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| | | Warren Neidich: Blow-UpPhotography, Cinema and the BrainIntroduction by Norman Bryson.
In Blow-Up, a collection of essays that tackle aesthetics from the angle of neuroscience, Warren Neidich proposes a different and wholly original paradigm for thinking through cultural history and the philosophy of the human subject. Across the theoretical landscape that Neidich describes, even familiar monuments from the history of art, architecture, philosophy and aesthetics appear strange and disorienting, because the starting point of the primary and secondary repertoires (the nervous system and the pathways of connection built up through interaction between the brain and the outside world) is so totally unexpected. Crucial to Neidich's narrative is the idea that, in modernity, the technologies that have evolved in the sphere of visual communication have come to operate on the subject with particular vehemence, not only in the realm of meaning but in their determining influence on the primary habits and dispositions of experience. Photography, cinema, television, the internet--as the forces of spectacle gain ever-wider currency in a rapidly globalizing world, those cultural forms that emerge as dominant in the competition for structuring the pathways of consciousness will annex and colonize more and more of the subject's interior life, worldwide. But Neidich suggests that the subject of culture has the ability to remap itself, rewire itself, and assume forms so creative and protean that it will always outrun the forces that seek to limit its plasticity--even trauma and amputation cannot irreversibly damage the neural body.
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USD $20.00 | CAN $27.95Pub Date: 11/25/2013
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|  | By Germano Celant.SKIRAISBN: 9788861300682
USD $55.00 | CAN $70Pub Date: 11/18/2008
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|  | Edited by Hans Ulrich Obrist, Rem Koolhaas.SKIRAISBN: 9788857200590
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|  | By Jed Perl.EAKINS PRESS FOUNDATIONISBN: 9780871300690
USD $45.00 | CAN $55 UK £ 40Pub Date: 3/1/2012
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|  | Edited with text by Niekolaas Johannes Lekkerkerk. Text and afterword by Timotheus Vermeulen.ONOMATOPEEISBN: 9789491677748
USD $25.00 | CAN $34.95Pub Date: 4/7/2018
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|  | ONOMATOPEEISBN: 9789491677564
USD $30.00 | CAN $45Pub Date: 9/1/2016
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|  | ONOMATOPEEISBN: 9789491677915
USD $25.00 | CAN $34.95Pub Date: 8/25/2016
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|  | Edited by Daniel Mcclean.RIDINGHOUSEISBN: 9781905464036
USD $59.95 | CAN $75Pub Date: 10/1/2007
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|  | Edited by David Mollin, John Reardon.RIDINGHOUSEISBN: 9781905464135
USD $35.00 | CAN $45Pub Date: 10/1/2009
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|  | By Jon Thompson.RIDINGHOUSEISBN: 9781905464371
USD $37.55 | CAN $55Pub Date: 4/1/2011
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FORMAT: Paperback, 6 x 8 in. / 192 pgs / 22 color.
LIST PRICE: U.S. $27.50
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ISBN: 9781891024801
PUBLISHER: D.A.P./UCR/California Museum of Photography
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| Warren Neidich: Blow-Up
Photography, Cinema and the Brain Published by D.A.P./UCR/California Museum of Photography.
Introduction by Norman Bryson. | In Blow-Up, a collection of essays that tackle aesthetics from the angle of neuroscience, Warren Neidich proposes a different and wholly original paradigm for thinking through cultural history and the philosophy of the human subject. Across the theoretical landscape that Neidich describes, even familiar monuments from the history of art, architecture, philosophy and aesthetics appear strange and disorienting, because the starting point of the primary and secondary repertoires (the nervous system and the pathways of connection built up through interaction between the brain and the outside world) is so totally unexpected. Crucial to Neidich's narrative is the idea that, in modernity, the technologies that have evolved in the sphere of visual communication have come to operate on the subject with particular vehemence, not only in the realm of meaning but in their determining influence on the primary habits and dispositions of experience. Photography, cinema, television, the internet--as the forces of spectacle gain ever-wider currency in a rapidly globalizing world, those cultural forms that emerge as dominant in the competition for structuring the pathways of consciousness will annex and colonize more and more of the subject's interior life, worldwide. But Neidich suggests that the subject of culture has the ability to remap itself, rewire itself, and assume forms so creative and protean that it will always outrun the forces that seek to limit its plasticity--even trauma and amputation cannot irreversibly damage the neural body.
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