Uncollected Texts gathers out-of-print and unpublished early writings by groundbreaking artist Carolee Schneemann (born 1939).
Edited by art historian Branden W. Joseph, the texts span diverse formats: included are journal entries, criticism, poems, essays and performance notes culled primarily from short-run magazines such as Caterpillar, Film Culture, The Fox, Manipulations and Matter, as well as academic journals such as Performing Arts Journal and Art Journal and mainstream media outlets including the New York Times and the Village Voice.
The book serves as a companion to Schneemann’s two earliest books—Parts of a Body House Book and Cézanne, She Was a Great Painter—offering new perspectives on the artist’s life, work and ideas through many writings that have never been reproduced in their original form. It features Schneemann’s reflections on her own works, including “Meat Joy,” “Divisions and Rubble,” and “Kitch’s Last Meal.”
PRAISE AND REVIEWS
Art in America
Steven Zultanski
Like Schneemann’s works in other media, her writings manifest experience while also serving as metaphors for openness, sensuality, and connectivity.
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Join us in the MoMA PS1 Book Space on Sunday, February 18 at 3PM, to celebrate the publication of Carolee Schneemann: Uncollected Texts with Carolee Schneemann reading from the book, a discussion between Schneemann and the book’s editor Branden W. Joseph, and a book signing. continue to blog
FORMAT: Pbk, 6 x 9 in. / 120 pgs / 12 color. LIST PRICE: U.S. $20.00 LIST PRICE: CANADA $27.95 ISBN: 9780991558551 PUBLISHER: Primary Information AVAILABLE: 2/27/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by Primary Information. Edited with text by Branden W. Joseph.
Uncollected Texts gathers out-of-print and unpublished early writings by groundbreaking artist Carolee Schneemann (born 1939).
Edited by art historian Branden W. Joseph, the texts span diverse formats: included are journal entries, criticism, poems, essays and performance notes culled primarily from short-run magazines such as Caterpillar, Film Culture, The Fox, Manipulations and Matter, as well as academic journals such as Performing Arts Journal and Art Journal and mainstream media outlets including the New York Times and the Village Voice.
The book serves as a companion to Schneemann’s two earliest books—Parts of a Body House Book and Cézanne, She Was a Great Painter—offering new perspectives on the artist’s life, work and ideas through many writings that have never been reproduced in their original form. It features Schneemann’s reflections on her own works, including “Meat Joy,” “Divisions and Rubble,” and “Kitch’s Last Meal.”
