|   | ARTBOOK BLOGYves Klein By HimselfEdited by Klaus Ottmann"When Yves Klein arrived in New York to show his blue monochromes at Leo Castelli’s gallery in 1961, the New York art world objected not so much to his work than to his style. For years to come, American reviewers continued to focus on Klein’s appearance, dismissing him as an 'entertainer and idea man.' American Pop art, as Roland Barthes observed so keenly, was anti-style; it was about neutralizing identity: 'Pop art is well aware that the fundamental expression of the person is style. As Buffon said (a celebrated remark, once known to every French schoolboy): 'Style is the man.' Take away style and there is no longer any (individual) man. The notion of style, in all the arts, has therefore been linked, historically, to a humanism of the person... There is, as I see it, a certain relation between pop art and what is called 'script,' that anonymous writing style sometimes taught to dysgraphic children because it is inspired by the neutral and, so to speak, elementary features of typography. Further, we must realize that if pop art depersonalizes, it does not make anonymous: nothing is more identifiable than Marilyn...; they are in fact nothing but that: ...teaching us that identity is not the person: the future world risks being a world of identities... but not of persons.'"
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ARTBOOK IS PLEASED TO OFFER FREE UPS GROUND SHIPPING IN THE CONTINENTAL U.S. CURATED LIBRARIES | From the early experimental films of Luis Buñuel to Tim Burton's latest blockbuster; from George Balanchine's classic dances to Michael Clark's radical subversion of the same; and from Robert Wilson's seminal discipline-crossing theater works to contemporary underground performances created for the Performa biennial, we are pleased to offer an ever-expanding list of essential books on today's most influential figures in the Performing Arts as well as classics such as Amos Vogel's Film as a Subversive Art. | WORDS ON PICTURES"Probably every man fantasizes about being a hero. But what is a real hero? What makes one? In my long association with the World Press Photo contest, I have noticed that during the awards ceremony, war photographers always look different. Heroic, even. The arts, nature, and sports photographers were invariably smartly dressed when they went to collect their prizes. But war photographers are something else, done up in some sort of half-soldier costume. Just who are these guys, I wondered. This book became a way of finding out…I was intrigued by how Stanley presented himself--often larger than life--and by what made war photography so tempting to him. Just what was the character of a war photographer?...He is a defender of people who have no voice, a warrior against injustice…Stanley believes that a soldier is a sort of a slave, not an individual, always subservient to the group. A war photographer is in a way part of this group, but is always independent."Teun van der Heijden, excerpted from his text to Black Passport. |  |
| | | |  | In her 1999 obituary for the influential American artist Lee Lozano, Roberta Smith of The New York Times called Lozano, "an eccentric artist who pursued Conceptual Art and painting in the 1960s and then left the New York art world for self-imposed exile that included an embargo on contact with other women… Ms. Lozano was a quixotic, confounding rebel whose decade-long New York career seemed always to involve pushing one limit or another." Featured image is reproduced from Hatje Cantz's monograph, published on the occasion of Lozano's posthumous retrospective Stockholm's Moderna Museet. | FEATURED PUBLISHER IMPRINT | KERBER VERLAG | Since 1985, Kerber Verlag has been publishing distinctive books of a high caliber on the subject of art. Working closely with international artists and museums, Kerber Verlag produces a wide spectrum of books on fine art and photography, including monographs as well as historical and thematic overviews. Their list also contains publications focusing on art history and cultural history. Kerber Verlag combines a passion for art and books with great expertise. |  Shakespeare & Co. Booksellers has been serving the general public and college students for over 23 years, with four locations in the New York City area. Shakespeare & Co. features a wide selection of books from today's top artists, photographers, architects, designers and authors, as well as classic works of literature. Its textbook selection is also loaded with the newest editions as well as facilities to allow students to search for, and order, titles not regularly stocked by the shops. Shakespeare & Co. also features services for faculty members to aid them in adopting and sourcing textbooks for use in their courses.
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| | D.A.P. / DISTRIBUTED ART PUBLISHERS ARTBOOK presents the complete D.A.P. catalog of more than 8,500 books on art and visual culture from the world's most distinguished museums and fine art publishers.D.A.P. FEATURED TITLES
 Home Delivery Edited by Barry Bergdoll, Peter Christensen. Texts by Barry Bergdoll, Peter Christensen, Ken Tadashi Oshima, Rasmus Wærn. As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had >>more The Museum of Modern Art, New York ISBN 9780870707339 US $45.00 CAN $54.00 TRADE Hardback, 9.75 x 11.25 in. / 248 pgs / 175 color / 75 b&w. Pub Date: 08/01/2008 Active/In stock
 Living Pictures Edited by David Blamey. Essays by Rosie Thomas, Patricia Uberoi, Sara Dickey, Emily King, M.S.S. Pandian and Christopher Pinney. This charming book of Indian film posters offers the uninitiated a window into the sub-continent's famously over-the-top movie industry, and for those who know it well, there is a wide selection of classic and little-known >>more Open Editions ISBN 9780949004154 US $35.00 CAN $42.00 TRADE Paperback, 8.5 x 9.5 in. / 260 pgs / 153 color and 8 b&w. Pub Date: 08/15/2006 Active/In stock
 Considering Forgiveness Edited by Aleksandra Wagner with Carin Kuoni, Matthew Buckingham. Contributions by Anne Aghion, Ayreen Anastas, Gregg Bordowitz, Omer Fast, Rene Gabri, Andrea Geyer, Mark Godfrey, Sharon Hayes, Sandi Hilal with Alessandro Petti and Eyal Weizman, Susan Hiller, Julia Kristeva, Lin & Lam, Jeffrey K. Olick, Brian D. Price, Jane Taylor, Mierle Laderman Ukeles, Elisabeth Young-Bruehl. Why forgiveness, and why now? Forgiveness emerges from the pages of this book--the first in a new series that examines political issues through a variety of distinct practices--as a political, psychological and aesthetic strategy. Featuring >>more Vera List Center for Art and Politics ISBN 9780982174500 US $24.00 CAN $29.00 TRADE Pbk, 6.5 x 10.5 in. / 272 pgs / 90 color. Pub Date: 08/31/2009 Active/In stock
FEATURED ARTISTNalini Malani"Malani's work is not about trauma and its effects per se. Rather it seeks a visual language capable of encompassing eruptions of the irrational and the repressed, and the ways they made the world and processes of history…" --Whitney Chadwick, excerpted from "Splitting the Other.
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