|   | FEATURED THEORY & CRITICISM TITLESThinking Contemporary CuratingWhat is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. These include: cooperative curating, especially with artists; the reimagination of museums; curating as knowledge production; the historicization of exhibition-making; and commitment to extra-artworld participatory activism. Less obvious, but increasingly of concern, are issues such as rethinking spectatorship, engaging viewers as co-curators and the challenge of curating contemporaneity itself. In these five essays, art historian and theorist Terry Smith surveys the international landscape of current thinking by curators; explores a number of exhibitions that show contemporaneity in recent, present and past art; describes the enormous growth world wide of exhibition infrastructure and the instability that haunts it; re-examines the contribution of artist-curators and questions the rise of curators utilizing artistic strategies; and, finally, assesses a number of key tendencies in curating as responses to contemporary conditions. Thinking Contemporary Curating is the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.  > moreThinking Contemporary CuratingWhat is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. These include: cooperative curating, especially with artists; the reimagination of museums; curating as knowledge production; the historicization of exhibition-making; and commitment to extra-artworld participatory activism. Less obvious, but increasingly of concern, are issues such as rethinking spectatorship, engaging viewers as co-curators and the challenge of curating contemporaneity itself. In these five essays, art historian and theorist Terry Smith surveys the international landscape of current thinking by curators; explores a number of exhibitions that show contemporaneity in recent, present and past art; describes the enormous growth world wide of exhibition infrastructure and the instability that haunts it; re-examines the contribution of artist-curators and questions the rise of curators utilizing artistic strategies; and, finally, assesses a number of key tendencies in curating as responses to contemporary conditions. Thinking Contemporary Curating is the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.  > moreCarolyn Christov-Bakargiev, Dario Gamboni, Michael Petzet: On the Destruction of Art - Or Art and Conflict, or the Art of HealingCarolyn Christov-Bakargiev reflects on the relationship between destruction and art, and on art's converse capacity for healing. Guiding us through a web of etymological, historical, philosophical, personal and art historical references, she takes the reader from Melanie Klein's ideas on the dyadic relationship between mother and child and Walter Benjamin's reflection on Klee's "Angelus Novus," to Man Ray's metronomes and Objects of Destruction, Lee Miller's photographs from the end of World War II, Gustav Metzger's "Manifesto of Auto-Destruction" and the destroyed Bamiyan Buddhas, which are accompanied by Michael Petzet's report of ICOMOS's response to the monuments. Also included are artworks by Michael Rakowitz, drawings and poems by Anna Boghiguian and a postscript by art historian Dario Gamboni on the concept of "world heritage" and its attendant legislation. For Christov-Bakargiev, "the sphere of art is poised on the edge of the private and of history, and becomes the location where one can experiment the possibilities of being on the edge of the anthropocentric, where the rubble lies."  > more | TABLE OF CONTENTS | NONFICTION & CRITICISM
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