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| | BOOK FORMAT Paperback, 5.5 x 7.75 in. / 109 pgs. PUBLISHING STATUS Pub Date 11/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2007 p. 146 PRODUCT DETAILS ISBN 9780977259441 TRADE List Price: $18.00 CDN $20.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR ME | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Varieties of Audio MimesisBy Allen S. Weiss.
This investigation of the metaphoric relationship between music and landscape is also a study of the poetics of onomatopoeia and a theory of sound in the arts. The history of European musicology is perennially revised around the debate about whether music is a representational or an abstract art. This discussion may be extended to all of the sound arts, and to language itself. Thus the phenomenon of onomatopoeia is emblematic of what might be seen as the ontological aporia of sound art: mimesis is simultaneously a loss and a gain, placing representation on uneven ground where the signified loses structural integrity and existential verifiability, while the signifier gains in complexity and ambiguity. Through literary, performative and sonic analysis, this book investigates audiophonic representation, proposes a unified field theory of the sound arts; offers descriptive possibilities for audio productions; and looks at audio mimesis in relation to gardens and landscape.
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FORMAT: Paperback, 5.5 x 7.75 in. / 109 pgs. LIST PRICE: U.S. $18.00 LIST PRICE: CANADA $20 ISBN: 9780977259441 PUBLISHER: Errant Bodies Press AVAILABLE: 11/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2007 Page 146 | PRESS INQUIRIES
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| Varieties of Audio Mimesis Published by Errant Bodies Press. By Allen S. Weiss. This investigation of the metaphoric relationship between music and landscape is also a study of the poetics of onomatopoeia and a theory of sound in the arts. The history of European musicology is perennially revised around the debate about whether music is a representational or an abstract art. This discussion may be extended to all of the sound arts, and to language itself. Thus the phenomenon of onomatopoeia is emblematic of what might be seen as the ontological aporia of sound art: mimesis is simultaneously a loss and a gain, placing representation on uneven ground where the signified loses structural integrity and existential verifiability, while the signifier gains in complexity and ambiguity. Through literary, performative and sonic analysis, this book investigates audiophonic representation, proposes a unified field theory of the sound arts; offers descriptive possibilities for audio productions; and looks at audio mimesis in relation to gardens and landscape.
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