Published by JRP|Ringier. Edited by Thomas Bizzarri, Thomas Hirschhorn. Text by Claire Bishop, Hal Foster, Yasmil Raymond.
Published on the occasion of his exhibition at the Swiss Pavilion of the 2011 Venice Biennale, Establishing a Critical Corpus is the first theoretical examination of the work of Thomas Hirschhorn (born 1957), in six illustrated essays by authors including scholars Claire Bishop and Hal Foster and the poet Manuel Joseph, providing a variety of angles on Hirschhorn's practice.
Published by Walker Postscript/Walker Art Center. Text by Yasmil Raymond, Marcus Steinweg, Thomas Hirschhorn, Simon Baier.
Abstract Resistance considers the metaphor of resistance as a political and compositional force defining the art of the past half-century. Starting with Michel Foucault's assertion that "where there is power, there is resistance," it explores art made since World War II that has been shaped by traumatic historical events in complex ways. Rather than creating an explicit art of social protest, artists have responded to violence and upheaval with art that rejects the comfort of moral certainty. Such art withholds information and evades identification. Exhibition curator Yasmil Raymond provides an overview of the exhibition's themes and artworks; art historian Simon Baier traces the origins and development of nonobjective art through the writings of critics such as Charles Baudelaire and Meyer Schapiro; and philosopher Marcus Steinweg draws on the ideas of Theodor Adorno and others to provide a theoretical framework for artistic resistance.
Published by Editora Cobogó. Text by Richard Flood, Paulo Herkenhoff, Lars Bang Larsen, Yasmil Raymond, Racheal Thomas.
Brazilian artist Rivane Neuenschwander (born 1967) joyously embraces all genres from painting and sculpture to film and photography, installation and collaborative actions. Whether gathering anonymously created objects from bars and restaurants, or installing continually dripping buckets in a forest, her art is ultimately about being alive and responsive. Some of Neuenschwander's best-known works are collaborations with the public: "I Wish Your Wish" enables visitors to select from hundreds of wishes those they hope will come true, in exchange leaving new wishes behind; in "First Love," visitors are invited to describe the face of their first love to a forensic artist. A Day Like Any Other is the artist's first full-length monograph.
PUBLISHER EDITORA COBOGó
BOOK FORMAT Paperback, 8.5 x 11 in. / 244 pgs / 210 color.
PUBLISHING STATUS PUB DATE 3/31/2011 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2011 p. 85
PRODUCT DETAILS ISBN 9780915557936TRADE LIST PRICE: $49.95 CDN $60.00
AVAILABILITY Awaiting stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
Published by Aspen Art Museum and The Hammer Museum. Text by Douglas Fogle, Peter Eleey, Heidi Zuckerman Jacobson, Yasmil Raymond.
Since 1986, Dutch artist Mark Manders (born 1968) has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by other literature, Manders' earliest works in this project were primarily written, but over time, Manders found ways to deploy everyday three-dimensional objects--epoxy figures, animals, teabags, pencils, household furniture--to build a portrait of his own mind as an architectural space. As the artist explains, "this imaginary building, being composed of discrete objects, can shrink or expand at any moment. In this building, all words created by mankind are on hand." This publication accompanies the first North American touring exhibition of Manders' work.
Published by Rochester Art Center. Edited by Kris Douglas. Foreword by Denise Sorom. Text by Kris Douglas, Claire Barliant, Yasmil Raymond.
The Chicago-based artist Iņigo Manglano-Ovalle is immersed in an ongoing critical investigation of the diverse conditions, systems and histories that define and describe our existence. He digs deep, often collaborating with specialists in such fields as engineering, architecture, genomics and climatology to produce engaging art objects, videos and installations that take on subjects like identity, ethics, aesthetics, climate and other social and political systems. This concise clothbound catalogue contains blue and red acetate inserts to recall the tinted windows at his recent Rochester Art Center exhibition, as well as an in-depth interview with Yasmil Raymond of the Walker Art Center, Minneapolis. Iņigo Manglano-Ovalle has had solo exhibitions at The Art Institute of Chicago and the Museum of Contemporary Art, Chicago, and has participated in such important group exhibitions as the 2000 Whitney Biennial, the Guggenheim Museum's 2002 Moving Pictures and 2007's Documenta 12 in Kassel, Germany. He was featured on the PBS series Art 21 in the fall of 2007.
PUBLISHER ROCHESTER ART CENTER
BOOK FORMAT Clothbound, 5.75 x 8.25 in. / 65 pgs / 39 color.
PUBLISHING STATUS PUB DATE 2/1/2008 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2008 p. 150
PRODUCT DETAILS ISBN 9780979236402TRADE LIST PRICE: $29.95 CDN $35.00
AVAILABILITY In stock
in stock $29.95
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Published by Walker Art Center. Text by Doryun Chong, Yasmil Raymond.
Addressing contemporary international art beyond glib expressions of globalism, Brave New Worlds assesses the current state of political consciousness and its multivalent artistic manifestations in an era characterized by the unraveling of a unified world order. Guided by the questions "How do we know?," "How do we experience?" and "How do we dream about the world?," 24 artists from Southeastern Europe to South America, from the Middle East to East Asia and from North Africa to North America propose their own answers in paintings, drawings, sculptures, installations and videos. The catalogue includes several brief "correspondent" essays, inspired by newspaper reports and penned by an international cast of young art historians, critics and curators, including Max Andrews and Mariana Canepa Luna (Spain), Cecilia Brunson (Chile), Hu Fang (China), Tone Hansen (Norway), Mihnea Mircan (Romania) and José Roca (Colombia). Recent texts by philosopher Kwame Anthony Appiah, celebrated author and activist Arundhati Roy and award-winning foreign correspondent Janine di Giovanni provide additional perspectives on global affairs of the past decade. In addition, Brave New Worlds features an artist insert by Lia Perjovschi of Romania, entitled "Subjective Art History from Modernism to Today," and entries on each individual artist.
Published by Walker Art Center. Text by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr, Kevin Young, Yasmil Raymond.
Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.