CURATOR INDEX

David Campany

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


       

ACTIVE BACKLIST

Mark Neville: Fancy Pictures

Interview by David Campany.

Hbk, 14.25 x 11.75 in. / 192 pgs / 95 color. | 11/22/2016 | In stock
ISBN 9783869309088 | $55.00


Sarah Jones

Text by Brian Dillon, David Campany. Interview by A.M. Homes.

Hbk, 9.5 x 11.5 in. / 272 pgs / 160 color. | 11/30/2013 | In stock
ISBN 9781900828437 | $65.00


PA: John Baldessari in Collaboration with Naomi Shohan

Edited by Cristina Bechtler, David Campany. Text by John Baldessari, David Campany, Amy Cappellazzo, Jessica Morgan, Naomi Shohan.

Pbk, 9.5 x 12.25 in. / 127 pgs / 100 color. | 4/30/2012 | In stock
ISBN 9783037642528 | $29.00


Atget: Photographe de Paris

Text by David Campany, Pierre Mac Orlan, Jeffrey Ladd.

Clth, 7.25 x 9 in. / 112 pgs / 96 color. | 2/1/2009 | Awaiting stock
ISBN 9781935004004 | $39.95


    

OUT OF PRINT LISTING

Through the Looking Brain

Text by Stephan Berg, Konrad Bitterli, David Campany, Stefan Gronert, Dora Imhof.

Hbk, 9.75 x 12 in. / 240 pgs / 150 color. | 10/31/2011 | Not Available
ISBN 9783775729987 | $60.00


Jeff Wall: The Crooked Path

Edited by Hans De Wolf. Text by David Campany, Michael Fried, Luc Tuymans, Lawrence Weiner, et al. Interview by Hans De Wolf.

Hbk, 9.75 x 11.5 in. / 255 pgs / 150 color. | 9/30/2011 | Not Available
ISBN 9789055448623 | $50.00


Mark Neville: Fancy PicturesMark Neville: Fancy Pictures

Published by Steidl.
Interview by David Campany.

Fancy Pictures brings together six of photographer Mark Neville's (born 1966) socially engaged and intensely immersive projects from the last decade. He often pictures tight working communities through a collaborative process intended to be of direct, practical benefit to his subjects. One 2011 project focused on an English town with a strong post-industrial identity that has suffered serious industrial pollution. Assembling photos and scientific data, Neville produced a book to be given free to the environmental health services department of each of the 433 local councils in the UK. For another project in Helmand, Afghanistan, the artist created stills using multiple flash systems and 16mm movies to depict a military occupancy by young people. Spanning continents and cultures, each of Neville's projects involves the artist living among his subjects. Fancy Pictures is a testament to the power of photography—not just to capture a community, but to effect change in it.

PUBLISHER
STEIDL

BOOK FORMAT
Hardcover, 14.25 x 11.75 in. / 192 pgs / 95 color.

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CATALOG: SPRING 2015 p. 115   

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Sarah JonesSarah Jones

Published by Violette Editions.
Text by Brian Dillon, David Campany. Interview by A.M. Homes.

The photographs of Sarah Jones address established pictorial genres and our associated expectations by paring back space, subject and gesture. This book--the first major monograph on this young British artist--brings together work from an 18-year period, including many photographs never previously published, and looks at the themes and concerns that have remained constants in her work. The sequence of images chosen and arranged by the artist specifically for this publication is informed by Jones’ interest in how we see and represent her chosen subjects, using tropes from the stereograph, the double, the still life and portraiture. Jones first gained notice in the late 1990s for her photographs taken in psychoanalysts’ consulting rooms. These provocative sites have been explored through her practice over the years, in particular the couches that, in Jones’s images, show visible signs of the imprint of the patients who had reclined upon them during consultation. Her well-known later studies of adolescent girls uncomfortably caught in the flash of the camera in domestic settings draw attention to the staged relationship between model, photographer and location. Recent diptychs of horses and rose bushes refer to the viewing of early stereographic prints and explore the potential for photography to reveal uncanny perspectives on a subject. In The Rose Gardens series, Jones photographs the front and back of rose bushes in public gardens so that viewers can contemplate both viewpoints simultaneously. Jones’ overarching imperative is to look at subjects stripped back to an emotional truth. The imprints on the couches, the view of the roses that are beginning to wilt and the glazed look in the eyes of her models all investigate ideas of beauty and ritualized everyday gesture.

PUBLISHER
VIOLETTE EDITIONS

BOOK FORMAT
Hardcover, 9.5 x 11.5 in. / 272 pgs / 160 color.

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CATALOG: FALL 2013 p. 94   

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PA: John Baldessari in Collaboration with Naomi ShohanPA: John Baldessari in Collaboration with Naomi Shohan

Published by JRP|Ringier.
Edited by Cristina Bechtler, David Campany. Text by John Baldessari, David Campany, Amy Cappellazzo, Jessica Morgan, Naomi Shohan.

PA is an annual artist’s magazine devoted to artists that use photography. For each issue, an artist is asked to invite a collaborator to engage in a dialogue about their practice. For this latest issue, American artist John Baldessari chose film set designer Naomi Shohan, and the two collaborated on a brilliant and witty elaboration of Baldessari’s treatment of found photography. The book juxtaposes Hollywood film stills from the outsider’s viewpoint--Baldessari’s take on Hollywood--with film stills from the insider’s viewpoint-- that of Shohan the set designer, who has worked on major film productions such as American Beauty, Constantine, The Replacement Killers and The Sorcerer’s Apprentice. Baldessari is well known for his enjoyment of collaboration, but this volume constitutes his most intriguing venture to date. Also included is a conversation with the artists by Amy Cappellazzo.

PUBLISHER
JRP|RINGIER

BOOK FORMAT
Paperback, 9.5 x 12.25 in. / 127 pgs / 100 color.

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CATALOG: SPRING 2012 p. 98   

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ISBN 9783037642528 TRADE
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Through the Looking BrainThrough the Looking Brain

Published by Hatje Cantz.
Text by Stephan Berg, Konrad Bitterli, David Campany, Stefan Gronert, Dora Imhof.

Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan Douglas and Gabriel Orozco.

PUBLISHER
HATJE CANTZ

BOOK FORMAT
Hardcover, 9.75 x 12 in. / 240 pgs / 150 color.

PUBLISHING STATUS
PUB DATE
Out of print

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CATALOG: FALL 2011 p. 154   

PRODUCT DETAILS
ISBN 9783775729987 TRADE
LIST PRICE: $60.00 CDN $70.00

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STATUS: Out of print | 00/00/00

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Jeff Wall: The Crooked PathJeff Wall: The Crooked Path

Published by Ludion.
Edited by Hans De Wolf. Text by David Campany, Michael Fried, Luc Tuymans, Lawrence Weiner, et al. Interview by Hans De Wolf.

The photography of Jeff Wall (born 1946) is consciously and profoundly saturated in the social: in the Vancouver art community from which he first emerged, fully formed, in the late 1970s; in the racial and gender politics of our times, which he analyses with marvelous clarity in his huge photographic light boxes that declare an equal status with painting through their scale and their carefully plotted depth and grandeur; in the art history pantheon that informs his staged compositions, from Hokusai to Velásquez and Manet; and in his influence on at least two generations of photographers, most notably the Düsseldorf school (Andreas Gursky once cited Wall as “a great model for me” ). Jeff Wall: The Crooked Path examines the cultural context for Wall's tremendous achievement in photography. Wall himself has chosen 25 of his own photographs, taken between the late 1970s and the present, and has constellated them among the visionary company his work keeps, alongside reproductions of works by Marcel Duchamp, Diane Arbus, Eugene Atget, Wols, Andreas Gursky, David Claerbout, Thomas Struth, Frank Stella, Robert Smithson, Rodney Graham, Ian Wallace, Lawrence Wiener and R.W. Fassbinder. The Crooked Path orients Wall's photography across ten themed chapters, each of which is prefaced with an interview with Wall by Hans De Wolf. Also included are testimonies and essays by fellow artists and art historians, such as Luc Tuymans, Lawrence Weiner, Michael Fried and David Campany.

PUBLISHER
LUDION

BOOK FORMAT
Hardcover, 9.75 x 11.5 in. / 255 pgs / 150 color.

PUBLISHING STATUS
PUB DATE
Out of print

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CATALOG: FALL 2011 p. 92   

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ISBN 9789055448623 TRADE
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STATUS: Out of print | 00/00/00

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Atget: Photographe de ParisAtget: Photographe de Paris

Books on Books No. 1

Published by Errata Editions.
Text by David Campany, Pierre Mac Orlan, Jeffrey Ladd.

Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist.
Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well as a translation of the original Pierre Mac Orlan text on Eugene Atget's remarkable documentation of Paris at the turn of the nineteenth century. Noted author and lecturer David Campany contributes a contemporary essay called "Atget's Intelligent Documents" written for this volume.

PUBLISHER
ERRATA EDITIONS

BOOK FORMAT
Clth, 7.25 x 9 in. / 112 pgs / 96 color.

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CATALOG: SPRING 2009 p. 46   

PRODUCT DETAILS
ISBN 9781935004004 TRADE
LIST PRICE: $39.95 CDN $50.00

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Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Edgar Martins: TopologiesEdgar Martins: Topologies

Published by Aperture.
Text by John Beardsley. Interview by David Campany.

With artful composition and controlled framing--but no digital manipulation--Edgar Martins creates sublimely beautiful views of often unbeautiful sites. Minimalist nighttime beaches, forests ravaged by fires and Iceland's stark terrain have all served as subjects for his large-scale color photographs. He also explores the unexpected impact of Modernism on the landscape, including startlingly graphic airport runways and colorful highway barriers that, at first glance, read like abstract murals. Certain themes recur throughout Martins' work. A sense of place and alienation from it. A sense of mystery-vividly embodied in scenes such as a woman with a bouquet of balloons on a deserted shore. And a sense that something unsettling has just happened or is about to happen--a fire, an accident, a close encounter with some unspecified danger. As John Beardsley notes, "Some images are what we habitually expect photography to be--evidence of the world as we think we know it--while others obscure their subjects through an illusionism that borders on magic."

PUBLISHER
APERTURE

BOOK FORMAT
Hardback, 11 x 9.25 in. / 128 pgs / 75 color.

PUBLISHING STATUS
PUB DATE
No longer our product

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ISBN 9781597110570 TRADE
LIST PRICE: $50.00 CDN $60.00

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Doug Rickard: A New American PictureDoug Rickard: A New American Picture

Published by Aperture.
Text by David Campany. Interview by Erin O'Toole.

Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. While at first glance the work looks reassuringly familiar and well within the traditional bounds of the genre, Rickard’s methodology is anything but conventional. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America--bleak places that are forgotten, economically devastated and abandoned. With an informed and careful eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. He rephotographs the machine-made images as they appear on his computer screen, framing and freeing them from their technological origins. As Geoff Dyer has commented on the work, “It was William Eggleston who coined the phrase ‘photographing democratically,’ but Rickard has used Google’s indiscriminate omniscience to radically extend this enterprise--technologically, politically and aesthetically.” A limited-edition monograph of A New American Picture was published by White Press/Schaden in 2010; upon publication, it was named a best book of that year by Photo-Eye magazine, and quickly went out of print. This edition brings Rickard’s provocative series, including more than 30 new images, to a wider audience.
Doug Rickard (born 1968) studied American history and sociology at University of California, San Diego. He is the founder of American Suburb X (www.americansuburbx.com) and These Americans (www.theseamericans.com), aggregating websites for essays on contemporary photography and historical photographic archives. A New American Picture was included in the annual New Photography exhibition at The Museum of Modern Art, New York, in 2011.

PUBLISHER
APERTURE

BOOK FORMAT
Hardcover, 12.5 x 9.75 in. / 144 pgs / 90 color.

PUBLISHING STATUS
PUB DATE
No longer our product

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ISBN 9781597112192 TRADE
LIST PRICE: $60.00 CDN $70.00

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The Open Road: Photography and the American RoadtripThe Open Road: Photography and the American Roadtrip

Published by Aperture.
Edited with text by David Campany.

After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create work, including Robert Frank, whose seminal road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman’s Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper’s Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma formed the basis of Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany’s introduction to the genre and 18 chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts. This volume highlights some of the most important bodies of work made on the road, from The Americans to the present day.

PUBLISHER
APERTURE

BOOK FORMAT
Hardcover, 10 x 11.5 in. / 336 pgs / 250 color.

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No longer our product

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ISBN 9781597112406 TRADE
LIST PRICE: $65.00 CDN $75.00

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Stephen Shore: SurveyStephen Shore: Survey

Published by Aperture/Fundación MAPFRE.
Text by Marta Dahó, Sandra S. Phillips, Horacio Fernández. Interview by David Campany.

Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. Stephen Shore: Survey includes over 250 images that span Shore's impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore's contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. The narrative of the catalogue is conceptualized around three particularly revealing aspects of Shore's work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape and his significant use of color within a photographic context. The images are accompanied by an interview between David Campany and Shore, as well as texts by Sandra S. Phillips, Marta Dahó and Horacio Fernández. Published for his first ever retrospective exhibition, this essential catalogue also features a complete bibliography and chronology.Stephen Shore (born 1947) had his work purchased by Edward Steichen for The Museum of Modern Art, New York, at age 14. At 17, Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971, at the age of 24, he became the first living photographer since Alfred Stieglitz to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at The Museum of Modern Art, New York; George Eastman House, Rochester, New York; the Hammer Museum, Los Angeles; and the Art Institute of Chicago. Since 1982, he has been director of the photography program at Bard College, Annandale-on-Hudson, New York, where he is the Susan Weber Professor in the Arts.

PUBLISHER
APERTURE/FUNDACIóN MAPFRE

BOOK FORMAT
Hardcover, 11.75 x 9.5 in. / 300 pgs / 250 color.

PUBLISHING STATUS
PUB DATE
No longer our product

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ISBN 9781597113090 TRADE
LIST PRICE: $65.00 CDN $75.00

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