CURATOR INDEX

Connie Butler

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


 

FORTHCOMING & NEW RELEASES

Lygia Clark: The Abandonment of Art

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Cornelia Butler, Luis Pérez-Oramas. Text by Sergio Bessa, Eleonora Fabião, Briony Fer, Geaninne Gutiérrez-Guimarães, André Lepecki, Zeuler Lima, Christine Macel, Frederico de Oliveira Coelho.

Hbk, 9.5 x 12 in. / 336 pgs / 400 color. | 4/30/2014 | Awaiting stock
ISBN 9780870708909 | $75.00


                               

ACTIVE BACKLIST

Lorna Simpson: Works on Paper

ASPEN ART PRESS
Text by Hilton Als, Connie Butler, Franklin Sirmans, Heidi Zuckerman Jacobson, Anna Deveare Smith.

Pbk, 8 x 10 in. / 336 pgs / illustrated throughout. | 11/30/2013 | In stock
ISBN 9780934324632 | $65.00


Anne Chu: Animula Vagula Blandula

KERBER
Edited by Martin Hentschel. Text by Paul Bloodgood, Cornelia Butler, Martin Hentschel, Oliver Karlin, Ingrid Schaffner.

Hbk, 8.75 x 11.75 in. / 120 pgs / 74 color. | 9/30/2013 | In stock
ISBN 9783866788091 | $49.95


Alina Szapocznikow: Sculpture Undone, 1955-1972

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Elena Filipovic, Joanna Mytkowska. Text by Cornelia Butler, Jola Gola, Allegra Pesenti.

Flexi, 9 x 10.5 in. / 216 pgs / illustrated throughout. | 1/31/2012 | In stock
ISBN 9780870708244 | $45.00


From Conceptualism to Feminism

AFTERALL BOOKS
Text by Cornelia Butler with Peter Plagens, Griselda Pollock, Pip Day. Interviews with Lucy Lippard, Seth Siegelaub, et al.

Pbk, 6.25 x 8.75 in. / 304 pgs / 140 bw. | 8/31/2012 | In stock
ISBN 9783863351021 | $27.50


On Line: Drawing Through the Twentieth Century

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Catherine de Zegher, Cornelia H. Butler.

Hbk, 9 x 10.5 in. / 216 pgs / 230 color. | 12/31/2010 | Not available
ISBN 9780870707827 | $50.00


At Home/Not at Home

CENTER FOR CURATORIAL STUDIES, BARD COLLEGE
Foreword by Tom Eccles. Text by Matthew Higgs, Bob Nickas, et al.

Clth, 9.75 x 12.25 in. / 168 pgs / 150 color. | 7/31/2010 | Awaiting stock
ISBN 9781936192076 | $40.00


Greater New York 2010

MOMA PS1
Text by Klaus Biesenbach, Cornelia H. Butler, Neville Wakefield.

Pbk, 6.25 x 9 in. / 250 pgs / illustrated throughout. | 10/31/2010 | Not available
ISBN 9780984177622 | $19.00


Modern Women: Women Artists at The Museum of Modern Art

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Cornelia Butler, Alexandra Schwartz. Introductions by Cornelia Butler, Griselda Pollock, Aruna D'Souza.

Hbk, 9 x 10.5 in. / 512 pgs / 400 color. | 6/30/2010 | In stock
ISBN 9780870707711 | $65.00


Paul Sietsema: Figure 3

THE MUSEUM OF MODERN ART, NEW YORK
Text by Connie Butler.

Pbk, 8 x 10 in. / 80 pgs / 55 color. | 11/12/2009 | In stock
ISBN 9780870707766 | $29.95


Compass in Hand: Assessing Drawing Now

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Christian Rattemeyer. Text by Gary Garrels, Christian Rattemeyer, Harvey S. Shipley Miller.

Hbk, 9 x 11.25 in. / 320 pgs / 320 color / 845 bw. | 5/1/2009 | In stock
ISBN 9780870707452 | $65.00


The Judith Rothschild Foundation Contemporary Drawings Collection Boxed Set

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Christian Rattemeyer. Text by Connie Butler, Gary Garrels, Scott Gerson, Isabelle Graw, Martin Herbert, Manfred Hermes, Harvey S. Shipley Miller, Christian Rattemeyer, Brian Sholis, Jan Tumlir..

Slipcased 2 Volume Hbk, 9 x 12 in. / 616 pgs / 400 color / 845 bw. | 7/31/2009 | In stock
ISBN 9780870707650 | $120.00


Marlene Dumas: Measuring Your Own Grave

D.A.P./MUSEUM OF CONTEMPORARY ART, LOS ANGELES
Edited by Lisa Gabrielle Mark. Text by Cornelia H. Butler, Richard Shiff, Matthew Monahan, Lisa Gabrielle Mark.

Hardback, 9.75 x 12 / 288 pgs / 200 color / 50 bw. | 6/1/2008 | In stock
ISBN 9781933751085 | $55.00


Eric Wesley

THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES
Essay by Cornelia Butler.

Paperback, 8 x 10 in. / 60 pgs / 40 color. | 8/15/2006 | In stock
ISBN 9780914357971 | $24.95


Recent Pasts: Art In Southern California From The 1990S To Now

JRP|RINGIER
Edited by John C. Welchman. Essays by Connie Butler, Brian Butler, Matthew Coolidge, Dennis Cooper, Mike Davis, Dave Muller, Diana Thater and Frances Stark.

Paperback, 6.75 x 9.5 in. / 160 pgs / 20 bw. | 8/15/2005 | In stock
ISBN 9783905701203 | $25.00


Rodney Graham: A Little Thought

THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES
Essays by Cornelia Butler, Grant Arnold, Jessica Bradley, Lynne Cooke, Diedrich Diedrichsen, Sara Krajewski and Shepherd Steiner.

Hardcover, 9.75 x 11.75 in. / 208 pgs / 150 color / 50 bw / 20 duotone. | 5/2/2004 | Awaiting stock
ISBN 9780914357889 | $39.99


    

OUT OF PRINT LISTING

The Art Of Richard Tuttle

D.A.P./SAN FRANCISCO MUSEUM OF MODERN ART
Edited by Madeleine Grynsztejn. Essays by Madeleine Grynsztejn, Cornelia Butler, Richard Shiff, Katy Siegel, and Robert Storr. Texts by Tara McDowell, Elizabeth Smith, Adam D. Weinberg and Charles Wylie.

Clothbound, 11 x 12 in. / 392 pgs / 265 color / 45 bw. | 7/15/2005 | Not available
ISBN 9781933045009 | $65.00


Flight Patterns

THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES
Contributors include Cornelia H. Butler, Lee Weng Choy, Francis Pound.

Hardcover, 8.25 x 10 in. / 160 pgs / 160 color / 25 duotone. | 10/2/2000 | Not available
ISBN 9780914357766 | $39.95


Lygia Clark: The Abandonment of ArtLygia Clark: The Abandonment of Art

Published by The Museum of Modern Art, New York.
Edited by Cornelia Butler, Luis Pérez-Oramas. Text by Sergio Bessa, Eleonora Fabião, Briony Fer, Geaninne Gutiérrez-Guimarães, André Lepecki, Zeuler Lima, Christine Macel, Frederico de Oliveira Coelho.

Published in conjunction with a major retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artist’s groundbreaking practice. Having trained with modern masters from the late 1940s to the mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clark’s output from her early abstract compositions to the "biological architectures" and "relational objects" she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career--Abstraction, Neo-Concretism and The Abandonment of Art--examine these critical moments in Clark’s production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on circumstances in her life as an artist. Featuring a significant selection of previously unpublished archival texts of Clark’s personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship.
Lygia Clark (1920–1988) trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s. From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark has become a major reference for contemporary artists dealing with the limits of conventional forms of art.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 336 pgs / 400 color.

PUBLISHING STATUS
PUB DATE 4/30/2014
Forthcoming

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2014 p. 28   

PRODUCT DETAILS
ISBN 9780870708909 TRADE
LIST PRICE: $75.00 CDN $75.00
AVAILABILITY: Awaiting stock

STATUS: Forthcoming | 4/30/2014

This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com

Lorna Simpson: Works on PaperLorna Simpson: Works on Paper

Published by Aspen Art Press.
Text by Hilton Als, Connie Butler, Franklin Sirmans, Heidi Zuckerman Jacobson, Anna Deveare Smith.

One of the leading artists of her generation, Lorna Simpson (born 1960) came to prominence in the mid-1980s through her photographic and textual works that challenged conventional attitudes toward race, gender and cultural memory with a potent mixture of formal elegance and conceptual rigor. Published on the occasion of her 2013 exhibition at Aspen Art Museum, Lorna Simpson: Works on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self-fashioning, including a new group of works being developed during her time as the AAM’s 2013 Jane and Marc Nathanson Distinguished Artist in Residence. As in Simpson’s earlier works, these new drawings and collages take the African-American woman as a point of departure, continuing her longstanding examination of the ways that gender and culture shape the experience of life in our contemporary multiracial society. This beautifully illustrated catalogue features new scholarship by New Yorker staff writer Hilton Als, MoMA Chief Curator of Drawings, Connie Butler, LACMA Chief Curator of Contemporary Art, Franklin Sirmans, and the AAM’s Nancy and Bob Magoon CEO and Director, Heidi Zuckerman Jacobson.

PUBLISHER
ASPEN ART PRESS

BOOK FORMAT
Paperback, 8 x 10 in. / 336 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE 11/30/2013
Active

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CATALOG: FALL 2013 p. 48   

PRODUCT DETAILS
ISBN 9780934324632 TRADE
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Anne Chu: Animula Vagula BlandulaAnne Chu: Animula Vagula Blandula

Published by Kerber.
Edited by Martin Hentschel. Text by Paul Bloodgood, Cornelia Butler, Martin Hentschel, Oliver Karlin, Ingrid Schaffner.

New York–based sculptor Anne Chu (born 1959) draws on the motif of the putti--angelic cherubs beloved of Italian Renaissance painting--to instigate a dialogue between Western and Asian cultures. Her putti are polychromatic, battered creatures, often suspended midair on poles.

PUBLISHER
KERBER

BOOK FORMAT
Hardcover, 8.75 x 11.75 in. / 120 pgs / 74 color.

PUBLISHING STATUS
PUB DATE 9/30/2013
Active

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CATALOG: FALL 2013 p. 180   

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ISBN 9783866788091 FLAT40
LIST PRICE: $49.95 CDN $49.95
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From Conceptualism to FeminismFrom Conceptualism to Feminism

Lucy Lippard’s Numbers Shows 1969-74

Published by Afterall Books.
Text by Cornelia Butler with Peter Plagens, Griselda Pollock, Pip Day. Interviews with Lucy Lippard, Seth Siegelaub, et al.

Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.

PUBLISHER
AFTERALL BOOKS

BOOK FORMAT
Paperback, 6.25 x 8.75 in. / 304 pgs / 140 bw.

PUBLISHING STATUS
PUB DATE 8/31/2012
Active

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CATALOG: SPRING 2012 p. 87   

PRODUCT DETAILS
ISBN 9783863351021 TRADE
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Alina Szapocznikow: Sculpture Undone, 1955-1972Alina Szapocznikow: Sculpture Undone, 1955-1972

Published by The Museum of Modern Art, New York.
Edited by Elena Filipovic, Joanna Mytkowska. Text by Cornelia Butler, Jola Gola, Allegra Pesenti.

A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but of her own body. Though her career effectively spanned less than two decades (cut short by the artist’s premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Réalisme and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing or car parts, all remain as wonderfully idiosyncratic and culturally resonant today as when they were first made. Well-known in Poland, where her work has been highly influential since early in her career, Szapocznikow’s compelling oeuvre is ripe for art-historical reexamination. Alina Szapocznikow: Sculpture Undone, 1955–1972 offers a comprehensive overview of this important artist’s work at a moment when international interest is blossoming. Richly illustrated with over 150 color plates, the catalogue features essays that touch on key aspects of her practice and historical reception, as well as an extensive annotated chronology that provides an in-depth exploration of the intersection of her life and art. Working in one of the most rich and complex periods of the twentieth century, Szapocznikow responded to many of the ideological and artistic developments of her time through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged.
Alina Szapocznikow was born in Poland in 1926, and gained critical attention there for her early sculpture of the 1950s. She re-settled permanently in France in 1963, where her continued exploration of new materials such as polyester and polyurethane brought her into dialogue with the contemporary art scene of her time. She continued to push the boundaries of sculptural form and subject matter up until her premature death in 1973.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Flexi, 9 x 10.5 in. / 216 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE 1/31/2012
Active

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CATALOG: SPRING 2012 p. 15   

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ISBN 9780870708244 TRADE
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On Line: Drawing Through the Twentieth CenturyOn Line: Drawing Through the Twentieth Century

Published by The Museum of Modern Art, New York.
Edited by Catherine de Zegher, Cornelia H. Butler.

On Line: Drawing Through the Twentieth Century explores the radical evolution of drawing that took place during the last century and through to the present day, as numerous artists subjected the traditional concepts of the medium to a critical examination. In a revolutionary departure from the institutional definition of drawing, and from reliance on paper as the fundamental support material, artists instead pushed the line across the plane and into real space, expanding the medium in relation to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published to accompany an exhibition at The Museum of Modern Art, New York, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala among many others. Essays by the curators illuminate individual practices and offer focused examinations of broader themes, such as the exploration of line by the avant-garde, and the relationship between drawing and dance.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9 x 10.5 in. / 216 pgs / 230 color.

PUBLISHING STATUS
PUB DATE 12/31/2010
Active

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CATALOG: FALL 2010 p. 16   

PRODUCT DETAILS
ISBN 9780870707827 TRADE
LIST PRICE: $50.00 CDN $50.00
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STATUS: Out of stock

Temporarily out of stock pending additional inventory.

At Home/Not at HomeAt Home/Not at Home

Works from the Collection of Martin and Rebecca Eisenberg

Published by Center for Curatorial Studies, Bard College.
Foreword by Tom Eccles. Text by Matthew Higgs, Bob Nickas, et al.

Martin and Rebecca Eisenberg have been collecting contemporary art for more than 25 years; their collection features major works by artists including Kai Althoff, Jeremy Deller, Peter Doig, David Hammons, Mary Heilmann and many others.

PUBLISHER
CENTER FOR CURATORIAL STUDIES, BARD COLLEGE

BOOK FORMAT
Clth, 9.75 x 12.25 in. / 168 pgs / 150 color.

PUBLISHING STATUS
PUB DATE 7/31/2010
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CATALOG: FALL 2010 p. 108   

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ISBN 9781936192076 TRADE
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Temporarily out of stock pending additional inventory.

Greater New York 2010Greater New York 2010

Published by MoMA PS1.
Text by Klaus Biesenbach, Cornelia H. Butler, Neville Wakefield.

The third iteration of the quintennial exhibition organized by P.S.1 Contemporary Art Center and The Museum of Modern Art, Greater New York 2010 showcases emerging artists who are living and working in the metropolitan New York area. Covering a full range of practices and media, and eagerly anticipated throughout the art community, the 2010 exhibition and catalogue present new works by more than 70 artists of diverse backgrounds, allowing each of them a significant area of space in P.S.1’s expansive galleries in which to show new work or work that has been made in the past five years. This year, Greater New York is organized by Klaus Biesenbach, P.S.1 Director and MoMA Chief Curator at Large; Connie Butler, MoMA Robert Lehman Foundation Chief Curator of Drawing; and Neville Wakefield, P.S.1 Senior Curatorial Advisor.

PUBLISHER
MOMA PS1

BOOK FORMAT
Paperback, 6.25 x 9 in. / 250 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE 10/31/2010
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CATALOG: FALL 2010 p. 117   

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ISBN 9780984177622 TRADE
LIST PRICE: $19.00 CDN $19.00
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STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Modern Women: Women Artists at The Museum of Modern ArtModern Women: Women Artists at The Museum of Modern Art

Published by The Museum of Modern Art, New York.
Edited by Cornelia Butler, Alexandra Schwartz. Introductions by Cornelia Butler, Griselda Pollock, Aruna D'Souza.

This landmark survey represents the first effort by a major North American museum to examine its collection by highlighting the production of modern and contemporary women artists. Featuring essays by nearly 50 writers, including both MoMA curators and outside scholars, among them many of the strongest voices in current research on art and gender, this groundbreaking publication presents a variety of generational and cultural perspectives. Modern Women focuses on a diverse range of artists active from the late nineteenth century to the present whose works span the spectrum of mediums and genres in the Museum's collection. Organized chronologically into three sections—“Early Modernism,” “Mid-Century” and “Contemporary”—the book comprises both long and short essays emphasizing new research on women artists within these historical time periods. Subjects include women at the Bauhaus, design collaborations, photographers between the wars, the legacy of Maya Deren, Latin American artists, performance art, architecture, land art, “Riot Grrrls,” African American artists, collage and assemblage in contemporary portraiture as well as essays on individual artists such as Lillian Gish, Sybil Andrews, Diane Arbus, Ida Lupino, Hanne Darboven, Bridget Riley, Ana Mendieta, Louise Bourgeois, Adrian Piper, Nan Goldin, Zaha Hadid, Janet Cardiff and Lin Tianmiao. Heavily illustrated with works from the collection, Modern Women constructs a conversation between past considerations of MoMA's collection and current feminist narratives of art history, putting these varied modes of exploration in productive dialogue.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9 x 10.5 in. / 512 pgs / 400 color.

PUBLISHING STATUS
PUB DATE 6/30/2010
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CATALOG: SPRING 2010 p. 171   

PRODUCT DETAILS
ISBN 9780870707711 TRADE
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AVAILABILITY: In stock

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Paul Sietsema: Figure 3Paul Sietsema: Figure 3

Published by The Museum of Modern Art, New York.
Text by Connie Butler.

Paul Sietsema's ethereal drawings, sculptures and films explore combinations of color, space and movement through subjects spanning a broad geographic and temporal range. For his third and newest project, Figure 3 (2008), Sietsema takes as his inspiration a collection of indigenous ethnographic objects--found in various locations, including Africa, Indo-Asia and the South Pacific region of Oceania prior to European colonization--which he has collected since 2001. He reimagines these objects through drawings and intricately detailed, handcrafted sculptures, then captures the sculptures on 16mm film. The end result is a flickering, mostly black-and-white moving image that slips between abstract and figurative representation. This volume presents for the first time a comprehensive overview of the films and related objects, which together explore ideas of cultural production and the relationships between drawings, materiality and film.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Paperback, 8 x 10 in. / 80 pgs / 55 color.

PUBLISHING STATUS
PUB DATE 11/12/2009
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2009 p. 85   

PRODUCT DETAILS
ISBN 9780870707766 TRADE
LIST PRICE: $29.95 CDN $29.95
AVAILABILITY: In stock

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Compass in Hand: Assessing Drawing NowCompass in Hand: Assessing Drawing Now

Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

Published by The Museum Of Modern Art, New York.
Edited by Christian Rattemeyer. Text by Gary Garrels, Christian Rattemeyer, Harvey S. Shipley Miller.

Formed by Harvey S. Shipley Miller and donated to The Museum of Modern Art, New York, in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be the widest possible cross-section of contemporary drawing made primarily within the past 20 years, surveying gestural and geometric abstraction, representation and figuration, systems-based and Conceptual work, as well as appropriation and collage. While the collection primarily focuses on the work of artists living and working in what are widely regarded as five major centers of visual art today--New York, Los Angeles, London/Glasgow, Berlin and Cologne/Düsseldorf--it also includes artists from 30 countries throughout Europe, Latin America, Asia and Africa. Established artists such as Jasper Johns are represented through examples of recent work, while others, such as Joseph Beuys and Philip Guston, are highlighted through core historic groupings, and still others are shown in a comprehensive overview of their careers, including Alighiero e Boetti, Lee Bontecou, Ray Johnson, Anish Kapoor, Franz West, Bruce Conner and Hannah Wilke. Minimal and Conceptual drawings from the 1960s and 1970s acquired by the foundation from New York-based collectors Eileen and Michael Cohen are juxtaposed with major works by self-taught artists including James Castle, Henry Darger, Ele D'Artagnan and Pearl Blauvelt, representing a diverse anthology of works on paper. Additional highlights, both contemporary and historic, include works by Tomma Abts, Kai Althoff, Robert Crumb, Tacita Dean, Peter Doig, Angus Fairhurst, Mark Grotjahn, Richard Hamilton, Eva Hesse, Charline von Heyl, Christian Holstad, Roni Horn, Ellsworth Kelly, Martin Kippenberger, Roy Lichtenstein, Sherrie Levine, Lee Lozano, Agnes Martin, Cady Noland, Jennifer Pastor, Elizabeth Peyton, Adrian Piper, Paul Thek, Richard Wright and Andrea Zittel. Reminiscent of the classic 2002 MoMA catalogue Drawing Now and published to accompany a major 2009 exhibition at The Museum, this volume brings together approximately 250 representative works.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9 x 11.25 in. / 320 pgs / 320 color / 845 bw.

PUBLISHING STATUS
PUB DATE 5/1/2009
Active

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D.A.P. EXCLUSIVE
CATALOG: SPRING 2009 p. 25   

PRODUCT DETAILS
ISBN 9780870707452 TRADE
LIST PRICE: $65.00 CDN $65.00
AVAILABILITY: In stock

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The Judith Rothschild Foundation Contemporary Drawings Collection Boxed SetThe Judith Rothschild Foundation Contemporary Drawings Collection Boxed Set

Published by The Museum of Modern Art, New York.
Edited by Christian Rattemeyer. Text by Connie Butler, Gary Garrels, Scott Gerson, Isabelle Graw, Martin Herbert, Manfred Hermes, Harvey S. Shipley Miller, Christian Rattemeyer, Brian Sholis, Jan Tumlir..

Formed by Harvey S. Shipley Miller and donated to The Museum of Modern Art, New York, in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be the widest possible cross-section of contemporary drawing made primarily within the past 20 years, surveying gestural and geometric abstraction, representation and figuration, systems-based and conceptual work, as well as appropriation and collage. While the collection primarily focuses on the work of artists living and working in what are widely regarded as five major centers of visual art today--New York, Los Angeles, London/Glasgow, Berlin and Cologne/Düsseldorf--it also includes artists from 30 countries throughout Europe, Latin America, Asia and Africa. Established artists such as Jasper Johns are represented through examples of recent work, while others, such as Joseph Beuys and Philip Guston, are highlighted through core historic groupings, and still others are shown in a comprehensive overview of their careers, including Alighiero e Boetti, Lee Bontecou, Ray Johnson, Anish Kapoor, Franz West, Bruce Conner and Hannah Wilke. Minimal and Conceptual drawings from the 1960s and 1970s acquired by the Foundation from New York-based collectors Eileen and Michael Cohen are juxtaposed with major works by self-taught artists including James Castle, Henry Darger, Ele D'Artagnan and Pearl Blauvelt, representing a diverse anthology of works on paper. Additional highlights, both contemporary and historic, include works by Tomma Abts, Kai Althoff, Robert Crumb, Tacita Dean, Peter Doig, Angus Fairhurst, Mark Grotjahn, Richard Hamilton, Eva Hesse, Charline von Heyl, Christian Holstad, Roni Horn, Ellsworth Kelly, Martin Kippenberger, Roy Lichtenstein, Sherrie Levine, Lee Lozano, Agnes Martin, Cady Noland, Jennifer Pastor, Elizabeth Peyton, Adrian Piper, Paul Thek, Richard Wright and Andrea Zittel.
D.A.P. is pleased to offer two extraordinary volumes dedicated to this extraordinary collection--published to accompany a major exhibition--as well as this boxed set that includes both. Reminiscent of the classic 2002 MoMA catalogue Drawing Now the first of these volumes, Compass in Hand, brings together approximately 250 representative works. The second, The Judith Rothschild Collection of Contemporary Drawings, is a complete catalogue raisonné.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Slipcased 2 Volume Hardcover, 9 x 12 in. / 616 pgs / 400 color / 845 bw.

PUBLISHING STATUS
PUB DATE 7/31/2009
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CATALOG: SPRING 2009 p. 25   

PRODUCT DETAILS
ISBN 9780870707650 TRADE
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Marlene Dumas: Measuring Your Own GraveMarlene Dumas: Measuring Your Own Grave

Published by D.A.P./Museum of Contemporary Art, Los Angeles.
Edited by Lisa Gabrielle Mark. Text by Cornelia H. Butler, Richard Shiff, Matthew Monahan, Lisa Gabrielle Mark.

In her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, desire, despair and confusion in order to slyly critique social and political attitudes toward women, children, people of color and others who have historically been victimized. From her evocative portraits, based on photographs of friends and family as well as figures culled from printed pornography, to her large-scale images highlighting charged relationships within groups, Dumas' work explores the contradictions behind the physical reality of the body, merging acute social commentary with personal experience and art-historical antecedent to create unsettling and ambiguous psychological statements.
Accompanying Dumas' first major mid-career survey in the U.S., with stops in three major American cities, (one yet to be announced) this substantial, fully-illustrated publication features a newly commissioned essay by renowned scholar Richard Shiff, placing the artist's work in relation to both American figurative painting since the 1980s and Abstract Expressionism. The book also includes curator Cornelia H. Butler's examination of Dumas' photographic sources and shorter texts by Lisa Gabrielle Mark and Matthew Monahan. Writings by the artist, as well as an extensive illustrated exhibition history and bibliography, complete this comprehensive examination of the work of one of the most thought-provoking artists working today.
Born in Capetown, South Africa, in 1953, Marlene Dumas has lived in Amsterdam since 1976. Over the last three decades she has had numerous solo exhibitions throughout Europe and the U.S., including the Tate Gallery, London; the Institute of Contemporary Art, Boston; and the Centre Georges Pompidou, Paris. In 1995 she represented The Netherlands at the 46th Venice Biennale.

PUBLISHER
D.A.P./MUSEUM OF CONTEMPORARY ART, LOS ANGELES

BOOK FORMAT
Hardback, 9.75 x 12 / 288 pgs / 200 color / 50 bw.

PUBLISHING STATUS
PUB DATE 6/1/2008
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CATALOG: SPRING 2008 p. 176   

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Eric WesleyEric Wesley

Published by The Museum of Contemporary Art, Los Angeles.
Essay by Cornelia Butler.

West Coast artist Eric Wesley was born in 1973 in Los Angeles. His work, which can take the form of sculpture, painting, drawing, architectural model or public artwork proposal, often uses decrepit materials and conveys a humorous take on the world and his own identity within it. For the 2004 Whitney Biennial, he created scale sets for a faux reality show; his 2000 kinetic sculpture "Kicking Ass" was a mechanized donkey that kicked holes in the gallery wall behind it. This small monograph is the first publication dedicated solely to the artist's work, and is published on the occasion of his 2006 exhibition as part of the MOCA Focus series.

PUBLISHER
THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

BOOK FORMAT
Paperback, 8 x 10 in. / 60 pgs / 40 color.

PUBLISHING STATUS
PUB DATE 8/15/2006
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CATALOG: FALL 2006 p. 120   

PRODUCT DETAILS
ISBN 9780914357971 TRADE
LIST PRICE: $24.95 CDN $24.95
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Recent Pasts: Art In Southern California From The 1990S To NowRecent Pasts: Art In Southern California From The 1990S To Now

Published by JRP|Ringier.
Edited by John C. Welchman. Essays by Connie Butler, Brian Butler, Matthew Coolidge, Dennis Cooper, Mike Davis, Dave Muller, Diana Thater and Frances Stark.

This first volume of a series of anthologies, each based on a symposium held in Los Angeles by a consortium of the art schools of Southern California, brings out some heavy hitters for its inaugural number. A cross-disciplinary endeavor, the contributors include Mike Davis, author of City of Quartz and winner of a MacArthur Foundation “genius” grant; novelist Dennis Cooper (“the most important transgressive literary artist since William S. Burroughs,” according to Salon); artist Diana Thater; artist and ambient DJ Dave Muller; and Museum of Contemporary Art Los Angeles Curator Connie Butler. This publication presents an essential assessment of the vital and influential art scene in Southern California since 1990. Contemplating the sociopolitical context, the available cultural tools and the importance of certain Californian artists both on an aesthetic level and as teachers, the book offers perspectives on the singular Southern California art scene.

PUBLISHER
JRP|RINGIER

BOOK FORMAT
Paperback, 6.75 x 9.5 in. / 160 pgs / 20 bw.

PUBLISHING STATUS
PUB DATE 8/15/2005
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CATALOG: FALL 2005 p. 160   

PRODUCT DETAILS
ISBN 9783905701203 TRADE
LIST PRICE: $25.00 CDN $25.00
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The Art Of Richard TuttleThe Art Of Richard Tuttle

Published by D.A.P./San Francisco Museum of Modern Art.
Edited by Madeleine Grynsztejn. Essays by Madeleine Grynsztejn, Cornelia Butler, Richard Shiff, Katy Siegel, and Robert Storr. Texts by Tara McDowell, Elizabeth Smith, Adam D. Weinberg and Charles Wylie.

Over the past four decades, Richard Tuttle has thrown into question nearly every conceivable artistic convention and critical category to create an enormously inventive body of abstract work--one that embraces and intermingles drawing, painting, collage, book-making, sculpture and design. From his spare yet enigmatic forms of the 1960s to his complex, multi-faceted assemblages and installations of more recent years, Tuttle's primary impetus throughout has been to craft unique objects, using everyday, often ephemeral materials, that demand to be confronted on their own terms. The relentless individuality of his aesthetic vision has earned him standing as one of the most provocative and influential artists of his day. This richly illustrated and strikingly designed catalogue, the most authoritative volume ever published on this prolific artist, presents nearly 400 reproductions of artworks from across his oeuvre and documentary photographs of his creative process. Essays by a distinguished group of writers trace the arc of Tuttle's career from its inception in the 1960s to the present day, addressing topics such as the philosophical underpinnings of his artistic method; his sensitive handling of diverse materials; his lifelong engagement with drawing and its expansion into three-dimensional space; his groundbreaking solo exhibitions and their critical reception in the United States and Europe; his complex play with the conventions of language; and his innovative artist's books, many of which are collaborations with poets.
The Art of Richard Tuttle is published in conjunction with a major retrospective organized by the San Francisco Museum of Modern Art. The exhibition travels to the Whitney Museum of American Art, New York; the Des Moines Art Center; the Dallas Museum of Art; the Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles.

PUBLISHER
D.A.P./SAN FRANCISCO MUSEUM OF MODERN ART

BOOK FORMAT
Clothbound, 11 x 12 in. / 392 pgs / 265 color / 45 bw.

PUBLISHING STATUS
PUB DATE 7/15/2005
Out of print

DISTRIBUTION
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CATALOG: SPRING 2005 p. 33   

PRODUCT DETAILS
ISBN 9781933045009 TRADE
LIST PRICE: $65.00 CDN $65.00
AVAILABILITY: Not available

STATUS: Out of print | 00/00/00

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Rodney Graham: A Little ThoughtRodney Graham: A Little Thought

Published by The Museum of Contemporary Art, Los Angeles.
Essays by Cornelia Butler, Grant Arnold, Jessica Bradley, Lynne Cooke, Diedrich Diedrichsen, Sara Krajewski and Shepherd Steiner.

One of Canada's most humorous conceptual artists--as witty as he is smart--Rodney Graham gets his first North American museum retrospective and accompanying catalogue. Rodney Graham: A Little Thought tracks the career of a brilliant, idiosyncratic artist whose work spans a range of media including photography, film, book works, installation and pop music. In this volume, amply illustrated with many never-before-seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self/ Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham. Diedrich Diederichsen considers the artist's oeuvre within the context of musical structure, and Sara Krajewski describes how Graham's video works unfold. Finally, Grant Arnold offers an in-depth illustrated chronology, tracing the range of activities that have occupied Graham since his early days on the Vancouver scene.

PUBLISHER
THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

BOOK FORMAT
Hardcover, 9.75 x 11.75 in. / 208 pgs / 150 color / 50 bw / 20 duotone.

PUBLISHING STATUS
PUB DATE 5/2/2004
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DISTRIBUTION
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CATALOG: SPRING 2004

PRODUCT DETAILS
ISBN 9780914357889 TRADE
LIST PRICE: $39.99 CDN $39.99
AVAILABILITY: Awaiting stock

STATUS: Out of stock

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Flight PatternsFlight Patterns

Published by The Museum of Contemporary Art, Los Angeles.
Contributors include Cornelia H. Butler, Lee Weng Choy, Francis Pound.

Flight Patterns highlights contemporary artists primarily working in the Pacific Basin--Southern California, Canada, New Zealand and Australia--whose work addresses the specific topographical conditions and experience of living in this geographically and geopolitically dynamic region. As its conceptual foundation, Flight Patterns rethinks topographical practices of photography since the 1970s, looking at current manifestations of the topographical impulse in landscape-oriented work. The exhibition and its accompanying catalogue include new projects, recent work from the 1990s, and historically significant works of photography, film, video and painting by 23 artists including Doug Aitken, Rodney Graham, Anthony Hernandez, Tracey Moffatt, Paul Outerbridge, Allan Sekula, Miles Coolidge and Simon Leung. Flight Patterns introduces the work of West Coast American artists as well as those artists working in regions where there is a parallel history of landscapes and their representation, and where similar postcolonial issues are at stake. A landmark artistic, social and geographical document, Flight Patterns highlights a diversity of artistic approaches--both formalist and conceptual--to one of the most fascinating and complex areas of the planet.

PUBLISHER
THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

BOOK FORMAT
Hardcover, 8.25 x 10 in. / 160 pgs / 160 color / 25 duotone.

PUBLISHING STATUS
PUB DATE 10/2/2000
Out of print

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2001

PRODUCT DETAILS
ISBN 9780914357766 TRADE
LIST PRICE: $39.95 CDN $39.95
AVAILABILITY: Not available

STATUS: Out of print | 11/25/2008

For assistance locating a copy, please see our list of recommended out of print specialists >




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