Lauri Firstenberg

ACTIVE BACKLIST

THE WORK OF GLENN KAINO: COMMUNICATING ROOKS
Text by Eungie Joo, Daniel Chamberlin, Hu Fang, Lauri Firstenberg.
HATJE CANTZ
ISBN: 9783775723046 | US $55.00
Pub Date: 9/30/2009
Active | In stock

OUT OF PRINT LISTING

WANGECHI MUTU: MY DIRTY LITTLE HEAVEN
HATJE CANTZ
ISBN: 9783775727013 | US $55.00
Pub Date: 11/30/2010
Out of Print | Not available

LOOKING BOTH WAYS
SNOECK PUBLISHERS, GHENT
ISBN: 9789053494431 | US $50.00
Pub Date: 3/2/2004
Out of print | Not available

LOOKING BOTH WAYS
SNOECK PUBLISHERS, GHENT/MUSEUM FOR AFRICAN ART, NY
ISBN: 9780945802358 | US $50.00
Pub Date: 3/2/2004
Out of print | Not available

TOUHAMI ENNADRE: IF YOU SEE SOMETHING SAY SOMETHING
Essays by Okwui Enwezor, Laurie Firstenberg and Nancy Spector.
HATJE CANTZ PUBLISHERS
ISBN: 9783775791809 | US $65.00
Pub Date: 6/2/2004
Out of print | Not available

Lauri Firstenberg

Wangechi Mutu: My Dirty Little Heaven

Text by Okwui Enwezor, Lauri Firstenberg, Friedhelm Hütte, Courtney J. Martin, Klaus Ottmann, Pierre de Weck.
Published by Hatje Cantz

Kenyan sculptor and anthropologist Wangechi Mutu (born 1972) mines ethnographic photography, fashion, sport, porn and popular-science publications such as National Geographic to develop her fierce critique of the deformation of the female body by consumerism in elegant, tapering spirals of collage and drawing. Mutu refers to her hybrid women as “warrior women” whom she augments and contorts in prosthetic treatments. Often indefinably horrific, Mutu’s complexly patterned works are often pitched between decorative abstraction and mutant figuration, and as Klaus Ottman points out in an essay included here, her hybrid creatures evoke “the genocidal horrors inflicted by African rebels in Sierra Leone and Sudanese soldiers in Darfur while also recalling the imaginative heads of Archimboldo; the erotic contortions of Egon Schiele; and the photomontages of Hannah Höch.” Mutu’s work, presented here in over 130 color images, has advanced a fresh treatment of black female identity, consumer culture and postcolonialism.

The Work of Glenn Kaino: Communicating Rooks

Text by Eungie Joo, Daniel Chamberlin, Hu Fang, Lauri Firstenberg.
Published by Hatje Cantz

Cofounder of Los Angeles' artist-run Deep River Gallery, former Creative Director of Napster and creator of ueber.com, a MySpace alternative made for and by artists, Los Angeles-based artist Glenn Kaino has a multifaceted creative practice. His 2007 interactive installation work, Burning Boards--a room filled with chessboards whose pieces are different-size burning candles, in which competitors play matches using tongs to move the dripping candles--is characteristic of his playfulness and his penchant for meditating on political, pop-cultural and identity issues without being literal. This monograph, which focuses on kinetic sculptures and large-scale installations created over the past 10 years, includes contributions by Hu Fang, Director of Guangzhou's Vitamin Creative Space, LAXART founder Lauri Firstenberg and Eugenie Joo, Director of Education and Public Programs at the New Museum.
Born in 1970, Glenn Kaino, who was included in the 2004 Whitney Biennial, is currently represented by The Project in New York.

Looking Both Ways

Art of the Contemporary African Diaspora

Edited by Laurie Ann Farrell. Essays by Okwui Enwezor, Laurie Ann Farrell, Jos» Antonio B. Fernandes Dias, Laurie Firstenberg, Steven Nelson, Salah Hassan and John Peffer.
Published by Snoeck Publishers, Ghent

Looking Both Ways: Art of the Contemporary African Diaspora considers the work of artists from North, South, East and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, the United Kingdom and the United States. As its title indicates, Looking Both Ways refers to the artists' practice of looking at the psychic terrain between Africa and the West, a terrain of shifting physical contexts, aesthetic ambitions and expressions. It examines the relationship between physical contexts, emotional geographies, ambition, and freedom of expression while focusing on the increasing globalization of the African Diaspora. Looking Both Ways is not a survey, but rather an intimate consideration of the work of twelve artists: Fernando Alvim, Ghada Amer, Oladélé Bamgboyé, Allan deSouza, Kendell Geers, Moshekwa Langa, Hassan Musa, N'Dilo Mutima, Wangechi Mutu, Ingrid Mwangi, Zineb Sedira and Yinka Shonibare.

Looking Both Ways

Art of the Contemporary African Diaspora

Edited by Laurie Ann Farrell. Essays by Okwui Enwezor, Laurie Ann Farrell, Jos» Antonio B. Fernandes Dias, Laurie Firstenberg, Steven Nelson, Salah Hassan and John Peffer.
Published by Snoeck Publishers, Ghent/Museum for African Art, NY

Looking Both Ways: Art of the Contemporary African Diaspora considers the work of artists from North, South, East, and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, the United Kingdom, and the United States. As its title indicates, Looking Both Ways refers to the artists' practice of looking at the psychic terrain between Africa and the West, a terrain of shifting physical contexts, aesthetic ambitions, and expressions. It examines the relationship between physical contexts, emotional geographies, ambition, and freedom of expression while focusing on the increasing globalization of the African Diaspora. Looking Both Ways is not a survey, but rather an intimate consideration of the work of twelve artists: Fernando Alvim, Ghada Amer, Oladªlª Bamgboyª, Allan deSouza, Kendell Geers, Moshekwa Langa, Hassan Musa, N'Dilo Mutima, Wangechi Mutu, Ingrid Mwangi, Zineb Sedira, and Yinka Shonibare.

Touhami Ennadre: If You See Something Say Something

Essays by Okwui Enwezor, Laurie Firstenberg and Nancy Spector.
Published by Hatje Cantz Publishers

As early as 1978, critics have compared the striking works of French photo artist Touhami Ennadre to the intensity of Van Gogh, and others have since identified affinities with Caravaggio and the poetry of Rimbaud. In the words of author Tilman Spengler, "Ennadre presents images that appear and disappear at the same time. Often insistent to the point of obsession, these works imitate Creation in their own unique fashion, posing the question of how light and shadow become form and figure in a dialogue of equals." Author Fran¡ois Aubral coined the term "black light" with reference to this aspect of Ennadre's work. If You See Something Say Something features an impressive selection of Ennadre's beautifully modeled photographs, and presents for the first time his recent Danse series, shot on the New York City club scene.