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ART CRITICISM, THEORY AND HISTORY

PUBLISHER
Skira

BOOK FORMAT
Paperback, 6.5 x 8.75 in. / 328 pgs / 830 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2020 p. 135   

PRODUCT DETAILS
ISBN 9788857243290 TRADE
List Price: $39.95 CAD $55.95

AVAILABILITY
In stock

TERRITORY
NA LA

THE SPRING 2025 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

SKIRA

Time Machine

Cinematic Temporalities

Text by Antonio Somaini, Éline Grignard, Marie Rebecchi, Emmanuel Alloa, Jacques Aumont, Raymond Bellour, Christa Blümlinger, Georges Didi-Huberman, Philippe Dubois, Noam Elcott, Grégory Chatonsky.

How cinema and video have transformed our perception of time

The year 1895 saw two events, from which Time Machine: Cinematic Temporalities takes its bearings: the publication of H.G. Wells’ “scientific romance” The Time Machine: An Invention, the first literary work in which movement through time is made possible by technology; and the first public presentation, on the evening of December 28, 1895, of the Lumière Brothers’ Cinématographe.

Based on these two moments, Time Machine shows how cinema, video and video installations have transformed our perception of time through techniques of slow motion and acceleration, loops and reversals, time-lapse and freeze-frame, multiple exposure and stop-motion animation, as well as through montage: that crucial act of separating and joining images and sounds which has often been considered as one of cinema’s defining traits.

The 11 texts in this volume shed new light on the aesthetic, epistemological, political and media-theoretical implications of cinematic time manipulation.


Time Machine

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