Edited by Annet Dekker. Text by Babak Afrassiabi, Dušan Barok, Tina Bastajian, Nanna Bonde Thylstrup, Özge Çelikaslan, Annet Dekker, Olia Lialina, Manu Luksch, Nicolas Malevé, Aymeric Mansoux, Michael Murtaugh, Josien Pieterse, et al.
An archive is a site of collective memory, a collection of documents and records that is preserved for historical purposes.
But the stability and permanence of the traditional archive has been reconfigured by digital archives, which are “living,” flexible and virtual repositories. How has this change in archiving practice affected our relationship to the past, present and future? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will these new archives offer the democracy implied by the idea of the public domain, or will they offer new ways for public instruments of power to operate? Lost and Living (in) Archives: Collectively Shaping New Memories, part of Valiz’s new Making Public series investigating the notion of “the public,” explores this critical question of the archive at a moment of its redefinition.
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FORMAT: Pbk, 6.75 x 8.75 in. / 288 pgs / 30 b&w. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 ISBN: 9789492095268 PUBLISHER: Valiz/Making Public Series AVAILABLE: 11/21/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME
Lost and Living (in) Archives Collectively Shaping New Memories
An archive is a site of collective memory, a collection of documents and records that is preserved for historical purposes.
Published by Valiz/Making Public Series. Edited by Annet Dekker. Text by Babak Afrassiabi, Dušan Barok, Tina Bastajian, Nanna Bonde Thylstrup, Özge Çelikaslan, Annet Dekker, Olia Lialina, Manu Luksch, Nicolas Malevé, Aymeric Mansoux, Michael Murtaugh, Josien Pieterse, et al.
But the stability and permanence of the traditional archive has been reconfigured by digital archives, which are “living,” flexible and virtual repositories. How has this change in archiving practice affected our relationship to the past, present and future? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will these new archives offer the democracy implied by the idea of the public domain, or will they offer new ways for public instruments of power to operate? Lost and Living (in) Archives: Collectively Shaping New Memories, part of Valiz’s new Making Public series investigating the notion of “the public,” explores this critical question of the archive at a moment of its redefinition.
