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Starr Figura

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


 

FORTHCOMING & NEW RELEASES

Gauguin: Metamorphoses

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson.

Hbk, 9 x 10.5 in. / 248 pgs / 233 color. | 3/31/2014 | In stock
ISBN 9780870709050 | $60.00


     

ACTIVE BACKLIST

German Expressionism: The Graphic Impulse

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Starr Figura. Text by Starr Figura, Peter Jelavich, Heather Hess, Iris Schmeisser.

Hbk, 9.5 x 12 in. / 288 pgs / 295 color. | 5/31/2011 | Awaiting stock
ISBN 9780870707957 | $60.00


German Expressionism: The Graphic Impulse

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Starr Figura. Text by Starr Figura, Peter Jelavich, Heather Hess, Iris Schmeisser.

Hbk, 9.5 x 12 in. / 288 pgs / 295 color. | 5/31/2011 | Awaiting stock
ISBN 9780870707957 | $60.00


Lucian Freud: The Painter's Etchings

THE MUSEUM OF MODERN ART, NEW YORK
Text by Starr Figura.

Clothbound, 9 x 12 in. / 144 pgs / 130 color. | 12/1/2007 | Awaiting stock
ISBN 9780870707063 | $40.00


Gauguin: MetamorphosesGauguin: Metamorphoses

Published by The Museum of Modern Art, New York.
Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson.

Gauguin: Metamorphoses explores the remarkable relationship between Paul Gauguin’s rare and extraordinary prints and transfer drawings, and his better-known paintings and sculptures in wood and ceramic. Created in several discrete bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin’s experiments with a range of media, from radically "primitive" woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolor monotypes and large mysterious transfer drawings. Gauguin’s creative process often involved repeating and recombining key motifs from one image to another, allowing them to metamorphose over time and across mediums. Printmaking in particular provided him with many new and fertile possibilities for transposing his imagery. Though Gauguin is best known as a pioneer of modernist painting, this publication reveals a lesser-known but arguably even more innovative aspect of his practice. Richly illustrated with more than 200 works, Gauguin: Metamorphoses explores the artist’s radically experimental approach to techniques and demonstrates how his engagement with media other than painting--including sculpture, printmaking and drawing--ignited his creativity.
Painter, printmaker, sculptor and ceramicist, Paul Gauguin (1848–1903) left his job as a stockbroker in Paris for a peripatetic life traveling to Martinique, Brittany, Arles, Tahiti and, finally, the Marquesas Islands. After exhibiting with the Impressionists in Paris and acting as a leading voice in the Pont-Aven group, Gauguin’s efforts to achieve a "primitive" expression proved highly influential for the next generation of artists.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9 x 10.5 in. / 248 pgs / 233 color.

PUBLISHING STATUS
PUB DATE 3/31/2014
Active

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D.A.P. EXCLUSIVE
CATALOG: SPRING 2014 p. 57   

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ISBN 9780870709050 TRADE
LIST PRICE: $60.00 CDN $60.00
AVAILABILITY: In stock

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German Expressionism: The Graphic ImpulseGerman Expressionism: The Graphic Impulse

Published by The Museum of Modern Art, New York.
Edited by Starr Figura. Text by Starr Figura, Peter Jelavich, Heather Hess, Iris Schmeisser.

The artists associated with German Expressionism in the early decades of the twentieth century took up printmaking with a dedication and fervor virtually unparalleled in the history of the genre. The woodcut, with its coarse gouges and jagged lines, is the preeminent Expressionist medium, but the movement also revolutionized etching and lithography, to alternately vibrant and stark effect. This graphic impulse can be traced from the formation of the artist group Die Brücke in 1905 through the war years of the 1910s and into the early 1930s, when individual artists continued to produce compelling work even as the movement was winding down. This volume, published in conjunction with an exhibition at The Museum of Modern Art, showcases the Museum's outstanding holdings of Expressionist prints, enhanced by a selection of drawings, paintings, and sculptures from the collection. Featuring approximately 260 works by some 30 artists, the book presents a diverse array of individuals, including Max Beckmann, Erich Heckel, Ernst Ludwig Kirchner, Emil Nolde, Vasily Kandinsky and Oskar Kokoschka. Essays by Starr Figura, Associate Curator of Prints and Illustrated Books at MoMA, and Peter Jelavich, Professor of History, Johns Hopkins University, discuss the centrality of printmaking in German Expressionism and provide a sociocultural backdrop for the movement.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 288 pgs / 295 color.

PUBLISHING STATUS
PUB DATE 5/31/2011
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2011 p. 171   

PRODUCT DETAILS
ISBN 9780870707957 TRADE
LIST PRICE: $60.00 CDN $60.00
AVAILABILITY: Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

German Expressionism: The Graphic ImpulseGerman Expressionism: The Graphic Impulse

Published by The Museum of Modern Art, New York.
Edited by Starr Figura. Text by Starr Figura, Peter Jelavich, Heather Hess, Iris Schmeisser.

The artists associated with German Expressionism in the early decades of the twentieth century took up printmaking with a dedication and fervor virtually unparalleled in the history of the genre. The woodcut, with its coarse gouges and jagged lines, is the preeminent Expressionist medium, but the movement also revolutionized etching and lithography, to alternately vibrant and stark effect. This graphic impulse can be traced from the formation of the artist group Die Brücke in 1905 through the war years of the 1910s and into the early 1930s, when individual artists continued to produce compelling work even as the movement was winding down. This volume, published in conjunction with an exhibition at The Museum of Modern Art, showcases the Museum's outstanding holdings of Expressionist prints, enhanced by a selection of drawings, paintings, and sculptures from the collection. Featuring approximately 260 works by some 30 artists, the book presents a diverse array of individuals, including Max Beckmann, Erich Heckel, Ernst Ludwig Kirchner, Emil Nolde, Vasily Kandinsky and Oskar Kokoschka. Essays by Starr Figura, Associate Curator of Prints and Illustrated Books at MoMA, and Peter Jelavich, Professor of History, Johns Hopkins University, discuss the centrality of printmaking in German Expressionism and provide a sociocultural backdrop for the movement.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 288 pgs / 295 color.

PUBLISHING STATUS
PUB DATE 5/31/2011
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2011 p. 171   

PRODUCT DETAILS
ISBN 9780870707957 TRADE
LIST PRICE: $60.00 CDN $60.00
AVAILABILITY: Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Lucian Freud: The Painter's EtchingsLucian Freud: The Painter's Etchings

Published by The Museum of Modern Art, New York.
Text by Starr Figura.

One of the foremost figurative artists working today, Lucian Freud has redefined portraiture and the nude through his unblinking scrutiny of the human form. Although he is best known as a painter, etching is integral to his practice. This volume accompanies a major Museum of Modern Art exhibition that will present the full scope of Freud's etchings, including some 75 works--from the rare early experiments of the 1940s to the increasingly complex compositions he has created since rediscovering the medium in the early 1980s. Written by exhibition curator Starr Figura, it also includes a selection of paintings and drawings that illuminate the crucial, cross-pollinating relationship between Freud's etchings and his works on canvas.
Freud is not a traditional printmaker: Treating the etching plate like a canvas, he stands the copper upright on an easel. He also typically depicts the same sitters in etchings as in paintings, demarcating their forms through meticulous networks of finely etched lines. Freud's etchings may either precede or follow the execution of paintings, and they are sometimes as large as, or larger than, their related canvases. But with their figures dramatically cropped or isolated against empty backgrounds, they achieve a startling new sense of psychological tension and formal abstraction.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Clothbound, 9 x 12 in. / 144 pgs / 130 color.

PUBLISHING STATUS
PUB DATE 12/1/2007
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2007 p. 165   

PRODUCT DETAILS
ISBN 9780870707063 TRADE
LIST PRICE: $40.00 CDN $40.00
AVAILABILITY: Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.




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