| Karen Haas | | MONOGRAPHS & CATALOGS An Enduring Vision Text by Lyle Rexer, Karen Haas. Among private collections of fine photography, the Lane Collection stands out as one of the most remarkable. Begun in the 1960s and still ongoing, the collection shines not only for its go to book page >> MFA PUBLICATIONS ISBN: 9780878467624 $65.00 | In stock Conversations Edited by Mary Cremin. Introduction by Enrique Juncosa. Foreword by Rena De Sisto. Text by Matthew S. Witkovsky, Anne Havinga, Karen Haas, Mary Cremin. Conversations comprises a selection of more than 100 photographs drawn from the Bank of America Collection. The publication traces the history of photography through the eyes and imagination of iconic photographers go to book page >> IRISH MUSEUM OF MODERN ART ISBN: 9781907020810 $30.00 | Awaiting stock | |
| | | |  | CONVERSATIONS IRISH MUSEUM OF MODERN ART ISBN: 9781907020810 | US $30.00 Pub Date: 5/31/2013 Forthcoming
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|  | AN ENDURING VISION Text by Lyle Rexer, Karen Haas. MFA PUBLICATIONS ISBN: 9780878467624 | US $65.00 Pub Date: 8/31/2011 Active | In stock
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| Photography from the Bank of America CollectionEdited by Mary Cremin. Introduction by Enrique Juncosa. Foreword by Rena De Sisto. Text by Matthew S. Witkovsky, Anne Havinga, Karen Haas, Mary Cremin. Published by Irish Museum of Modern ArtConversations comprises a selection of more than 100 photographs drawn from the Bank of America Collection. The publication traces the history of photography through the eyes and imagination of iconic photographers such as Harry Callahan, Robert Frank, Dorothea Lange, Paul Strand and Hiroshi Sugimoto.
|  | STATUS: Forthcoming | 5/31/2013 This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com |
| Photographs from the Lane CollectionText by Lyle Rexer, Karen Haas. Published by MFA PublicationsAmong private collections of fine photography, the Lane Collection stands out as one of the most remarkable. Begun in the 1960s and still ongoing, the collection shines not only for its wealth of top-quality prints by the great modernist triumvirate of Ansel Adams, Charles Sheeler and Edward Weston (including the most important single holding of Adams' work), but also for its breadth. This volume presents 120 photographic masterpieces from the Lane Collection, ranging from William Henry Fox Talbot to the Starn twins, and including along the way work by Arbus, Brancusi, Bravo, Cunningham, Frank, Fuss, Goldin, Kertesz, Lange, Michals, Modotti, Morell, Penn, Steichen, Strand, Sudek and nearly 50 others. The keynote essay by Lyle Rexer trains an acute eye on images from the collection, defining the vision behind this magnificent grouping. But it is the images themselves that place this among the most significant photography books of the year.
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