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| | BOOK FORMAT
Paperback, 6 x 8.5 in. / 240 pgs. PUBLISHING STATUS
Pub Date 8/15/2005
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 177 PRODUCT DETAILS
ISBN 9782940271221 TRADE
List Price: $15.00 CDN $21.50 AVAILABILITY
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| | | Thomas Lawson: Mining For GoldSelected Writings 1979-1996By Thomas Lawson. Edited by Lionel Bovier and Fabrice Stroun.
More than any artist-writer of his generation, Thomas Lawson has the makeup of a true journalist. He is an embedded correspondent, a polemical editorialist, sending his first-person dispatches from the front lines. He knows the terrain from many vantage points: He is an artist, publisher, occasional curator and academic (current dean at CalArts) in addition to being a writer. Reacting to the ambient hegemony of late modernism and its avant-garde myths, Lawson is determined to take sides, to make critical distinctions, attempting along the way to enunciate a progressive position from the very heart of an increasingly reactionary milieu. This collection of essays focuses on the emergence of appropriation and includes such seminal texts as “Last Exit: Painting.” Mining for Gold provides a comprehensive narrative of some of the most trenchant ideological quarrels to have surfaced from within the art world of the 1980s.
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FORMAT: Paperback, 6 x 8.5 in. / 240 pgs.
LIST PRICE: U.S. $15.00
LIST PRICE: CANADA $21.5
ISBN: 9782940271221
PUBLISHER: JRP|Ringier
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2005 Page 177 | PRESS INQUIRIES
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| Thomas Lawson: Mining For Gold
Selected Writings 1979-1996 Published by JRP|Ringier.
By Thomas Lawson. Edited by Lionel Bovier and Fabrice Stroun. More than any artist-writer of his generation, Thomas Lawson has the makeup of a true journalist. He is an embedded correspondent, a polemical editorialist, sending his first-person dispatches from the front lines. He knows the terrain from many vantage points: He is an artist, publisher, occasional curator and academic (current dean at CalArts) in addition to being a writer. Reacting to the ambient hegemony of late modernism and its avant-garde myths, Lawson is determined to take sides, to make critical distinctions, attempting along the way to enunciate a progressive position from the very heart of an increasingly reactionary milieu. This collection of essays focuses on the emergence of appropriation and includes such seminal texts as “Last Exit: Painting.” Mining for Gold provides a comprehensive narrative of some of the most trenchant ideological quarrels to have surfaced from within the art world of the 1980s.
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