifts. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
PRAISE AND REVIEWSArt Monthly Andrew Hunt Overall, 'Self-Organised' presents an intelligently diverse breadth of critical reflections, self-conscious institutional polarities and overlaps, and new self-organised ways forward. |
|  | STATUS: Out of stock indefinitely. | |
| | | FORTHCOMING AND NEW: CRITICISM AND THEORY |  | MOUSSE PUBLISHINGISBN: 9788867493425
USD $37.00 | CAN $55Pub Date: 2/19/2019
Active | In stock
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|  | Edited by Serkan Ozkaya.LARS MüLLER PUBLISHERSISBN: 9783037783450
USD $20.00 | CAN $27.95Pub Date: 11/25/2013
Active | In stock
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|  | Edited by Maria Giulia Barberini, Mary L. Levkoff, Carolyn H. Miner, Guilhem Scherf, Jeremy Warren, Patricia Wengraf.SKIRAISBN: 9788857223247
USD $75.00 | CAN $95Pub Date: 6/23/2015
Active | In stock
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|  | By Germano Celant.SKIRAISBN: 9788861300682
USD $55.00 | CAN $70Pub Date: 11/18/2008
Active | In stock
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|  | Edited by Hans Ulrich Obrist, Rem Koolhaas.SKIRAISBN: 9788857200590
USD $29.95 | CAN $37.5Pub Date: 10/30/2012
Active | In stock
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|  | By Jed Perl.EAKINS PRESS FOUNDATIONISBN: 9780871300690
USD $45.00 | CAN $55 UK £ 40Pub Date: 3/1/2012
Active | In stock
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|  | Edited with text by Niekolaas Johannes Lekkerkerk. Text and afterword by Timotheus Vermeulen.ONOMATOPEEISBN: 9789491677748
USD $25.00 | CAN $34.95Pub Date: 4/7/2018
Active | In stock
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|  | ONOMATOPEEISBN: 9789491677564
USD $30.00 | CAN $45Pub Date: 9/1/2016
Active | In stock
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|  | ONOMATOPEEISBN: 9789491677915
USD $25.00 | CAN $34.95Pub Date: 8/25/2016
Active | In stock
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|  | Edited by Daniel Mcclean.RIDINGHOUSEISBN: 9781905464036
USD $59.95 | CAN $75Pub Date: 10/1/2007
Active | In stock
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|  | Edited by David Mollin, John Reardon.RIDINGHOUSEISBN: 9781905464135
USD $35.00 | CAN $45Pub Date: 10/1/2009
Active | In stock
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|  | By Jon Thompson.RIDINGHOUSEISBN: 9781905464371
USD $37.55 | CAN $55Pub Date: 4/1/2011
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FORMAT: Flexi, 6.25 x 8.5 in. / 168 pgs / illustrated throughout.
LIST PRICE: U.S. $26.00
LIST PRICE: CANADA $36
ISBN: 9780949004178
PUBLISHER: Open Editions/Hordaland Art Centre
AVAILABLE: 9/30/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
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| Self-Organised Published by Open Editions/Hordaland Art Centre.
Edited by Stine Herbert, Anne Szefer Karlsen. Text by Julie Ault, Maibritt Borgen, Céline Condorelli & Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Charles Esche, Barnaby Drabble, et al. | The current economic situation and society’s low confidence in its institutions demands that artists become more imaginative in their self-organization. If labels such as ‘alternative,’ ‘non-profit’ and ‘artist-run’ dominated the self-organized art scene of the late nineties, the separatist position implied by the use of these terms has been moderated during the intervening years. This new anthology of accounts from the frontline includes contributions by artist practitioners as well as their institutional counterparts providing a fascinating account of the art world as a matrix of positions where the balance of power and productivity constantly shifts. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
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