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RECENT POSTS

DATE 10/26/2014

'Fischerspooner: New Truth' Launch at VFILES

DATE 10/24/2014

Photography & Modern Architecture in Spain 1925-1965

DATE 10/23/2014

Josef Albers: Minimal Means, Maximum Effect

DATE 10/22/2014

Josef Albers: Minimal Means, Maximum Effect

DATE 10/21/2014

Alec Soth and Brad Zellar Book Event at the Walker Art Center

DATE 10/20/2014

Bernadette Corporation: 2000 Wasted Years

DATE 10/16/2014

ARTBOOK @ Swiss Institute Presents 'What Nerve' Panel, Signing and Screening

DATE 10/16/2014

Carlo Mollino: Polaroids

DATE 10/15/2014

'Edgewise: A Picture of Cookie Mueller' Launches in NY

DATE 10/15/2014

'Matthew Brandt: Lakes and Reservoirs' Launches Thursday at MOCA Grand Avenue

DATE 10/14/2014

Julian Schnabel: Draw a Family

DATE 10/12/2014

Jim Shaw: The Hidden World

DATE 10/12/2014

Jim Shaw: The Hidden World

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/8/2014

EX LIBRIS: Hand-Picked Steidl Favorites from Dan Nadel

DATE 10/8/2014

ZERO: Countdown to Tomorrow, 1950s-60s

DATE 10/6/2014

Bridget Riley: The Stripe Paintings 1961-2014

DATE 10/5/2014

The Heart Is Not a Metaphor: Robert Gober at MoMA

DATE 10/3/2014

Robert Gober: The Heart Is Not a Metaphor

DATE 10/2/2014

Books for Life: Steidl

DATE 10/1/2014

'Superlight: Rethinking How Our Homes Impact the Earth' Featured in the New York Times

DATE 10/1/2014

Gordon Parks: Collected Works

DATE 9/30/2014

Termite Art: 'What Nerve: Alternative Figures in American Art' in NY Times

DATE 9/29/2014

Hiroshi Sugimoto: Dioramas

DATE 9/29/2014

Now Available: A New, Expanded Edition of the Teacher's Manual to 'In the Making'

DATE 9/26/2014

ARTBOOK @ NYABF

DATE 9/25/2014

Luck, Laughs, Lust & Love: Chloé Griffin on Cookie Mueller

DATE 9/25/2014

Join OSMOS for a Kon Trubkovich: Leap Second Book Signing at the NYABF

DATE 9/25/2014

K8 Hardy 'How To: Untitled Runway Show' Signing at the NYABF

DATE 9/24/2014

ARTBOOK Presents K8 Hardy Signing at the NYABF

DATE 9/24/2014

ARTBOOK @ MoMA PS1 Presents Cory Arcangel at the NYABF Opening

DATE 9/24/2014

ARTBOOK Presents Cory Arcangel One Night Installation and Signing at the NYABF Opening

DATE 9/23/2014

Paul Chan: New New Testament

DATE 9/22/2014

Cory Arcangel: All The Small Things

DATE 9/21/2014

Kelley Walker Book Signing at 192 Books

DATE 9/20/2014

Celebrate 'Ray Johnson: Not Nothing' at the MoMA Library Wednesday Night

DATE 9/20/2014

ARTBOOK + SWISS INSTITUTE Launch Two New Books by Paul Chan

DATE 9/19/2014

What Nerve! Destroy All Monsters

DATE 9/19/2014

The Essential Cy Twombly: Beautiful in Their Subversion of 'Beauty'

DATE 9/18/2014

What Nerve! Christina Ramberg Rediscovered

DATE 9/18/2014

A Country of Cities Now Available in eBook Editions

DATE 9/17/2014

ARTBOOK @ SI Launch Party

DATE 9/16/2014

Le Corbusier & Pierre Jeanneret: Chandigarh, India

DATE 9/16/2014

What Nerve! Alternative Figures in American Art, 1960 to the Present

DATE 9/15/2014

ARTBOOK @ SWISS INSTITUTE Presents the World's Best Books on Contemporary Chair Design

DATE 9/15/2014

Just One Good Chair

DATE 9/14/2014

Joan Rothfuss to Sign 'Topless Cellist' at Walker Art Center

DATE 9/12/2014

George Herms: The River Book

DATE 9/11/2014

New York Is ...

DATE 9/11/2014

ARTBOOK Launches a New Pop Up Bookstore at Swiss Institute In Soho


FEATURED IMAGES

'Fischerspooner: New Truth' Launch at VFILES

DATE 10/26/2014

'Fischerspooner: New Truth' Launch at VFILES

"'Fake it 'til you make it!' Casey Spooner would say. Did Fischerspooner successfully fake it, or make it? To this day, I'm still not sure," writes MoMA PS1 Director Klaus Biesenbach in the deluxe new Fischerspooner retrospective monograph New Truth. "What even separates truth from fiction in their world, and does it even matter?" Join Casey Spooner and Warren Fischer for the book launch this Tuesday night, October 28 at VFILES on Mercer Street in Soho. In addition to the book, VFILES will have a reissue of the classic Fischerspooner T-shirt featured in the book. Biesenbach concludes, "Like may other socially-engaged artists, Fischerspooner overturned the classic arrangement between artist, art object, and audience; artist turns into a glamorous army, art object becomes spectacular performance, and audiences becomes loyal fans. Through their utilization of readymade forms of entertainment, coupled with the insurgence of digital media and the Internet, Fischerspooner infiltrated the popular consciousness and manipulated the means of production to a degree, to the extent that they could put forth a utopian relationship between art and the social. My personal connection to Fischerspooner is emblematic of their effect—we were all brought into their world, enraptured, perplexed, and uncertain what were claims and what was fame."

Photography & Modern Architecture in Spain 1925-1965

DATE 10/24/2014

Photography & Modern Architecture in Spain 1925-1965

"In order to explain something, the photographer must know how to choose and take the photograph in the way that most clearly shows what he wants to communicate," Francesc Català-Roca wrote in a 1987 issue of Quaderns d'Arquitectura i Urbanisme, the respected Barcelona architecture magazine. "Afterwards, an order must be established and, above all, it shouldn't be aimed to say a lot but rather a little and well expressed." This quotation and the featured image, a 1960 photograph of a service station in Oliva, Valencia, by Juan Haro Piñar, are reproduced from Photography & Modern Architecture in Spain 1925-1965, the enlightening and beautifully produced new survey from La Fabrica/Museo ICO.

Josef Albers: Minimal Means, Maximum Effect

DATE 10/23/2014

Josef Albers: Minimal Means, Maximum Effect

“Before one lays eyes on a genuine Homage to the Square painting by Josef Albers,” Jeanette Redensek writes in Josef Albers: Minimal Means, Maximum Effect, one of our most substantial and beautiful books this season, “it is quite possible that one has already come across his signature composition in a hundred iterations: as illustrations, prints, postcards, posters, postage stamps, note cards, refrigerator magnets, mouse pads, sofa pillows, area rugs and tote bags. It is a revelation, then, to see one of Albers’ Homage to the Square paintings in person for the first time. The surfaces of Albers’ works are velvety and animated. The visible, even strokes of the palette knife, and the variations in the densities of the pigments from the color to color, from the square to square, combine to create a shimmering transparency of color. What might have appeared as a coolly intellectual, geometrical proposition in reproduction is revealed as a luminous, painterly incandescence in real life.” Study for Homage to the Square, Now (1962) is reproduced from Josef Albers: Minimal Means, Maximum Effect.

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/10/2014

Goya: Order & Disorder

DATE 9/15/2014

Just One Good Chair

DATE 9/4/2014

Henry Taylor

DATE 9/2/2014

Soviet Space Dogs

DATE 8/29/2014

John Severson's SURF

DATE 8/23/2014

Laura Lima

DATE 8/21/2014

Ed Atkins

DATE 8/19/2014

Building as Ornament

DATE 8/17/2014

Elad Lassry

DATE 8/11/2014

Ron Galella: New York

DATE 8/10/2014

Pierre Charpin

DATE 8/8/2014

Pierre Charpin

DATE 8/3/2014

The Slovak New Wave

DATE 8/1/2014

The Human Factor

DATE 7/27/2014

Anne Collier

DATE 7/25/2014

Jasper Johns: Regrets



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