CURATOR INDEX

Barry Bergdoll

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


                           

ACTIVE BACKLIST

Emilio Ambasz: Emerging Nature

With contributions by Barry Bergdoll, Peter Buchanan, Kenneth Frampton, Peter Hall, Fulvio Irace, Dean MacCannell, Hans Ulrich Obrist, Lauren Sedofsky, Michael Sorkin and James Wines. Design by Integral Lars Müller.

Pbk, 8.25 x 11.75 in. / 312 pgs, 160 color. | 1/23/2018 | In stock
ISBN 9783037785263 | $39.00


Nature Design

By Angeli Sachs, Barry Bergdoll, Dario Gamboni, Philip Ursprung.

Pbk, 9.5 x 6.5 in. / 320 pgs / 318 images. | 9/1/2007 | Out of stock
ISBN 9783037780985 | $50.00


Marcel Breuer: Building Global Institutions

Edited with text by Barry Bergdoll, Jonathan Massey. Contributions by Lucia Allais, Kenny Cupers, Laura Martínez de Guereñu, Teresa M. Harris, John Harwood, Guy Nordenson, Timothy M. Rohan.

Pbk, 6.5 x 9.5 in. / 368 pgs / 144 color / 255 bw. | 6/19/2018 | In stock
ISBN 9783037785195 | $40.00


Mies van der Rohe: Montage, Collage

Edited with text by Andreas Beitin, Wolf Eiermann, Brigitte Franzen. Text by Barry Bergdoll, Lena Büchel, Dietrich Neumann, Holger Otten, Lutz Robbers, Martino Stierli, Adrian Sudhalter.

Hbk, 9.5 x 11.25 in. / 264 pgs / illustrated throughout. | 5/23/2017 | In stock
ISBN 9783960980537 | $55.00


Bauhaus: 1919–1933

Text by Barry Bergdoll, Leah Dickerman, Benjamin H. D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Hbk, 9.5 x 12 in. / 344 pgs / 475 images | 9/26/2017 | In stock
ISBN 9781942884194 | $75.00


Frank Lloyd Wright: Unpacking the Archive

Edited by Barry Bergdoll, Jennifer Gray. Text by John Michael Desmond, Carole Ann Fabian, Elizabeth S. Hawley, Juliet Kinchin, Neil Levine, Ellen Moody, Therese O’Malley, Ken Tadashi Oshima, Michael Osman, Spyros Papapetros, Janet Parks, Matthew Skjonsberg, David Smiley, Mabel O. Wilson.

Clth, 9.5 x 12 in. / 256 pgs / 300 color. | 6/27/2017 | In stock
ISBN 9781633450264 | $65.00


Latin America in Construction

Edited by Barry Bergdoll, Carlos Eduardo Comas, Jorge Francisco Liernur, Patricio del Real.

Clth, 9.5 x 12 in. / 320 pgs / 559 color. | 5/26/2015 | In stock
ISBN 9780870709630 | $65.00


Henri Labrouste: Structure Brought to Light

Edited by Barry Bergdoll, Corinne Bélier and Marc le Coeur. Text by Neil Levine, David van Zanten, Martin Bressani, Sigrid de Jong, Bertrand Lemoine, Marie-Hélène de la Mure.

Hbk, 9.5 x 11.75 in. / 232 pgs / 225 color. | 3/31/2013 | In stock
ISBN 9780870708398 | $55.00


Le Corbusier: An Atlas of Modern Landscapes

Edited and with text by Jean-Louis Cohen. Text by Mardges Bacon, Tim Benton, Barry Bergdoll, Maristella Casciato, Edmond Charrière, Carlos Comas, Catherine Dumont d’Ayot, Marie-Jeanne Dumont, Romy Golan, Genevieve Hendricks, Guillemette Morel Journel, Juan José Lahuerta, Jorge Francisco Liernur, Jacques Lucan, Niklas Maak, Caroline Maniaque-Benton, Mina Marefat, Mary McLeod, Danièle Pauly, Antoine Picon, Claude Prelorenzo, Josep Quetglas, Enrique Ramirez, Bruno Reichlin, Arthur Rüegg, Jacques Christopher Schnoor, Marida Talamona, Yannis Tsiomis, Anthony Vidler, Stanislaus von Moos.

Hbk, 9.5 x 12 in. / 392 pgs / 400 color. | 7/31/2013 | In stock
ISBN 9780870708510 | $75.00


Foreclosed: Rehousing the American Dream

Edited and with text by Barry Bergdoll, Reinhold Martin.

Pbk, 8 x 10 in. / 188 pgs / 170 color. | 6/30/2012 | In stock
ISBN 9780870708275 | $35.00


Rising Currents

Edited by Barry Bergdoll. Foreword by Judith Rodin. Text by Barry Bergdoll, Michael Oppenheimer, Guy Nordenson.

Pbk, 8 x 10 in. / 112 pgs / 106 color. | 12/31/2011 | Out of stock
ISBN 9780870708077 | $24.95


Small Scale, Big Change

Introduction by Barry Bergdoll. Text by Andres Lepik.

Pbk, 8 x 10 in. / 140 pgs / 170 color. | 10/31/2010 | In stock
ISBN 9780870707841 | $37.50


Caribbean Modernist Architecture

Edited by Gustavo Luis Moré. Introduction by Barry Bergdoll.

Pbk, 11 x 11 in. / 200 pgs / 416 color. | 6/30/2010 | In stock
ISBN 9780870707759 | $30.00


Home Delivery

Edited by Barry Bergdoll, Peter Christensen. Texts by Barry Bergdoll, Peter Christensen, Ken Tadashi Oshima, Rasmus Wærn.

Hardback, 9.75 x 11.25 in. / 248 pgs / 175 color / 75 bw. | 8/1/2008 | In stock
ISBN 9780870707339 | $45.00


          

OUT OF PRINT LISTING

Diane Lewis: Open City

Introduction by Richard Meier, Barry Bergdoll, Diane Lewis. Text by Anthony Vidler, Peter Schubert, Francois de Menil, Karen Wong, Monika Pessler, Mary Stieber, David Gersten, Calvin Tsao, Samuel Anderson, Catherine Ann Somerville Venart, Roger Duffy, Mack Scogin, Merrill Elam, Daniel Sherer, David Turnbull, Guido Zuliani, Francesco Pellizzi, Diane Lewis et al.

Hbk, 10.75 x 14.5 in. / 368 pgs / illustrated throughout. | 6/25/2015 | Not available
ISBN 9788881588824 | $75.00


Pier Luigi Nervi: Architecture as Challenge

Edited by Cristiana Chiorino, Carlo Olmo. Text by Christoph Pourtois, Marcelle Rabinowicz, Elisabetta Margiotta Nervi.

Pbk, 9 x 11 in. / 240 pgs / 120 color. | 3/31/2011 | Not available
ISBN 9788836617562 | $45.00


The Pavilion

Edited by Peter Cachola Schmal, Ben van Berkel. Text by Barry Bergdoll, Johan Bettum, Kerstin Bußmann.

Pbk, 6.75 x 9.5 in. / 192 pgs / 137 color / 80 bw. | 1/31/2010 | Not available
ISBN 9783775724944 | $40.00


Bauhaus 1919-1933

Text by Barry Bergdoll, Leah Dickerman, Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Clth, 9.5 x 12 in. / 328 pgs / 510 color. | 12/11/2009 | Not available
ISBN 9780870707582 | $85.00


Reflect: Barkow Leibinger Architects Building in the Digital Media City, Seoul, Korea

Edited by Andres Lepik. Text by Barry Bergdoll, Brett Steele. Photographs by Christian Richters, Corinne Rose.

Hardcover with DVD (PAL), 7.5 x 10 in. / 128 pgs / 80 color. | 8/1/2007 | Not available
ISBN 9783775719544 | $55.00


Marcel Breuer: Building Global InstitutionsMarcel Breuer: Building Global Institutions

Published by Lars Müller Publishers.
Edited with text by Barry Bergdoll, Jonathan Massey. Contributions by Lucia Allais, Kenny Cupers, Laura Martínez de Guereñu, Teresa M. Harris, John Harwood, Guy Nordenson, Timothy M. Rohan.

Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a “Brutalist modernism” of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.



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Lars Müller Publishers

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Paperback, 6.5 x 9.5 in. / 368 pgs / 144 color / 255 bw.

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Catalog: SPRING 2018 p. 48   

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Emilio Ambasz: Emerging NatureEmilio Ambasz: Emerging Nature

Precursor of Architecture and Design

Published by Lars Müller Publishers.
With contributions by Barry Bergdoll, Peter Buchanan, Kenneth Frampton, Peter Hall, Fulvio Irace, Dean MacCannell, Hans Ulrich Obrist, Lauren Sedofsky, Michael Sorkin and James Wines. Design by Integral Lars Müller.

Emerging Nature documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of color photographs and drawings.

Ambasz’s main concern is to integrate nature and construction into architectural design, which is why he is regarded as one of the most important pioneers of Green Architecture. In his work a combination of landscape and architecture emerges, in which his respect for the environment and ecological sustainability becomes clear. A prime example of this is the Fukuoka Prefectural International Hall in Japan: a building that houses more than 100,000 m2 of exhibition spaces, theaters and offices is also an open green area in the form of a hanging garden.

The immense scope and diversity of Emilio Ambasz’ work is astounding. Besides architecture he has made a name for himself with the various objects he designs; they range from diesel engines and streetlights to portable TV players, fold-out watches and innovative office chairs. Emilio Ambasz followed his widespread interests and left traces in all the disciplines he crossed on his professional path.



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Lars Müller Publishers

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Paperback, 8.25 x 11.75 in. / 312 pgs, 160 color.

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Bauhaus: 1919–1933Bauhaus: 1919–1933

Workshops for Modernity

Published by D.A.P./The Museum of Modern Art.
Text by Barry Bergdoll, Leah Dickerman, Benjamin H. D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Back in print, the essential, unsurpassed Bauhaus overview

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers—among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl—in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today.

Bauhaus 1919–1933: Workshops for Modernity, originally published to accompany a major 2009 exhibition, is The Museum of Modern Art’s first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the 20th century’s most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919–1933 examines the extraordinarily broad spectrum of the school’s products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture.

Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919–1933 includes two overarching essays by the exhibition’s curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus’ lived history.



PUBLISHER
D.A.P./The Museum of Modern Art

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Hardcover, 9.5 x 12 in. / 344 pgs / 475 images

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Catalog: FALL 2017 p. 19   

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Mies van der Rohe: Montage, CollageMies van der Rohe: Montage, Collage

Published by Koenig Books.
Edited with text by Andreas Beitin, Wolf Eiermann, Brigitte Franzen. Text by Barry Bergdoll, Lena Büchel, Dietrich Neumann, Holger Otten, Lutz Robbers, Martino Stierli, Adrian Sudhalter.

Between 1910 and 1965, influenced by Dada, Constructivism and De Stijl, the German-American modernist polymath Mies van der Rohe (1886–1969) created numerous montages and collages that endure as fascinating illustrations of the design principles of his architecture. However, these works—most of them large-format—are much more than sketches merely intended to assist his creative process as an architect. They are works of art in their own right that demonstrate van der Rohe’s compositional vision in its purest form. Abrupt changes of viewpoint, freedom from perspective, place and time, montages of found elements and a focus on mixed media places him in the same context as his contemporaries Kurt Schwitters, Theo van Doesburg, Hans Richter and László Moholy-Nagy. This volume celebrates his lesser-known accomplishments in this medium.



PUBLISHER
Koenig Books

BOOK FORMAT
Hardcover, 9.5 x 11.25 in. / 264 pgs / illustrated throughout.

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Catalog: FALL 2017 p. 128   

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ISBN 9783960980537 FLAT40
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Frank Lloyd Wright: Unpacking the ArchiveFrank Lloyd Wright: Unpacking the Archive

Published by The Museum of Modern Art, New York.
Edited by Barry Bergdoll, Jennifer Gray. Text by John Michael Desmond, Carole Ann Fabian, Elizabeth S. Hawley, Juliet Kinchin, Neil Levine, Ellen Moody, Therese O’Malley, Ken Tadashi Oshima, Michael Osman, Spyros Papapetros, Janet Parks, Matthew Skjonsberg, David Smiley, Mabel O. Wilson.

Unpacking Wright’s archive of more than two million objects, on the 150th anniversary of the master architect’s birth
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 256 pgs / 300 color.

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Catalog: SPRING 2017 p. 2   

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Latin America in ConstructionLatin America in Construction

Architecture 1955–1980

Published by The Museum of Modern Art, New York.
Edited by Barry Bergdoll, Carlos Eduardo Comas, Jorge Francisco Liernur, Patricio del Real.

This groundbreaking book explores postwar Latin American architecture during the dynamic years between 1955 and 1980--a period of extraordinary architectural creativity set against the backdrop of massive urbanization, nation-building, and political upheaval.

Key architects include Lina Bo Bardi, Luis Barragan, Félix Candela, Oscar Niemeyer, and Carlos Raul Villanueva, but the authors also significantly expand the cannon by including stellar--and often previously unpublished--work by lesser-known names such as Fernando Martínez Sanabria, Eladio Dieste and Jesús Tenreiro. The book is organized like an atlas, covering architecture in Argentina, Brazil, Chile, Colombia, Cuba, the Dominican Republic, Mexico, Peru, Puerto Rico, Uruguay, and Venezuela.

Across the region, unprecedented urbanization and modernization during these key years created an urgent need for new buildings, particularly for educational, residential and public spaces. University campuses proved especially conducive for architectural creativity, and the book provides documentation on the design of educational complexes, notably Carlos Raúl Villanueva’s Universidad Central de Venezuela in Caracas and UNAM in Mexico City.  Multiple experiments to improve housing include stunning projects such as PREVI (Projecto Experimental de Vivienda) housing experiment in Lima, Peru, and Lina Bo Bardi's work in São Paulo and Salvador. Other highlights include Clorindo Testa’s Banco de Londres in Buenos Aires, Rogelio Salmona's Torres del Parque in Bogotá, and, of course, the creation of the planned city of Brasília.

Throughout, the authors set the work in dialogue with Le Corbusier’s modernism and Brutalism, as well as with the political ideologies of the time, notably Developmentalism. Together, the material challenges the widely accepted notion of Latin America as a testing ground for innovations developed in Europe and the United States, and brings to light the high quality and radical originality of architecture and urban planning in this vast and complex region.

Published in conjunction with a major exhibition at The Museum of Modern Art, New York, Latin America in Construction is edited by Barry Bergdoll, Curator, and Patricio del Real, Curatorial Assistant, Department of Architecture and Design, MoMA; Jorge Francisco Liernur, Universidad Torcuato di Tella, Buenos Aires, Argentina; and Carlos Eduardo Comas, Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil; and includes essays by over a dozen experts in the field. The 320-page book includes some 500 reproductions, providing a rich collection of visual resources on Latin American architecture, ranging from archival photographs, ephemera, drawings, models, and construction documents to striking contemporary color photographs of key buildings by the accomplished Brazilian architectural photographer Leonardo Finotti.

Readers of Latin America in Construction will be stunned by the sheer quantity of extraordinary buildings, the breathtaking speed of urban transformation and the enormous variety of architectural innovation.



Barry Bergdoll is the Meyer Schapiro Professor of Art History in the Department of Art History and Archaeology at Columbia University and served as the Philip Johnson Chief Curator of Architecture and Design at MoMA from 2007 to 2013. He has been praised for "activist's sense of urgency and an academic's insistence on rigor." He is the author of European Architecture 1750–1890 (Oxford University Press, 200) in addition to the MoMA catalogues for Henri Labrouste, Home Delivery and Mies in Berlin. In his ongoing role as a part-time curator at MoMA, he is preparing an exhibition on Brazillian architect Lina BoBardi.

Carlos Eduardo Comas is Professor at Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil.

Jorge Francisco Liernur is Professor and former dean of the architecture school at The Universidad Torcuato di Tella, Buenos Aires, Argentina.

Patricio del Real is a Curatorial Assistant at The Museum of Modern Art, New York

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 320 pgs / 559 color.

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Catalog: SPRING 2015 p. 21   

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ISBN 9780870709630 TRADE
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Diane Lewis: Open CityDiane Lewis: Open City

An Existential Approach

Published by Charta.
Introduction by Richard Meier, Barry Bergdoll, Diane Lewis. Text by Anthony Vidler, Peter Schubert, Francois de Menil, Karen Wong, Monika Pessler, Mary Stieber, David Gersten, Calvin Tsao, Samuel Anderson, Catherine Ann Somerville Venart, Roger Duffy, Mack Scogin, Merrill Elam, Daniel Sherer, David Turnbull, Guido Zuliani, Francesco Pellizzi, Diane Lewis et al.

Open City: Existential Urbanity is an anthology of architecture created and advocated by the students of The Irwin S. Chanin School of Architecture of The Cooper Union in studios conducted by the Architect Diane Lewis, Professor, with a team of notable colleagues from 2001-2014. The drawings and models are accompanied by project descriptions that regard any contemporary intervention into the city as an integral work of architecture, art, and sustainable infrastructure. This volume extends the legacy of Cooper Union's seminal Education of an Architect: A Point of View (1972) and Education of an Architect (1988). This compendium of 14 years of architectural education is published in part with the gift of the Austrian Frederick and Lillian Kiesler Private Foundation's Young Kiesler Award. This grant is in the recognition of a philosophical bond between the work of Frederick Kiesler and the spirit of these studio endeavors.
Essays by Anthony Vidler, Peter Schubert, Francois de Menil, Karen Wong, Monika Pessler, Mary Stieber, David Gersten, Calvin Tsao, Samuel Anderson, Catherine Ann Somerville Venart, Roger Duffy, Mack Scogin, Merrill Elam, Daniel Sherer, David Turnbull, Guido Zuliani, Francesco Pellizzi, Diane Lewis and others.

PUBLISHER
Charta

BOOK FORMAT
Hardcover, 10.75 x 14.5 in. / 368 pgs / illustrated throughout.

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Catalog: SPRING 2014 p. 162   

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ISBN 9788881588824 TRADE
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Le Corbusier: An Atlas of Modern LandscapesLe Corbusier: An Atlas of Modern Landscapes

Published by The Museum of Modern Art, New York.
Edited and with text by Jean-Louis Cohen. Text by Mardges Bacon, Tim Benton, Barry Bergdoll, Maristella Casciato, Edmond Charrière, Carlos Comas, Catherine Dumont d’Ayot, Marie-Jeanne Dumont, Romy Golan, Genevieve Hendricks, Guillemette Morel Journel, Juan José Lahuerta, Jorge Francisco Liernur, Jacques Lucan, Niklas Maak, Caroline Maniaque-Benton, Mina Marefat, Mary McLeod, Danièle Pauly, Antoine Picon, Claude Prelorenzo, Josep Quetglas, Enrique Ramirez, Bruno Reichlin, Arthur Rüegg, Jacques Christopher Schnoor, Marida Talamona, Yannis Tsiomis, Anthony Vidler, Stanislaus von Moos.

In June 2013, The Museum of Modern Art presents the largest exhibition ever produced on Le Corbusier’s prolific oeuvre, encompassing his work as architect, interior designer, artist, city planner, writer and photographer. Over a six-decade career, this towering figure of modern culture constantly observed and imagined landscapes using all the artistic techniques at his command, including watercolors, sketches, paintings, photographs and models. This accompanying publication, appearing 25 years after the Centre Pompidou released the seminal catalogue Le Corbusier, une encyclopédie, aspires to become a new sourcebook, giving an account of research developed worldwide in recent decades. Reflecting the geographic extension of his designs and built works as well as his indefatigable wanderlust, the book is structured as an atlas, with topographical entries allowing for the discovery of the major sites and cities where Le Corbusier worked. Featuring essays by an international range of curators, scholars and critics, and a trove of archival images and materials from the Fondation Le Corbusier in Paris, this lavishly illustrated volume presents a wholly unique way to explore the life and work of one of the most important visionaries of our time.

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The Museum of Modern Art, New York

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Hardcover, 9.5 x 12 in. / 392 pgs / 400 color.

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Catalog: SPRING 2013 p. 5   

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ISBN 9780870708510 TRADE
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Henri Labrouste: Structure Brought to LightHenri Labrouste: Structure Brought to Light

Published by The Museum of Modern Art, New York.
Edited by Barry Bergdoll, Corinne Bélier and Marc le Coeur. Text by Neil Levine, David van Zanten, Martin Bressani, Sigrid de Jong, Bertrand Lemoine, Marie-Hélène de la Mure.

Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste’s work and legacy through a variety of approaches.

PUBLISHER
The Museum of Modern Art, New York

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Hardcover, 9.5 x 11.75 in. / 232 pgs / 225 color.

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Catalog: SPRING 2013 p. 6   

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ISBN 9780870708398 TRADE
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Foreclosed: Rehousing the American DreamForeclosed: Rehousing the American Dream

Published by The Museum of Modern Art, New York.
Edited and with text by Barry Bergdoll, Reinhold Martin.

Foreclosed: Rehousing the American Dream is an exploration of new architectural possibilities for American cities and suburbs in the aftermath of the recent foreclosure crisis in the United States. During the summer of 2011, five interdisciplinary teams of architects, urban planners, ecologists, engineers and landscape designers were enlisted by The Museum of Modern Art, New York, and MoMA PS1 to envision new housing infrastructures that could catalyze urban transformation, particularly in the country’s suburbs. Drawing on ideas proposed in The Buell Hypothesis, a research publication prepared by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University, each team focused on a specific location within a “megaregion” to come up with inventive solutions for the future of housing and cities. This publication presents each of these proposals (exhibited at MoMA in Spring 2012) in detail, through photographs, drawings and renderings as well as interviews with the team leaders. With texts by Barry Bergdoll, MoMA’s Philip Johnson Chief Curator of Architecture and Design, Henry N. Cobb, a founding partner of Pei Cobb Freed & Partners and Reinhold Martin, Director of the Temple Hoyne Buell Center, Foreclosed examines the relationship between land, infrastructure and urban form, exploring potential futures for America’s extended metropolises.

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The Museum of Modern Art, New York

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Paperback, 8 x 10 in. / 188 pgs / 170 color.

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Catalog: SPRING 2012 p. 26   

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Rising CurrentsRising Currents

Projects for New York's Waterfront

Published by The Museum of Modern Art, New York.
Edited by Barry Bergdoll. Foreword by Judith Rodin. Text by Barry Bergdoll, Michael Oppenheimer, Guy Nordenson.

In the fall of 2009, The Museum of Modern Art and MoMA PS1 selected five interdisciplinary teams of architects, engineers and landscape designers to propose solutions to the effects of climate change on New York's waterfront. The resulting proposals, exhibited at MoMA in 2010 in the exhibition Rising Currents: Projects for New York's Waterfront, emphasize "soft" infrastructure interventions that would make New York City and its surrounding areas more ecologically sound and more resilient in responding to rising sea levels and storm surges. These innovative projects include the creation of salt- and freshwater wetlands, a Venice-like aqueous landscape, habitable piers and man-made islands, and a protective reef of living oysters. Published to document the exhibition, Rising Currents: Projects for New York's Waterfront presents these five projects in detail through essays that summarize the innovative workshop and exhibition, the dialogues they engendered with outside experts and political figures involved in regional planning, and the climate change and urban planning implications of the proposed solutions.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 8 x 10 in. / 112 pgs / 106 color.

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Catalog: SPRING 2011 p. 110   

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ISBN 9780870708077 TRADE
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Pier Luigi Nervi: Architecture as ChallengePier Luigi Nervi: Architecture as Challenge

Published by Silvana Editorale.
Edited by Cristiana Chiorino, Carlo Olmo. Text by Christoph Pourtois, Marcelle Rabinowicz, Elisabetta Margiotta Nervi.

The Italian engineer, architect and builder Pier Luigi Nervi (1891-1979) is responsible for some of the world's architectural masterpieces including St. Mary Cathedral in San Francisco, George Washington Bus Terminal in New York and Victoria Square Tower in Montreal. Pier Luigi Nervi: Architecture as a Challenge provides a complete overview of this prolific and versatile master of twentieth-century architecture, examining his career from its outset in the early 1920s up to the 1970s. In addition to a range of Nervi's buildings and public projects, the publication presents his pioneering research into technologies and construction materials. For example, during the 1940s, Nervi developed uses for a reinforced concrete, which aided in the rebuilding of many buildings and factories throughout Western Europe following World War II. The catalogue features a range of specific case studies, plus a comprehensive biography and bibliography.

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BOOK FORMAT
Paperback, 9 x 11 in. / 240 pgs / 120 color.

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Catalog: SPRING 2011 p. 113   

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Who is Architecture: The 2009 Domus China InterviewsWho is Architecture: The 2009 Domus China Interviews

Conversations on the Borders of Building

Published by Blue Kingfisher/Domus China.
Edited by Brendan McGetrick. Text by Mark Wigley, Barry Bergdoll, Michael Rock, Lu Zhenggang.

Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. Who Is Architecture explores these interactions through ten interviews with professionals who contribute to architecture in various ways. Conducted by the acclaimed writer and editor Brendan McGetrick, and originally published as a series for the Chinese edition of Domus magazine, these conversations illustrate the many facets of architectural practice. Interview subjects include: Michael Rock (Founder of the graphic design firm 2x4), Lu Zhenggang (Founder of the digital rendering company Crystal CG), Barry Bergdoll (Curator of Architecture and Design at The Museum of Modern Art, New York), Mark Wigley (Dean of Columbia University's Graduate School of Architecture, Planning and Preservation) and Tan Xiaochun (Chief of Construction for China's National Stadium).

PUBLISHER
Blue Kingfisher/Domus China

BOOK FORMAT
Paperback, 6.75 x 9.5 in. / 131 pgs / 106 color.

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Catalog: FALL 2010 p. 134   

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ISBN 9789881881663 TRADE
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Small Scale, Big ChangeSmall Scale, Big Change

New Architectures of Social Engagement

Published by The Museum of Modern Art, New York.
Introduction by Barry Bergdoll. Text by Andres Lepik.

The role of the global architect in society is changing. Instead of waiting for commissions to come their way, architects are initiating and developing practical solutions in response to dramatically changing living conditions in many parts of the world today. Small Scale, Big Change focuses on a central chapter of this shift, presenting recently built or under-construction works in underserved communities around the globe by these 11 architects and firms: Elemental (Chilean); Anna Heringer (Austrian); Diébédo Francis Kéré (Burkinabé); Hashim Sarkis A.L.U.D. (Lebanese); Jorge Mario Jáuregui (Brazilian); Frédéric Druot, Anne Lacaton & Jean Philippe Vassal (French); Michael Maltzan Architecture (American); Noero Wolff Architects (South African); Rural Studio (American); Estudio Teddy Cruz (American, born Guatemala); and Urban Think Tank (American/Austrian/Venezuelan). Without sacrificing concern for aesthetics, these architects have developed projects that reveal a post-utopian specificity of place; their architectural solutions emerge from close collaboration with future users and sustained research into local conditions. The projects--which include schools, parks, housing and infrastructural interventions--reveal an exciting change in the longstanding dialogue between architecture and society, as the architect's roles, methods, approaches and responsibilities are dramatically reevaluated. They also offer an expanded definition of sustainability that moves beyond experimentation with new materials and technologies to encompass larger concepts of social and economic sustainability. Small Scale, Big Change examines the evolving standards of responsibility and participation in architecture and the ways in which architects can engage critically with larger social, economic and political issues currently facing communities around the world.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 8 x 10 in. / 140 pgs / 170 color.

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Catalog: FALL 2010 p. 175   

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ISBN 9780870707841 TRADE
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Caribbean Modernist ArchitectureCaribbean Modernist Architecture

Archives of Architecture Antillana/AAA 034

Published by The Museum of Modern Art, New York.
Edited by Gustavo Luis Moré. Introduction by Barry Bergdoll.

In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 11 x 11 in. / 200 pgs / 416 color.

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Catalog: SPRING 2010 p. 102   

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ISBN 9780870707759 TRADE
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The PavilionThe Pavilion

Pleasure & Polemics in Architecture

Published by Hatje Cantz.
Edited by Peter Cachola Schmal, Ben van Berkel. Text by Barry Bergdoll, Johan Bettum, Kerstin Bußmann.

The Pavilion examines both the history and the contemporary state of pavilion architecture, something of a niche genre in the field, but with a long history of masterpieces. It consists of two parts: first, the examination of a group of twentieth-century pavilions, and second, a collection of essays that survey historical and more recent examples. This outstanding analysis was produced by students of architecture at Frankfurt's Städelschule. In the theoretical section, well-known authors discuss the materials used in pavilions, starting with influences from the Orient, India and Asia, and moving on to significant twentieth-century pavilions and recent temporary buildings that seem to occupy a space between art and architecture. In addition, the book documents the research and development of a summer pavilion for the garden at the Deutsches Architekturmuseum in Frankfurt produced by the offices of Barkow Leibinger and Werner Sobek.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Paperback, 6.75 x 9.5 in. / 192 pgs / 137 color / 80 bw.

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Catalog: SPRING 2010 p. 108   

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Bauhaus 1919-1933Bauhaus 1919-1933

Workshops for Modernity

Published by The Museum of Modern Art, New York.
Text by Barry Bergdoll, Leah Dickerman, Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 328 pgs / 510 color.

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Catalog: FALL 2009 p. 170   

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ISBN 9780870707582 TRADE
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Home DeliveryHome Delivery

Fabricating the Modern Dwelling

Published by The Museum of Modern Art, New York.
Edited by Barry Bergdoll, Peter Christensen. Texts by Barry Bergdoll, Peter Christensen, Ken Tadashi Oshima, Rasmus Wærn.

As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital revolution reorganizing the relationship between drafting board and factory, it continues to spur innovative manufacturing and design, and its potential has clearly not yet come to fruition. Home Delivery traces the history of prefabrication in architecture, from its early roots in colonial cottages though the work of such figures as Jean Prouvé and Buckminster Fuller, and mass-produced variants such as the Lustron house, to a group of full-scale contemporary houses commissioned specifically for the MoMA exhibition that this book accompanies. In addition to an introductory essay by Barry Bergdoll, Chief Curator in the Museum’s Department of Architecture and Design, this volume contains essays on prefabricated housing in Japan and in Nordic countries by Ken Tadashi Oshima and Rasmus Waern, respectively. It also includes focused texts on approximately 40 historical projects and five commissions, as well as a bibliography.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardback, 9.75 x 11.25 in. / 248 pgs / 175 color / 75 bw.

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Catalog: SPRING 2008 p. 164   

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ISBN 9780870707339 TRADE
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Nature DesignNature Design

From Inspiration to Innovation

Published by Lars Müller Publishers.
By Angeli Sachs, Barry Bergdoll, Dario Gamboni, Philip Ursprung.

Nature has always been a source of inspiration for the design of the human environment, but in recent years this relationship has grown even more intense. “Nature as model” has influenced the most diverse possible concepts and developmental processes and is revealed in a large spectrum of forms and functions. Nature Design brings together projects and objects from design, architecture, landscape architecture, photography, and art that have been inspired by nature to develop complex and innovative works. The protagonists include Werner Aisslinger, Ronan and Erwan Bouroullec, Peter Eisenman, Zaha Hadid, Herzog and de Meuron, Ross Lovegrove, Olaf Nicolai, Francois Roche, Lars Spuybroek, and Günther Vogt, among others. The book covers the historical and theoretical fundamentals of the themes sea, topography, plants, human beings, animals, scent, and climate. Nature Design is intended to reveal the diversity of possibilities for copying and reinventing nature and to open up new perspectives.



PUBLISHER
Lars Müller Publishers

BOOK FORMAT
Paperback, 9.5 x 6.5 in. / 320 pgs / 318 images.

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ISBN 9783037780985 TRADE
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Reflect: Barkow Leibinger Architects Building in the Digital Media City, Seoul, KoreaReflect: Barkow Leibinger Architects Building in the Digital Media City, Seoul, Korea

Published by Hatje Cantz.
Edited by Andres Lepik. Text by Barry Bergdoll, Brett Steele. Photographs by Christian Richters, Corinne Rose.

How might an architect design a building whose context hasn't yet been determined? Digital Media City is a new urban quarter in Seoul, zoned to grow up between the airport and the city center. But it's still on the drawing board: the site for the Barkow Leibinger project documented here was a lone parcel of land diagonally across from a new park. Given their uncertainty about neighboring structures, Frank Barkow and Regine Leibinger equipped theirs with the ability to kaleidoscopically reflect its surroundings--whatever they turn out to be--in a dimensional, folded glass façade. Reflect documents the process of this building's design and construction through texts, photographs and video stills. Work was completed in late 2006; the result is a versatile face in the midst of facelessness.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover with DVD (PAL), 7.5 x 10 in. / 128 pgs / 80 color.

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Catalog: FALL 2007 p. 110   

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ISBN 9783775719544 TRADE
List Price: $55.00 CDN $65.00

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STATUS: Out of print | 11/28/2010

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