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Tatlin: New Art for a New World

Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde. Nevertheless, “Not the old, not the new, but the necessary” was his motto; having spent his early years as an icon painter, Tatlin eschewed the modernist disavowal of heritage in favor of a research-based attitude to materials and genres. His “counter-relief” sculptures, made of wood, cardboard, metal and wire, were foundational works for Rodchenko and the Constructivists, and their influence can be seen today in the works of creators as various as Zaha Hadid and Richard Tuttle. But it is his “Monument to the Third International,” often called simply “Tatlin’s Tower,” that has grasped the imaginations of artists, architects and writers down the generations. Though it was never built, “Tatlin’s Tower” endures as a promethean image of utopian heroism and Soviet optimism, as does the artist himself, who applied his energies so broadly, without loss of integrity or focus. With 120 color illustrations and a wealth of archival photos, this volume offers the first English-language overview of Tatlin’s diverse achievements in more than 25 years. Published for a landmark exhibition at the Museum Tinguely in Basel, it examines every facet of his output, from his early Cubist-influenced paintings to the counter-reliefs, the “Tower,” prints, set and costume designs and aeronautic researches, and constitutes an essential portrait of the ambitions of Soviet modernism.
Vladimir Tatlin (1885–1953) was born in the Ukraine, and studied icon painting in Moscow. In 1913 he traveled to Paris, where he encountered Picasso’s three-dimensional sculptures, which directly inspired his own “counter-reliefs.” Following the October Revolution, Tatlin directed his skills towards the Soviet cause, devising in 1920 his “Monument to the Third International.”  > more

TATLIN: NEW ART FOR A NEW WORLD
US $60.00 CAN $60.00 / TRADE
ISBN 9783775733632 / In stock

The Art of William S. Burroughs: Cut-ups, Cut-ins, Cut-outs

The influence of William Burroughs on popular culture has been enormous: the Beatles, the Stones, Andy Warhol, the Velvet Underground, David Bowie, Keith Haring, David Cronenberg and Sonic Youth have all paid homage to the Beat writer in various media. While Burroughs’ life story and sexual/narcotic proclivities have had their own legacy, the “cut-up” method that he developed in the 1960s with his friend Brion Gysin has proved his most generative legacy. Writers, musicians and artists of all kinds have adopted this chance procedure, which involves the cutting and splicing of language--or image, or sound--to produce unexpected conjunctions and scramble consensus reality. “The cut-up is actually closer to the facts of perception than representational painting,” Burroughs wrote of the method. “Take a walk down a city street and put down what you have just seen on canvas . . . consciousness is a cut up.” This compendium of Burroughs’ artwork, collages, cut-ups, scrapbooks, photographs, films, ephemera and paintings offers a full overview of his visual output, emphasizing the importance and legacy of the cut-up method. In addition, it examines the significance of his tape cut-up experiments of the 60s and 70s, as well as his practice of collaboration across media. Containing much previously unseen material, Cut-ups, Cut-ins, Cut-outs: The Art of William Burroughs is a definitive publication on a writer and artist whose influence only increases with time.
William Seward Burroughs (1914–1997) was born in St. Louis, Missouri. He studied at Harvard University where he graduated in 1936 and briefly attended medical school in Vienna. In the 1940s he met Jack Kerouac and Allen Ginsberg, thus helping to found the Beat movement, of which his novel Naked Lunch is a key text.  > more

THE ART OF WILLIAM S. BURROUGHS: CUT-UPS, CUT-INS, CUT-OUTS
US $60.00 CAN $60.00 / TRADE
ISBN 9783869843155 / In stock

Edward Hopper

Edward Hopper is as quintessentially American as Jackson Pollock or Andy Warhol. Like them, his imagery has reached far beyond the realm of art to impact on our culture in the broadest terms, so that we see early twentieth-century America through his work, as much as within it. The painter Charles Burchfield attributed Hopper’s success to his “bold individualism,” declaring that “in him we have regained that sturdy American independence which Thomas Eakins gave us.” Hopper’s art was profoundly of its time, both in its expression of the subtle melancholies of modern life and in its deeply cinematic qualities--perhaps Hopper’s greatest gift was his treatment of light--to which directors from Alfred Hitchcock to Wim Wenders have paid homage.
This volume presents a definitive Hopper monograph. Published for a massive retrospective at the Museo Thyssen-Bornemisza in Madrid, and the Grand Palais in Paris, it approaches Hopper’s relatively small oeuvre in two sections. The first covers the artist’s formative years from approximately 1900 to 1924, examining a selection of sketches, paintings, drawings, illustrations, prints and watercolors, which are considered alongside works by painters that influenced Hopper, such as Winslow Homer, Robert Henri, John Sloan, Edgar Degas and Walter Sickert. The second section considers the years from 1925 onwards, addressing his mature output through chronological but thematic groupings. Comprehensive in its scope, with a wealth of color reproductions, Hopper is the last word on the artist.  > more

EDWARD HOPPER
US $65.00 CAN $65.00 / TRADE
ISBN 9781935202875 / In stock

TABLE OF CONTENTS | ART

NEW ART BOOKS FROM D.A.P. | ARTBOOK THIS SEASON Edgar Degas: The Late Work John Singer Sargent: Watercolors Dan Flavin Sol LeWitt Claes Oldenburg: Writing on the Side 1956-1969 Marcel Duchamp: The Afternoon Interviews Paul Klee: Life and Work Paul Klee: The Angels Hilma af Klint: A Pioneer of Abstraction Gutai: Splendid Playground Wait, Later This Will Be Nothing: Editions by Dieter Roth Kara Walker: Dust Jackets for the Niggerati A Universal Archive: William Kentridge as Printmaker William Kentridge: The Refusal of Time Tracey Emin: My Photo Album Tabboo! The Art of Stephen Tashjian Robert Weaver: A Pedestrian View Artemio Rodriguez: American Dream Pep Carrió: The Days Turned Over Bruno Munari: My Futurist Past Posada: Monograph Posada & Manilla: Illustrations for Mexican Fairy Tales Frida & Diego: Passion, Politics and Painting Encounters with the 30s Hans Bellmer: The Doll William S. Burroughs: Cut Karen Green: Bough Down Denis Wood: Everything Sings, 2nd Revised Edition Do It: The Compendium MoMA Highlights: 350 Works from The Museum of Modern Art, New York Oppenheim: Object Pollock: One: Number 31, 1950 Van Gogh, Dalí, and Beyond: The World Reimagined Adolf Wölfli: Creator of the Universe Meret Oppenheim Otto Dix and New Objectivity Max Ernst: Retrospective Piero della Francesca Vermeer: The Complete Works John Chamberlain: Choices Antonio López García: Drawings Tom Hunter: The Way Home Fernando Botero: A Celebration Neo Rauch: Selected Works 1993-2012 Yoshitomo Nara & YNG: The Crated Rooms in Iceland Yoko Ono: To the Light Joseph Beuys: Every Man Is an Artist Hans-Peter Feldmann: Catalogue Ed Ruscha: Reading Ed Ruscha Sol LeWitt: The Well-Tempered Grid Mary Heilmann: Good Vibrations Roni Horn: 153 Drawings Ellsworth Kelly: The Chatham Series Abraham Cruzvillegas: The Autoconstrucción Suites Gabriel Orozco: Asterisms Goshka Macuga: Exhibit, A Amalia Pica Sensual Mechanical: The Art of Craig Kauffman Judy Chicago: Deflowered Rachel Lachowicz Liza Lou: Durban Diaries Bruce Nauman: Mindfuck Tony DeLap Albert Contreras Morgan Fisher: Conversations F. Scott Hess: The Paternal Suit Morgan Fisher: Writings In the Shadow of Numbers: Charles Gaines Theaster Gates: 12 Ballads for Hugenot House Theaster Gates: My Labor Is My Protest Henry Taylor Fransje Killaars Annette Messager: Continents Noirs Monika Sosnowska Diana Al-Hadid Katrin Sigurdardottir: The Icelandic Pavilion Lara Favaretto Josiah McElheny: Towards a Light Club Tara Donovan: Currents 35 Lucio Fontana: Sculpture Thomas Schütte: Frauen Thomas Schütte: Houses Fred Sandback Urs Fischer: Oscar the Grouch Sarah Lucas: After 2005, Before 2012 Erwin Wurm: De Profundis Kathy Ruttenberg Paul Sietsema Maurizio Cattelan Is Dead Allen Ruppersberg: Collector's Paradise Jim Shaw: The Rinse Cycle Philippe Parreno: C.H.Z. David Claerbout: The Time That Remains Bill Viola: Reflections Parallel Practices: Joan Jonas & Gina Pane Dive Deep: Eric Fischl and the Process of Painting Luc Tuymans: Exhibitions at David Zwirner Luc Tuymans Michaël Borremans: Magnetics Chris Martin: Drawings Suzan Frecon: Paper Carroll Dunham: A Drawing Survey Ralph Humphrey Amelie von Wulffen Thomas Schütte: Faces and Figures R.B. Kitaj: Obsessions, 1932-2007 Anselm Kiefer: Memorabilia Lin Tianmiao: Bound Unbound The King of Kowloon: The Art of Tsang Tsou Choi Yin Xiuzhen Yun-Fei Ji: Water Work Munch|Warhol and the Multiple Image Keith Haring: 31 Subway Drawings Gerhard Richter: Drawings and Watercolors, 1958-2008 Daniel Buren: Esquisses Graphiques Mel Bochner: Monoprints Dan Graham: Not Yet Realised, Pavilion Drawings The Piano Tuner of Earthquakes Institute Benjamenta: Or This Dream People Call Human Life Dieter Meier: Works 1968-2012 and the Yello Years Dance Rehearsal: Karen Kilimnik's World of Ballet and Theatre Anfang Gut, Alles Gut Fluxus at 50 The Small Utopia: Ars Multiplicata Explosion! Painting as Action Amor Psyche Aktion: Vienna Mazdaznan Health & Breath Culture Laura Anderson Barbata: Transcommunality Joaquín Sorolla and the Glory of Spanish Dress Duchamp & Picasso: He Was Wrong Marcel Duchamp & Vitaly Halberstadt: A Game in a Game Marcel Duchamp: 1° La Chute D’eau The Indefinite Duchamp The Picassos Are Here! Pablo Picasso: Suite Vollard Francis Picabia Hans Arp: Ovi Bimba Luminous Modernism: Scandinavian Art Comes to America, Friedrich Vordemberge-Gildewart: Nothing and Everything Abstraction in Italy 1930-1980 Manifesto Collage Louise Nevelson: The Way I Think Is Collage David Smith: Points of Power Hans Hofmann: Magnum Opus Dr. Atl: Masterpieces Pulses of Abstraction in Latin America Order, Chaos, and the Space Between Alfredo Ramos Martinez & Modernismo Stedelijk Collection Reflections Stedelijk Collection Highlights The Many Faces of Nefertiti Bonnard Among Friends: Matisse, Monet, Vuillard... Mapping Cyprus Ferdinand Hodler The Brueghel Dynasty Arts of China: MFA Highlights Hans Ulrich Obrist & Tacita Dean: The Conversation Series Hans Ulrich Obrist & Matthew Barney: The Conversation Series Adel Abdessemed: Conversation with Pier Luigi Tazzi Gerhard Richter: Atlas: The Reader Nigel Cooke: Words Glamour Is Theft: A User's Guide to General Idea More Than You Wanted to Know About John Baldessari The Michael Werner Collection Ed Ruscha: The Ancients Stole All Our Great Ideas Les Chefs-d'oeuvre de la Donation Yvon Lambert Animal Spirits Artists for Artists Figuring Faith Americana: 50 States, 50 Months, 50 Exhibitions Engagement Party When Attitudes Became Form Become Attitudes Portrait of a Generation American Illustration 31 Toilet Paper: Issue 6 Toilet Paper: Issue 7 Art Basel Unlimited Art 45 Basel Frieze New York 2013 Catalog Cahiers de Résidence 2011 Cahiers de Résidence 2010 Design Miami 2012 Catalogue Surface Tension Supplement No. 6 Richard Tuttle: Use of Time Bruce Nauman: Inside the White Cube Euan Macdonald: We Already See So Much Martin Soto Climent: The Equation of Desire Slavs and Tatars: Khhhhhh Melanie Smith: Xilitla Hans Schabus Olafur Eliasson: Never Tired of Looking at Each Other, Only Mountains and I Roman Ondàk: Observations Simryn Gill: Here Art Grows on Trees Roni Horn: Artist's Portfolio Louise Hervé & Chloé Maillet: Strange Attraction Michael Dumontier & Micah Lexier: Call Ampersand Response Zhang Dali: Lynn Valley 7 Philippe Weisbecker: Greenhouse Studies Tal R: Man Overboard Karl Holmqvist: 'K Chris Johanson: Windows Guillermo Faivovich & Nicolas Goldberg: The Camp del Cielo Meteorites Emily Jacir: Ex Libris Luck Lines Saâdane Afif: Another Anthology of Black Humour Ingo Giezendanner: Rundherundherundherum John Cage & Thomas Wulffen: Rrose to the Occasion Jannis Kounellis: Senza Titolo Burghard: Earlyears Matias Faldbakken: Oslo, Texas Friedrich Kunath: You Owe Me a Feeling Bente Stokke: Projects 1982-2012 Daniel Spoerri: At the Museum of Natural History, An Incompetent Dialogue? Mariella Mosler: Semiglot Claire Fontaine: Foreigners Everywhere David Maljkovic: Sources in the Air Annett Zinsmeister: Searching for Identity Florian Pumhösl: Works in Exhibitions 1993-2012 Erich Reusch: It Is the Space Daniel Mohr: Phase Shifting Martin Schwenk: Home Grown Kalin Lindena Ulrich Genth & Heike Mutter: Tiger & Turtle Magic Mountain Pamela Rosenkranz: No Core Lois Weinberger Almut Linde: Radical Beauty Daniel Buren Laura Vinci Clemens Wolf: A History of Holes, Grids and the Great Mess Anna K.E.: A Well-to-Do Man Is Cruising in His Fancy Car When a Small Hen Runs out on the Road in Front Alice Maher: Becoming Nino Mustica: Sparkle Phyllida Barlow: Siege Klara Lidén: Bodies of Society Anthony McCall: Five Minutes of Pure Sculpture Cyprien Gaillard: The Recovery of Discovery Catherine Lee: West Texas Triangle Juan Muñoz: Sculptures Tony Cragg: Matrix Kritof Kintera Mariagrazia Pontorno: Roots Ulrike Ottinger Thomas Hirschhorn: Early Video Works 1995-1997 Kerry Tribe: Speak, Memory Paul McCarthy & Damon McCarthy: Caribbean Pirates Slavica Perkovic: Vertigo Tacita Dean: Five Americans Anton Ginzburg: At the Back of the North Wind Julião Sarmento: White Nights Cildo Meireles & Antoni Muntadas: Salt & Sugar ... No Sugar, No Salt Nin Brudermann: Twelve o'Clock in London Margret Eicher: Once Upon A Time in Mass Media Nicola Costantino Robert Gligorov: Transfiguration Brian Nissen Karin van Dam Alejandro Cesarco Pawel Althamer Stefan Thiel: Cuts Dora García: Mad Marginal Number 3 Mischa Kuball: Platon's Mirror and the Actuality of the Cave Allegory Aldo Solari Rosemarie Trockel & Paloma Varga Weisz: Maison de Plaisance Darren Waterston: Remote Futures Jaroslav Rössler: Drawing and Paintings Olav Christopher Jenssen: Enigma Ulrich Gebert: A Rat Is A Pig Is A Dog Is A Boy Anja Buchheister: Including Places Thilo Heinzmann Jan Hísek: Night Rider Christina Chirulescu Helmut Federle: American Songline Xylor Jane: 19991 Robert Zandvliet: I Owe You the Truth in Painting Charline von Heyl: Now or Else Sam Moyer: Dyes Morgan Fisher: Two Exhibitions Eduardo Arroyo Prudencio Irazabal: Omnia Pervia Fabian Marcaccio: Some USA Stories Kirsi Mikkola Arturo Herrera: Series Koen van den Broek: Insomnia and the Greenhouse Valentin Hauri: No Place but the One Fabienne Verdier: Painting Space Arnulf Rainer: Cosmos Anselm Kiefer: Let a Thousand Flowers Bloom Anke Röhrscheid: Phenomena in Space Werner Koch: Retrospective 1956-2012 Ilya Kabakov: Collage of Spaces Emil Nolde: The Painter's Prints Ante Timmermans Markus Raetz: Drawings Gert & Uwe Tobias: Dresden Paraphrases Jorinde Voigt: Pieces for Words and Views Rajkamal Kahlon: Double Vision Norbert Prangenberg: Winter Journey Milton Machado: History of the Future Gwenn Thomas Dimitris Tzamouranis Yan Lei: What I Like to Do Rodolpho Parigi: Atraque Liu Xiaodong: The Process of Painting Zhang Huan: The Mountain Is Still a Mountain Fragmented Reality: Contemporary Art in 21st Century China Qiu Shihua Norbert Wagenbrett Frantiek Skála: Headlands, The Land of Heads Frantiek Skála: Cecil’s Quest Frantiek Skála Ingmar Alge Antonín Strízek: Paintings Friedrich Einhoff: Darkroom Emmanuel Bornstein: Waldbowling Claus Brunsmann: Distorted Memories of Nature Horst Janssen: Angeber X Paul McDevitt Simone Haack: The Others Robert Muntean: Echoes Michael Sistig: Elementary Refraction Anton Henning: Chapardages, Style & Volupté Béatrice Dreux: Palestine, Mothers and Skies Ragnar Kjartansson: To Music Cevdet Erek: Room of Rhythms 1 Santiago Sierra: The Black Cone, Monument to Civil Disobedience Humberto Vélez: Aesthetics of Collaboration Mike Parr: Edelweiss Zofia Kulik & Przemyslaw Kwiek: KwieKulik Other Air On Performance There Is...Reflections from a Damaged Life? Cold Crusts, Rare Earths Ars Viva 12, 13: Systems Atelier + Kitchen = Laboratories of the Senses Making History Image Counter Image Looking Awry In an Absolute Disorder Welcome Amigos to Tijuana Made in Germany II First Among Equals On One Side of the Same Water Command Z Art and the City Pop Art: USA / Europa Modernist Masterpieces Mirages d’Orient, Grenades & Figues de Barbarie Julia Stoschek Collection, Number Six Human Capsules The Universal Addressability of Dumb Things Hauser & Wirth Fernando Ortega & Brian Eno: Music for a Small Boat Crossing a Medium Size River Christian Hansen: Women

BESTSELLERS | BACKLIST ART TITLES De Kooning: A Retrospective Gerhard Richter: Panorama Yayoi Kusama Alice Neel: Late Portraits and Still Lifes Edward Hopper Louise Bourgeois: The Return of the Repressed Lucian Freud: The Studio Giorgio Morandi Barry McGee Marcel Dzama: Behind Every Curtain Mark Ryden: The Tree Show Keith Haring: 1978-1982 Jean-Michel Basquiat Marlene Dumas: Measuring Your Own Grave Picasso: The Monograph, 1881-1973 Diego Rivera: Murals for The Museum of Modern Art Odd Nerdrum: Self Portraits Antonio López García: Paintings and Sculpture Gustav Klimt: The Collection of the Wien Museum Robert Rauschenberg: Combines Gerhard Richter: Atlas Gerhard Richter: Patterns Kara Walker: My Complement, My Enemy, My Oppressor, My Love Sophie Calle: The Address Book

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