DATE 2/18/2016

Muse: Mickalene Thomas, Le Dejeuner Sur l'herbe les Trois Femmes Noires

DATE 2/17/2016

Muse: Mickalene Thomas Photographs, Don't Forget About Me (Keri)

DATE 2/17/2016

SURF'S UP! Two California Events for Joni Sternbach: Surf Site Tin Type

DATE 2/16/2016

Muse: Mickalene Thomas, Sandra: She's a Beauty #2

DATE 2/16/2016

The Sun Went to Their Heads: Louise Sandhaus to Lecture on California, Graphic Design & Modernism during Palm Springs Modernism Week

DATE 2/15/2016

The Photographs of Abraham Lincoln

DATE 2/14/2016

Private Collection: A History of Erotic Photography, 1850–1940

DATE 2/14/2016

Love Stories

DATE 2/13/2016

Sarah Cain: The Imaginary Architecture of Love, Bow Down

DATE 2/12/2016

Shannon Ebner: Auto Body Collision

DATE 2/11/2016

Santu Mofokeng: Stories No. 1: Train Church

DATE 2/10/2016

Lookin' Good

DATE 2/10/2016

Beauty: Cooper Hewitt Design Triennial, Vlisco textiles

DATE 2/10/2016

Congratulations Badlands Unlimited: New Offices, New Flagship Outlet!

DATE 2/9/2016

William Eggleston: The Democratic Forest, Bottles on Table

DATE 2/8/2016

William Eggleston: The Democratic Forest

DATE 2/7/2016

William Eggleston: The Democratic Forest, Gulf Transport bus

DATE 2/6/2016

Art Brut in America: The Incursion of Jean Dubuffet, Gaston Duf

DATE 2/5/2016

BACK IN STOCK! Maude Schuyler Clay: Mississippi History, Anna as Heidi

DATE 2/4/2016

Kerry James Marshall: Look See, Untitled (Rapunzel)

DATE 2/3/2016

NEW! The Artist as Curator: Collaborative Initiatives in the International Zero Movement 1957-1967, Margret Mack, Heinz Mack, Otto Piene, Jean Tinguely, Daniel Spoerri, Pol Bury, Yves Klein and Emmett Williams after the opening of Vision in Motion

DATE 2/2/2016

Christine Osinski: Summer Days Staten Island, kids hanging out by car

DATE 2/1/2016

Joel Meyerowitz: Morandi's Objects, Flowers in Vase

DATE 2/1/2016

Join ARTBOOK | D.A.P. at the 2016 CAA Conference

DATE 2//2016

Visit ARTBOOK at the LAABF 2016!

DATE 1/31/2016

Ed Ruscha: Los Angeles Apartments

DATE 1/30/2016

Suzan Frecon: Oil Paintings and Sun, Dark Red Cathedral

DATE 1/29/2016

Jack Pierson: onthisisland

DATE 1/28/2016

Robert Frank: In America

DATE 1/27/2016

Sue Williams, It's a Man's World

DATE 1/27/2016

Books & Films by Robert Frank

DATE 1/26/2016

BACK IN STOCK! Guy Bourdin: Polaroids

DATE 1/25/2016

Saul Leiter: Early Black and White

DATE 1/25/2016

The Haas Brothers & Liza Lou at Art Catalogues, LACMA

DATE 1/25/2016

Cooking from the CCCP COOK BOOK

DATE 1/24/2016

The Haas Brothers: Afreaks

DATE 1/23/2016

Brad Cloepfil / Allied Works Architecture: Case Work, Wisconsin Art Preserve

DATE 1/22/2016

Brad Cloepfil / Allied Works Architecture: Case Work, National Music Centre of Canada

DATE 1/22/2016

HISTORIC: Robert Frank & Gerhard Steidl in Conversation

DATE 1/21/2016

Exquisite: Gerhard Richter: Atlas, Limited Edition

DATE 1/21/2016

Hairy Who & The Chicago Imagists

DATE 1/19/2016

Charlotte Dumas: Work Horse

DATE 1/19/2016

Chris Killip: Pirelli Work

DATE 1/18/2016

Gordon Parks: Segregation Story

DATE 1/17/2016

Hiroji Kubota: Photographer, March on Washington

DATE 1/16/2016

BACK IN STOCK! Henry Taylor

DATE 1/16/2016

New & Forthcoming Books by Gordon Parks

DATE 1/15/2016

Erica Baum: The Naked Eye, untitled woman

DATE 1/15/2016

Best of 2016: Dan Nadel Shares his Forthcoming Favorites

DATE 1/14/2016

The Open Road: Photography and the American Roadtrip, Alec Soth

DATE 1/14/2016

Jennie C. Jones: Compilation


Muse: Mickalene Thomas

DATE 2/18/2016

Muse: Mickalene Thomas

"Le Déjeuner sur l'herbe: Les trois femmes noires" (2010) is reproduced from Muse: Mickalene Thomas Photographs. "Could a man have made these images? No, not my images. Men make many images of women that seem distant and detached. I like to think that my love of and attraction to women is represented in my photographs and paintings. I believe that there's a different gaze of woman-on-woman love that is well beyond the notion of exploitation. There is sexuality and all those beautiful things about a woman that turn me on. I have a deep desire and sensuality for women that's inescapable. So perhaps I'm just as guilty as a man for my reasons for wanting to look at, photograph, and paint women. But most of the women that I'm working with are very comfortable with what they're doing, how they want to express themselves. I look at it as a collaboration. I want them to be themselves."

Muse: Mickalene Thomas Photographs

DATE 2/17/2016

Muse: Mickalene Thomas Photographs

"The amazing thing that you've done, and I mean this from the bottom of my heart, is that you've stepped out and reclaimed an extraordinary space for black women to live in," Carrie Mae Weems says to Mickalene Thomas in an interview published in Aperture's new monograph. "You work with historical references, whether we're talking about art-historical references or Jet magazine and centerfolds, or pinups, or the sublime nude. All of those things that come up when we decide we're going to look at the body as opposed to thinking about the pathology of the body, which is how blackness has been considered for the most part. Blackness, homosexuality, and otherness—they've been considered as a kind of illness. The thing that the work does so brilliantly, beautifully and importantly is that it usurps the power of all of those strategies that have heretofore hindered us, and gives us a sort of strength and a power to move forward under our own conditions. You've used all of what you know and all of art history to turn art history upon its head, as opposed to reinserting the black body into art history." Featured image is "Don't Forget About Me (Keri)" (2009).

Muse: Mickalene Thomas

DATE 2/16/2016

Muse: Mickalene Thomas

"The moment I started photographing my mother was the moment my work completely changed," Mickalene Thomas is quoted in Aperture's stellar new release collecting the artist's photographic portraits, self-portraits and collage works. Vivid, sensual and direct, this long-awaited monograph/artist's book features die-cut pages designed to highlight certain details of the artworks on either side and a zine-like newsprint insert with works by artists who have inspired Thomas' practice—from Latoya Ruby Frazier to Malick Sidibé to Carrie Mae Weems, who contributes an interview. Featured photograph, of Thomas' mother and most important muse, is "Sandra: She's a Beauty #2" (2012).

DATE 1/27/2016

Sue Williams

DATE 1/12/2016

Ellsworth Kelly

DATE 12/23/2015

Niki de Saint Phalle


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