Published by Hayward Gallery Publishing. Foreword by Ralph Rugoff. Text by Geoff Dyer. Interview by Stephanie Rosenthal.
Originally trained as a photojournalist and bookmaker, Dayanita Singh (born 1961) has exhibited widely both in India and abroad. Her work often takes a curious view of the everyday, and is characterized by an unsparing view of her subject matter. Best known for her portraits of India’s urban middle and upper classes, her images of people working, celebrating or resting depict everyday life without embellishment, capturing insights that often challenge exotic stereotypes in the West. Published alongside an exhibition at Hayward Gallery, Dayanita Singh: Go Away Closer<\!s>marks a turning point in the career of this artist. For the first time in print, this publication presents a detailed overview of Singh’s Museums--wooden structures that introduce a radical new way of experiencing Singh’s work and photography in general. The book includes images from throughout Singh’s career, a new essay from Geoff Dyer and an in-depth interview with Singh by Hayward Chief Curator, Stephanie Rosenthal.
Published by Louisiana Museum of Modern Art. Edited by Michael Juul Holm, Mathias Ussing Seeberg, Poul Erik Tøjner. Text by Minik Rosing, Geoff Dyer, Robert McGhee, Peter Davidson, et al.
Looming large in the cultural imagination as a wild territory to be conquered and the ultimate perimeter of human power, the seemingly untouched landscape of the Arctic has been an inspiration to artists from the Romantic age to the present. Arctic, published to accompany a major exhibition at the Louisiana Museum of Modern Art in Denmark, brings together a range of artists responding to the terrifying sublime of the Arctic, from Caspar David Friedrich to Sigmar Polke, Sophie Calle, Mark Dion and Joachim Koester. With contributions from geologists, historians, archeaologists and glaciologists, as well as a new essay by Geoff Dyer about the photographs from the nineteenth-century expeditions that provided some of the first glimpses of the region and its inhabitants, this catalogue considers the place of the Arctic in the history and culture of the West at a moment when the region is taking on a new significance as a threatened, vanishing space.
An-My Lê's first publication, Small Wars, brought together three bodies of black-and-white work (Vietnam, Small Wars and 29 Palms), offering a trilogy of tautly rendered examinations of landscape, war, memory and spectacle. This earlier work examined the troubling beauty that both informs and binds Hollywood evocations and photojournalistic documents of conflict to Lê's childhood experiences in wartime Vietnam. Events Ashore continues her exploration of the American military, a pursuit both personal and civic. With this body of work, however, Lê emerges as a master colorist, employing the compositional precision and subtlety of palette of the large-format color negative to render the kaleidoscopic shifts of terrain and sudden intrusions of beauty, atmosphere and psychology within her observations of the military at work. Events Ashore began when the artist was invited to photograph US naval ships preparing for deployment to Iraq, the first in a series of visits to battleships, humanitarian missions in Africa and Asia, training exercises, and scientific missions in the Arctic and Antarctic. As Lê explains, these trips allowed her to study close at hand the military's noncombat activities, becoming "a launching point for an examination of the U.S. military on the global stage across oceans and borders as a symbol of conflict, an echo of the age of exploration, and an unlikely (and unsung) force in the unfolding environmental crisis … This work is as much about my perspective and personal history as a political refugee from Vietnam as it is about the vast geopolitical forces and conflicts that shape these landscapes." With this body of work, Lê has assembled a visual narrative of hardware, personnel, destinations, and points of contact that constitutes the American military experience--and influence. An-My Lê (born 1960) received her BAS and MS degrees from Stanford University and an MFA from Yale University. She is currently a professor of photography at Bard College and is the recipient of numerous awards, including fellowships from the New York Foundation for the Arts and the John Simon Guggenheim Memorial Foundation. In 2012, she became a MacArthur Foundation Fellow. Her work has been widely shown and collected internationally, including at The Museum of Modern Art and MoMA PS1, New York; The Metropolitan Museum of Art, New York; Museum of Contemporary Photography, Chicago; San Francisco Museum of Modern Art; Museum of Fine Arts, Houston; Bibliothèque Nationale de France, Paris; and the Queensland Art Gallery, Australia, among others.
BOOK FORMAT Clth, 10.5 x 13 in. / 192 pgs / 125 color. / 2 gatefolds.
PUBLISHING STATUS Pub Date 10/31/2014 No longer our product
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PRODUCT DETAILS ISBN 9781597112994TRADE List Price: $89.95 CDN $110.00
Published by Aperture. By John Berger. Edited and with introduction by Geoff Dyer.
John Berger’s explorations of the relationships between the individual and society, culture and politics, and experience and expression through the written word, films, photographic collaborations and performances are unmatched in their diversity, ambition and reach. His television series and book Ways of Seeing revolutionized the way that art is understood. Now, Understanding a Photograph gathers the photography writings of one of the most internationally influential authors of the past 50 years. Understanding a Photograph is arranged chronologically, leading the reader on a thought-provoking journey through selected essays from hallmark works such as “About Looking” and “Another Way of Telling,” as well as previously uncollected pieces written for exhibitions or catalogues that discuss a wide range of artists--from August Sander to Jitka Hanzlová. This collection of some 25 texts has been carefully selected by novelist and essayist Geoff Dyer, who has also written a critical study of Berger’s oeuvre. John Berger (born 1926) is a novelist, poet, screenwriter and critic. He is the author of numerous works of fiction and nonfiction, including To the Wedding, About Looking and G., for which he was awarded the Booker Prize. Among his best-known works are the television series and book, Ways of Seeing. He has received prestigious awards for his writing, including the Petrarca-Preis and a Golden PEN Award.
BOOK FORMAT Clth, 6 x 8.5 in. / 256 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 12/31/2013 No longer our product
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PRODUCT DETAILS ISBN 9781597112567TRADE List Price: $24.95 CDN $27.50
Published by Kerber. Edited by Katharina Dohm, Max Hollein. Text by Katharina Dohm, Geoff Dyer, Christoph Ribbat.
The photography of Philip-Lorca diCorcia achieves a marvelous balance of artifice and the everyday. Over the past three decades, diCorcia has developed a unique and influential style, in which a realistic, almost documentary style of representation is subverted or countered by visibly staged composition. This combination of seemingly opposite qualities endows his images with a mysterious eeriness. In his Hustlers series (1990–1992), diCorcia made portraits of male prostitutes in minutely composed settings, and for Heads (2000–2001)--probably his most famous series--he depicted passersby on the street in New York (who were oblivious to his photographing them) as though they were film stars. Alongside the series Streetwork (1993–1999), Lucky 13 (2004) and A Storybook Life (1975–1999), this volume, published for a major European retrospective and produced in close collaboration with diCorcia, also features works from his new and ongoing East of Eden project.
The Suffering of Light is the first comprehensive monograph charting the career of acclaimed American photographer Alex Webb. Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, "to me it all is photography. You have to go out and explore the world with a camera." Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs, The Suffering of Light provides the most thorough examination to date of this modern master's prolific, 30-year career. The photographs of Alex Webb (born 1952) have appeared in a wide range of publications, including The New York Times Magazine, Life, Stern and National Geographic, and have been exhibited at the International Center of Photography, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009). A member of Magnum Photos since 1976, Webb lives in New York City.
BOOK FORMAT Hardcover, 13 x 12 in. / 204 pgs / 115 color.
PUBLISHING STATUS Pub Date 5/31/2011 No longer our product
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PRODUCT DETAILS ISBN 9781597111737TRADE List Price: $65.00 CDN $75.00
Published by Louisiana Museum of Modern Art. Text by Sandra Ruffin, Erik Steffensen, Geoff Dyer. Interview by Mette Markus.
Danish photographer Jacob Holdt is internationally revered for his vision of America, as portrayed in classic volumes like American Pictures and United States 1970-1975. It is a vision which has inspired many, both in its extremity (the director Lars von Trier is reputedly a fan) and in its tenacity. Holdt arrived in the U.S. in the early 70s with almost no money, and hitchhiked all over the U.S., earning a living by selling blood, and proceeded to build an amazing portrait of the margins of America over the course of his 100,000-mile journey. This monograph continues Holdt's fascination with American society, with a portfolio of photographs from the 70s to the present. Holdt's photographs document the social realities of the people he travels with, spanning the demographic from poor families to millionaires, junkies and even members of the Ku Klux Klan.
Published by Walker Art Center. Edited by Siri Engberg. Interview by Bartholomew Ryan. Text by Geoff Dyer, Barry Schwabsky, Britt Salvesen, Siri Engberg, August Kleinzahler.
From Here to There: Alec Soth's America is the first exhibition catalogue to feature the full spectrum of the work of Alec Soth, one of the most interesting voices in contemporary photography, whose compelling images of everyday America form powerful narrative vignettes. Featuring more than 100 of the artist's photographs made over the past 15 years, the book includes new critical essays by exhibition curator Siri Engberg, curator and art historian Britt Salvesen and critic Barry Schwabsky, which offer context on the artist's working process, the photo-historical tradition behind his practice and reflections on his latest series of works. Novelist Geoff Dyer's "Riverrun"--a meditation on Soth's series Sleeping by the Mississippi--and August Kleinzahler's poem "Sleeping It Off in Rapid City" contribute to the thoughtful exploration of this body of work. Also included in the publication is a 48-page artist's book by Soth titled The Loneliest Man in Missouri, a photographic essay with short, diaristic texts capturing the banality and ennui of middle America's suburban fringes, with their corporate office parks, strip clubs and chain restaurants. This full-color publication includes a complete exhibition history, bibliography and interview with the artist by Bartholomew Ryan. Alec Soth was born in 1969 and raised in Minnesota, where he continues to live and work. He has received fellowships from the McKnight Foundation (1999, 2004) and Jerome Foundation (2001), was the recipient of the 2003 Santa Fe Prize for Photography and was short-listed for the highly prestigious Deutsche Börse Photography Prize. His first monograph, Sleeping by the Mississippi, was published in 2004 to critical acclaim. Since then Soth has published Niagara (2006), Fashion Magazine (2007), Dog Days, Bogotá (2007) and The Last Days of W (2008). He is a member of Magnum Photos.
Published by Louisiana Museum of Modern Art. Edited by Michael Juul Holm. Text by Geoff Dyer, Judith Thurman, Christoph Ribbat, Jeffrey Fraenkel, Rune Gade, et al.
In August 2007 Denmark's renowned Louisiana Museum of Modern Art presented Richard Avedon: Photographs 1946–2004, the first major retrospective devoted to Avedon's work since his death in 2004. This beautifully produced catalogue, designed by the renowned Danish graphic designer Michael Jensen, features deluxe tritone printing and varnish on premium paper. It includes 125 reproductions of Avedon's greatest work from the entire range of his oeuvre—including fashion photographs, reportage and portraits—and spans from his early Italian subjects of the 1940s to his 2004 portrait of the Icelandic pop star Björk. It also features a small number of color images, including what must be one of the most famous photographic portraits of the twentieth century, "Nastassja Kinski and the Serpent" (1981). Texts by Jeffrey Fraenkel, Judith Thurman, Geoff Dyer, Christoph Ribbat, Rune Gade and curator Helle Crenzien offer a sophisticated and thorough composite view of Avedon's career.