Edited by Bruna Roccasalva. Contributions by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T. J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide, Anne M. Wagner.
Hbk, 6.5 x 9.5 in. / 416 pgs / 90 color / 300 bw. | 4/23/2019 | Awaiting stock ISBN 9788857239774 | $39.95
Published by Verlag für moderne Kunst. Edited by Georg Leutner. Text by Doryun Chong, Vincent Honoré, Udo Kittelmann, Gunnar Kvaran, Wilfried Lentz, Hans Ulrich Obrist, Zhang Qing, Tania Ragasol, Trevor Smith, Sonja Traar.
Eleven top curators from international museums tap 25 young artists to break out and change the art world. The curators, many of whom match the same criteria--young and gunning for change--include Udo Kittelmann, Hans Ulrich Obrist and Trevor Smith, among others. Artists include Brock Enright, Reena Spaulings and Paul Chan.
Published by Skira. Edited by Bruna Roccasalva. Contributions by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T. J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide, Anne M. Wagner.
South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
Published by Verlag für moderne Kunst. Foreword by Larys Frogier. Text by Clara M. Kim, Doryun Chong.
This volume documents three monumental collage paintings by celebrated Los Angeles-based artist Mark Bradford (born 1961), titled "The Tears of a Tree," "Falling Horses" and "Lazy Mountain," which were inspired by the artist's visits to Shanghai.
Published by The Museum of Modern Art, New York. Edited with text by Thomas J. Lax. Text by Doryun Chong, Adrienne Edwards, Saidiya Hartman, Deborah Jowitt, Ralph Lemon, André Lepecki, Fred Moten, Okwui Okpokwasili, Katherine Profeta, Will Rawls.
Ralph Lemon (born 1952) is one of the most significant figures to emerge from New York’s downtown dance and performance world in the past 40 years. A polymath and shape-shifter, Lemon combines dance and theater with drawing, film, writing and ethnography in works presented on the stage, in publications and in museums. He builds his politically resonant and deeply personal projects in collaboration with dance makers and artists from New York, West Africa, South and East Asia, and the American South. Lemon, who was born in Cincinnati and raised in Minneapolis, describes his explorations as a “search for the forms of formlessness.” Absorbing and transmuting fractured mythologies, social history and dance techniques from multiple geographies and decades, Lemon’s genre-transcending works perform an alchemy of past and present, reality and fantasy. This book, the first monograph on the artist, features a wide range of texts by scholars and performers, an original photo essay by Lemon and an extensive chronology. MoMA's Modern Dance is a series of monographs exploring dance makers in the 21st century. Each volume focuses on a single choreographer, presenting a rich collection of newly commissioned texts along with a definitive catalogue of the artist’s projects.
Published by Kukje Gallery. Edited with introduction by Yongwoo Lee. Foreword by Jean Boghossian. Text by Doryun Chong, Jeremy Lewison, et al.
Dansaekhwa is an artistic approach founded on the experiences of those who participated in the first generation of Korean modernism. Among those compiled in this beautiful and substantial catalogue are Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, KIM Whanki, Kwon Young-Woo, Lee Ufan and Park Seo-Bo.
PUBLISHER Kukje Gallery
BOOK FORMAT Hardcover, 9.75 x 12.25 in. / 320 pgs / 160 color / 30 bw.
PUBLISHING STATUS Pub Date 7/26/2016 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2016 p. 159
PRODUCT DETAILS ISBN 9788992233767FLAT40 List Price: $75.00 CDN $99.00 GBP £65.00
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
This publication highlights the accomplishments of Japanese artist Koki Tanaka (born 1975), honored by the Deutsche Bank as Artist of the Year 2015. Tanaka is known for his participatory installations and performances in which he implements everyday objects and materials found in situ.
Published by The Museum of Modern Art, New York. Edited by Doryun Chong. Text by Doryun Chong, Michio Hayashi, Miryam Sas, Mika Yoshitake.
Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. During this period, Tokyo was a vibrant hub that attracted such critical artistic figures as Taro Okamoto, Hiroshi Nakamura, Ay-O, Yoko Ono, Mieko Shiomi and Tetsumi Kudo; photographers Daido Moriyama, Eikoh Hosoe and Shomei Tomatsu; illustrators and graphic designers Tadanori Yokoo, Kohei Sugiura and Kiyoshi Awazu; and architects Arata Isozaki and Kisho Kurokawa; as well as many important artists’ collectives. Curator Doryun Chong’s essay investigates Tokyo’s sociopolitical context and the massive urban changes that set the stage for the city to emerge as a vital node in the international avant-garde network. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies. Tokyo 1955–1970: A New Avant-Garde brings fresh insight to this dynamic metropolis during a time of remarkable artistic burgeoning.
Published by Walker Art Center. Edited by Joan Rothfuss. Text by Suzanne Carbonneau, André Lepecki, Doryun Chong, Philip Bither, Forrest Gander. Photo-essays by Philip Trager, Jan Henle.
Operating at the intersections of dance, art and performance for nearly 40 years, acclaimed Japanese movement/performance artists Eiko & Koma have built up an enormously influential body of movement-theater productions, including theatrically staged performances, site works, dance videos, gallery-based performance installations and collaborations with leading music, dance and visual artists. Time Is Not Even, Space Is Not Empty presents a complete, illustrated catalogue of their dance works, alongside editor's and choreographer's notes, reprints of primary source and other archival material, and a series of newly commissioned written responses by Anna Halprin, Dean Otto, Sam Miller, Peter Taub and others. A distinguished group of scholars from the dance and visual arts fields offer interpretations of the artists' work, including a history of the artists' relationship with the institution by Walker curator Philip Bither; an in-depth overview by Suzanne Carbonneau, Professor of Performance at George Mason University and Director of the Institute for Dance Criticism at the American Dance Festival; an essay on the sculptural qualities of Eiko & Koma's movement by André Lepecki, Associate Professor at New York University's Tisch School of Performance Studies; and a reflection/interview with the artists on their formative years in Japan and the U.S. by Doryun Chong, Associate Curator at the Museum of Modern Art in New York. Two visual essays"" by noted photographers Philip Trager and Jan Henle and a selection of poems by Forrest Gander round out the volume.""
Published by Walker Art Center. Edited and with text by Doryun Chong. Text by Mike Kelley, Hiroko Kudo.
Tetsumi Kudo: Garden of Metamorphosis accompanies the first solo museum presentation of this highly original but under-studied artist's work in the United States. Organized by the Walker Art Center in close collaboration with Hiroko Kudo, the artist's widow, it features approximately 70 works covering the full trajectory of his amazingly productive career, which spanned from the late 1950s through the 80s. Born in Japan, Kudo first gained notoriety in the Tokyo art scene of the late 50s. He immigrated to Paris in 1962, working in a range of media--objects, sculpture, installation, drawing and painting--and presenting numerous Happenings and performances. Kudo's work and activities intersect with many important postwar artistic trends--including French Nouveau Réalisme, Fluxus, Pop art, 60s anti-art tendencies and 80s Postmodernism. Throughout his life and career, Kudo remained particularly Japanese while his art and vision were consistently and uniquely transcultural, internationalist and cosmopolitan. This beautifully designed exhibition catalogue includes an essay examining Kudo's philosophy, the evolution of his artistic vocabulary and his place in art history by curator Doryun Chong; a reflection by artist Mike Kelley; a selection of Kudo's writings, interviews with the artist and other historical criticism; and an illustrated chronology by Hiroko Kudo.