CURATOR INDEX

Hal Foster

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


                                               

ACTIVE BACKLIST

David Salle: Ghost Paintings

THE ARTS CLUB OF CHICAGO
Edited by Karen Marta. Foreword and text by Janine Mileaf. Interview by Hal Foster.

Pbk, 9 x 10.75 in. / 64 pgs / 14 color / 13 bw. | 9/30/2013 | In stock
ISBN 9781891925382 | $25.00


Albert Oehlen: Painting

WALTHER KöNIG, KöLN
Edited by Achim Hochdörfer. Foreword by Karola Kraus. Interview by Daniel Richter, Rochelle Feinstein, Kerstin Stakemeier, Hal Foster, Achim Hochdörfer.

Hbk, 9.5 x 12 in. / 160 pgs / 110 color. | 10/31/2013 | Awaiting stock
ISBN 9783863353933 | $48.00


Gauguin: Metamorphoses

THE MUSEUM OF MODERN ART, NEW YORK
Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson.

Hbk, 9 x 10.5 in. / 248 pgs / 233 color. | 3/31/2014 | In stock
ISBN 9780870709050 | $60.00


Richard Serra: Early Work

DAVID ZWIRNER/STEIDL
Edited by David Frankel. Text by Hal Foster.

Hbk, 9.5 x 12 in. / 340 pgs / illustrated throughout. | 2/28/2014 | In stock
ISBN 9780989980906 | $85.00


Claire Fontaine: Foreigners Everywhere

WALTHER KöNIG, KöLN
Introduction by Letizia Ragalia. Text by Bernard Blistčne, Nicolas Liucci-Goutnikov, John Kelsey, Hal Foster.

Pbk, 8.25 x 10.75 in. / 168 pgs / illustrated throughout. | 3/31/2013 | Awaiting stock
ISBN 9783863351700 | $47.50


Cyprien Gaillard: The Recovery of Discovery

WALTHER KöNIG, KöLN
Edited by Susanne Pfeffer. Text by Hal Foster, Marion von Osten, Susanne Pfeffer.

Pbk, 10.5 x 14.75 in. / 84 pgs / 50 color. | 6/30/2013 | Awaiting stock
ISBN 9783863352059 | $37.50


Inventing Abstraction, 1910-1925

THE MUSEUM OF MODERN ART, NEW YORK
By Leah Dickerman. Text by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, Michael R. Taylor.

Hbk, 9.5 x 12 in. / 376 pgs / 446 color. | 1/31/2013 | Awaiting stock
ISBN 9780870708282 | $75.00


Robert Longo: Charcoal

HATJE CANTZ
Text by Hal Foster.

Clth, 10.5 x 12.25 in. / 256 pgs / 140 tritone. | 8/31/2012 | Awaiting stock
ISBN 9783775731966 | $120.00


Thomas Hirschhorn: Establishing a Critical Corpus

JRP|RINGIER
Edited by Thomas Bizzarri, Thomas Hirschhorn. Text by Claire Bishop, Hal Foster, Yasmil Raymond.

Hbk, 7 x 10.25 in. / 365 pgs / 180 color. | 9/30/2011 | In stock
ISBN 9783037641859 | $44.95


James Casebere: Works 1975-2010

DAMIANI
Edited by Okwui Enwezor. Introduction by Toni Morrison, Ford Morrison. Text by Hal Foster.

Clth, 11.5 x 12 in. / 316 pgs / 260 color. | 10/31/2011 | In stock
ISBN 9788862081863 | $80.00


Performa 09: Back to Futurism

PERFORMA PUBLICATIONS
Edited by Roselee Goldberg, Lana Wilson. Introduction by RoseLee Goldberg. Foreword by Hal Foster. Text by RoseLee Goldberg, Defne Ayas, Mark Beasley, Lana Wilson, Tairone Bastien, Esa Nickle, Claire Bishop, Linda Yablonsky, Emily Braun.

Pbk, 7 x 9 in. / 400 pgs / 300 color. | 7/31/2011 | In stock
ISBN 9780615450667 | $39.95


Paul Pfeiffer

HATJE CANTZ
Edited by Ingvild Goetz, Stephan Urbaschek. Text by Hal Foster, Katharina Vossenkuhl.

Hbk, 7 x 9.75 in. / 160 pgs / 191 color. | 10/31/2011 | In stock
ISBN 9783775731522 | $55.00


The New Décor

HAYWARD PUBLISHING
Edited with an introduction by Ralph Rugoff. Text by Hal Foster, Michelle Kuo, Kirsty Bell, Christy Lange, Skye Sherwin.

Hbk, 8.75 x 10 in. / 156 pgs / 120 color. | 9/30/2010 | In stock
ISBN 9781853322853 | $45.00


Bing Wright: Everyday Pictures

PAULA COOPER GALLERY, NEW YORK
Edited by Russell Isaacs. Conversation with Hal Foster.

Clth, 10 x 12.25 in. / 192 pgs / 26 color / 59 tritone. | 6/30/2010 | In stock
ISBN 9780975392126 | $65.00


AC/DC: Contemporary Art/Contemporary Design

JRP|RINGIER
Text by Paola Antonelli, Anthony Dunne, Alice Rawsthorn, Hal Foster, Gaetano Pesce, Wava Carpenter, Alexandra Midal, et al.

Pbk, 6.25 x 8.75 in. / 280 pgs / 94 color / 2 bw. | 8/31/2009 | In stock
ISBN 9783037640128 | $45.00


Bauhaus 1919-1933

THE MUSEUM OF MODERN ART, NEW YORK
Text by Barry Bergdoll, Leah Dickerman, Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Clth, 9.5 x 12 in. / 328 pgs / 510 color. | 12/11/2009 | In stock
ISBN 9780870707582 | $75.00


Theanyspacewhatever

GUGGENHEIM MUSEUM
Essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm

Hardback, 6.5 x 9.5 in. / 256 pgs / 85 color. | 10/1/2008 | In stock
ISBN 9780892073771 | $49.95


Jon Kessler: The Palace at 4 A.M.

CHARTA
Text by Alanna Heiss, Hal Foster, Ludwig Seyfarth, Harald Falckenberg, Arthur Prinzhorn, Ethan Prinzhorn, Jon Kessler.

Hardback, 10.75 x 8.5 in. / 144 pgs / 105 color. | 1/1/2008 | Awaiting stock
ISBN 9788881586585 | $55.00


Harald Szeemann

JRP|RINGIER
Edited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola.

Paperback, 6.25 x 9 in. / 240 pgs / 60 bw. | 3/1/2008 | In stock
ISBN 9783905829099 | $25.00


Andy Warhol: Other Voices, Other Rooms

NAI010 PUBLISHERS
Edited by Eva Meyer-Hermann. Text by Eva Meyer-Hermann, Matt Wrbican, Geralyn Huxley, Greg Pierce, Hal Foster.

Paperback, 8 x 10.5 in. / 176 pgs / 135 color / 160 bw. | 3/1/2008 | In stock
ISBN 9789056626020 | $49.95


Right About Now

VALIZ
Edited by Margriet Schavemaker, Mischa Rakier. Text by Jennifer Allen, Sophie Berrebi, Claire Bishop, Beatrice von Bismarck, Maaike Bleeker, Jeroen Boomgaard, Nicolas Bourriaud, Deborah Cherry, Hal Foster, Vít Havránek, Marc Spiegler, Olav Velthuis, Kitty Zijlmans.

Paperback, 6.5 x 9.5 in. / 184 pgs. / 14 bw. | 3/1/2008 | In stock
ISBN 9789078088172 | $29.95


The Dada Seminars

D.A.P./THE NATIONAL GALLERY OF ART, WASHINGTON
Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

Paperback, 7 x 10 in. / 320 pgs / 127 bw. | 5/15/2005 | In stock
ISBN 9781933045139 | $25.00


Silvia Kolbowski: Inadequate…Like...Power

WALTHER KöNIG, KöLN
Interview by Hal Foster. Essays by Rosalyn Deutsche, Stephan Schmidt-Wulffen and Mignon Nixon.

Hardcover, 6.5 x 8.75 in. / 176 pgs / 60 bw. | 3/15/2005 | Awaiting stock
ISBN 9783883758947 | $40.00


The Dada Seminars

D.A.P./THE NATIONAL GALLERY OF ART, WASHINGTON
Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

Hardcover, 7 x 10 in. / 320 pgs / 127 bw. | 5/15/2005 | In stock
ISBN 9781933045146 | $45.00


  

OUT OF PRINT LISTING

Vanishing Point

WEXNER CENTER FOR THE ARTS
Edited and Essay by Claudine Isé and Hal Foster. Foreword by Sherri Geldin.

Paperback, 7 x 9 in. / 100 pgs / 35 color / 7 bw. | 6/15/2005 | Not available
ISBN 9781881390374 | $24.95


David Salle: Ghost PaintingsDavid Salle: Ghost Paintings

Published by The Arts Club of Chicago.
Edited by Karen Marta. Foreword and text by Janine Mileaf. Interview by Hal Foster.

In the 1980s, American artist David Salle (born 1952) played a crucial role in the formulation of postmodernism in art, helping to reestablish painting as a dominant force. Often thought to use only found imagery, Salle actually derived much of his early work from live movement events that he staged specifically for the paintings. For his 1992 series Ghost Paintings, Salle took photographs of his longtime model Beverly Eaby, creating graceful, improvised movements with a bedsheet, then printing the images on linen and painting over them with horizontal fields of intense color. This new volume, with full-color spreads of the 16 never-before-seen Ghost Paintings, reveals Salle’s practice of incorporating photography and performance art into his paintings. It includes the black-and-white photographs the artist took for this series, as well as documentation of other performances.

PUBLISHER
THE ARTS CLUB OF CHICAGO

BOOK FORMAT
Paperback, 9 x 10.75 in. / 64 pgs / 14 color / 13 bw.

PUBLISHING STATUS
PUB DATE 9/30/2013
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CATALOG: SPRING 2014 p. 125   

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Albert Oehlen: PaintingAlbert Oehlen: Painting

Published by Walther König, Köln.
Edited by Achim Hochdörfer. Foreword by Karola Kraus. Interview by Daniel Richter, Rochelle Feinstein, Kerstin Stakemeier, Hal Foster, Achim Hochdörfer.

Four decades after he first burst onto the international art scene in the early 1980s, Albert Oehlen (born 1954) remains among the most influential and controversial painters of the present. Operating between figuration and abstraction with vigor and energy, Oehlen relentlessly critiques painting’s history, its clichés and its relationship to the imagery of the advertising and pop industries--all within the medium itself (rather than in another art form). Reproducing 110 works, this volume, designed by Heimo Zobernig, takes something of an artist’s book approach to Oehlen’s oeuvre, emphasizing its methodological complexity, vitality and conflicts. Alongside an interview between Oehlen and fellow painter Daniel Richter, this catalogue contains conversations on the implications of Oehlen’s work between Rochelle Feinstein and Kerstin Stakemeier, and between Hal Foster and Achim Hochdörfer.

PUBLISHER
WALTHER KöNIG, KöLN

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 160 pgs / 110 color.

PUBLISHING STATUS
PUB DATE 10/31/2013
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CATALOG: SPRING 2014 p. 113   

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ISBN 9783863353933 TRADE
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Gauguin: MetamorphosesGauguin: Metamorphoses

Published by The Museum of Modern Art, New York.
Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson.

Gauguin: Metamorphoses explores the remarkable relationship between Paul Gauguin’s rare and extraordinary prints and transfer drawings, and his better-known paintings and sculptures in wood and ceramic. Created in several discrete bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin’s experiments with a range of media, from radically "primitive" woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolor monotypes and large mysterious transfer drawings. Gauguin’s creative process often involved repeating and recombining key motifs from one image to another, allowing them to metamorphose over time and across mediums. Printmaking in particular provided him with many new and fertile possibilities for transposing his imagery. Though Gauguin is best known as a pioneer of modernist painting, this publication reveals a lesser-known but arguably even more innovative aspect of his practice. Richly illustrated with more than 200 works, Gauguin: Metamorphoses explores the artist’s radically experimental approach to techniques and demonstrates how his engagement with media other than painting--including sculpture, printmaking and drawing--ignited his creativity.
Painter, printmaker, sculptor and ceramicist, Paul Gauguin (1848–1903) left his job as a stockbroker in Paris for a peripatetic life traveling to Martinique, Brittany, Arles, Tahiti and, finally, the Marquesas Islands. After exhibiting with the Impressionists in Paris and acting as a leading voice in the Pont-Aven group, Gauguin’s efforts to achieve a "primitive" expression proved highly influential for the next generation of artists.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9 x 10.5 in. / 248 pgs / 233 color.

PUBLISHING STATUS
PUB DATE 3/31/2014
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CATALOG: SPRING 2014 p. 57   

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ISBN 9780870709050 TRADE
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Richard Serra: Early WorkRichard Serra: Early Work

Published by David Zwirner/Steidl.
Edited by David Frankel. Text by Hal Foster.

This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist’s innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon and lead, in addition to key early examples of his work in steel and a selection of the artist’s films from this period. The interplay of gravity and material that was introduced early in Serra’s career set the stage for his ongoing engagement with the spatial and temporal properties of sculpture. This monograph aims to reconsider the groundbreaking practices and ideas that so firmly situate Serra in the history of twentieth-century art. The publication includes new scholarship by Hal Foster, in addition to archival texts and photographs from the years 1966 to 1972.
Richard Serra was born in San Francisco in 1938. His first solo exhibitions were held at the Galleria La Salita, Rome, in 1966, and, in the United States, at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition was held at The Pasadena Art Museum in 1970; subsequent solo museum shows have been held at the Stedelijk Museum, Amsterdam, 1977; The Museum of Modern Art, New York, 1986; Dia Center for the Arts, New York, 1997; and the Pulitzer Foundation for the Arts, St. Louis, 2003. In 2005, eight large-scale works by Serra were installed permanently at the Guggenheim Museum Bilbao, and in 2007 The Museum of Modern Art, New York presented a retrospective of the artist’s work. A traveling survey of Serra’s drawings was on view in 2011–12 at the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Menil Collection, Houston.

PUBLISHER

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 340 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE 2/28/2014
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CATALOG: SPRING 2014 p. 27   

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ISBN 9780989980906 TRADE
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Claire Fontaine: Foreigners EverywhereClaire Fontaine: Foreigners Everywhere

Published by Walther König, Köln.
Introduction by Letizia Ragalia. Text by Bernard Blistčne, Nicolas Liucci-Goutnikov, John Kelsey, Hal Foster.

Borrowing its name from a French stationary manufacturer, the artist collective Claire Fontaine was formed in Paris in 2004. Its works analyze the crisis of individuality in contemporary culture using video, installation, sculpture and text. This publication presents various works that combat the poverty and passivity of contemporary politics.

PUBLISHER
WALTHER KöNIG, KöLN

BOOK FORMAT
Paperback, 8.25 x 10.75 in. / 168 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE 3/31/2013
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CATALOG: SPRING 2013 p. 179   

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ISBN 9783863351700 TRADE
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Cyprien Gaillard: The Recovery of DiscoveryCyprien Gaillard: The Recovery of Discovery

Published by Walther König, Köln.
Edited by Susanne Pfeffer. Text by Hal Foster, Marion von Osten, Susanne Pfeffer.

Locating the unlikely midground between architecture and alcohol, Cyprien Gaillard (born 1980) created a pyramid of beer crates for his exhibition at Berlin’s KW Institute. Sitting on the pyramid at the opening, the audience drank the beer, so that the cases eventually collapsed, leaving behind a ruined monument.

PUBLISHER
WALTHER KöNIG, KöLN

BOOK FORMAT
Paperback, 10.5 x 14.75 in. / 84 pgs / 50 color.

PUBLISHING STATUS
PUB DATE 6/30/2013
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CATALOG: SPRING 2013 p. 182   

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ISBN 9783863352059 FLAT40
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Inventing Abstraction, 1910-1925Inventing Abstraction, 1910-1925

Published by The Museum of Modern Art, New York.
By Leah Dickerman. Text by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, Michael R. Taylor.

In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum’s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction’s early history by renowned scholars from a variety of fields.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 376 pgs / 446 color.

PUBLISHING STATUS
PUB DATE 1/31/2013
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CATALOG: FALL 2012 p. 16   

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ISBN 9780870708282 TRADE
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Robert Longo: CharcoalRobert Longo: Charcoal

Published by Hatje Cantz.
Text by Hal Foster.

Robert Longo's mastery of charcoal drawing has made him one of America's most admired artists. With every new work he reinvests the tradition of history painting with fresh relevance and impact, rendering majestic, era-defining images in a sensuous and sculptural photorealism. Longo's sense of both literal scale and historical scope is monumental, as a survey of his numerous serial works soon reveals: the Freud Drawings cycle of 2000 with its large-format treatment of Edmund Engelmann's photographs of Sigmund Freud's Vienna apartment, taken days before Freud's departure for London; or the 2003 Sickness of Reasonseries, with its high-contrast images of atomic explosions, combining sublimity and terror; or the famous one-drawing-per-day Magellan sequence of the mid-1990s, a virtual atlas of the iconography of the 1990s, intermixed with images from Longo's immediate daily life. This handsome, chunky volume surveys Longo's drawings of the past two decades, from Magellan and the Freud cycle to Monsters (2000), Sickness of Reason (2003), Ophelia (2002), Beginning of the World (2007) and others.
Robert Longo was born in Brooklyn in 1953 and received a BFA in sculpture from Buffalo State College in 1975. In the late 1970s and early 1980s, Longo collaborated with musicians loosely associated with New York's No Wave movement, such as Glenn Branca, Rhys Chatham and Jonathan Kane, and formed the band Robert Longo's Menthol Wars. In the 1980s, as his Men in the City drawing series was winning him critical acclaim, Longo also directed several music videos, including New Order's “Bizarre Love Triangle” and R.E.M.'s “The One I Love.” In 1995 he directed the cyberpunk film Johnny Mnemonic, starring Keanu Reeves, Dolph Lundgren and “Beat” Takeshi.

PUBLISHER
HATJE CANTZ

BOOK FORMAT
Clth, 10.5 x 12.25 in. / 256 pgs / 140 tritone.

PUBLISHING STATUS
PUB DATE 8/31/2012
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CATALOG: FALL 2011 p. 60   

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Paul PfeifferPaul Pfeiffer

Published by Hatje Cantz.
Edited by Ingvild Goetz, Stephan Urbaschek. Text by Hal Foster, Katharina Vossenkuhl.

The acclaimed video and sound installations, sculptures and photographs of Hawaiian-born American artist Paul Pfeiffer (born 1966) deal with the idea of an “afterglow” of mass-media images that are rooted in the collective memory of a globalized media society, and that can be deconstructed with the aid of some heavy editing. Pfeiffer digitally manipulates found media footage, relentlessly cutting, retouching, duplicating and layering the material with the aim of freeing the viewer to experience its ideologically loaded cultural constructedness. In the 1999 video “Fragment of a Crucifixion (After Francis Bacon),” for example, basketball star Larry Johnson's whoop of victory is looped into a weirdly unnatural expression of terror (or death, as the title suggests). This volume surveys Pfeiffer's works of the past 15 years, with abundant color reproductions.

PUBLISHER
HATJE CANTZ

BOOK FORMAT
Hardcover, 7 x 9.75 in. / 160 pgs / 191 color.

PUBLISHING STATUS
PUB DATE 10/31/2011
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CATALOG: FALL 2011 p. 80   

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ISBN 9783775731522 TRADE
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Thomas Hirschhorn: Establishing a Critical CorpusThomas Hirschhorn: Establishing a Critical Corpus

Published by JRP|Ringier.
Edited by Thomas Bizzarri, Thomas Hirschhorn. Text by Claire Bishop, Hal Foster, Yasmil Raymond.

Published on the occasion of his exhibition at the Swiss Pavilion of the 2011 Venice Biennale, Establishing a Critical Corpus is the first theoretical examination of the work of Thomas Hirschhorn (born 1957), in six illustrated essays by authors including scholars Claire Bishop and Hal Foster and the poet Manuel Joseph, providing a variety of angles on Hirschhorn's practice.

PUBLISHER
JRP|RINGIER

BOOK FORMAT
Hardcover, 7 x 10.25 in. / 365 pgs / 180 color.

PUBLISHING STATUS
PUB DATE 9/30/2011
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CATALOG: FALL 2011 p. 159   

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James Casebere: Works 1975-2010James Casebere: Works 1975-2010

Published by Damiani.
Edited by Okwui Enwezor. Introduction by Toni Morrison, Ford Morrison. Text by Hal Foster.

James Casebere (born 1953) emerged in the Pictures Generation as an artist-photographer complicating the status of the photographic image alongside Cindy Sherman and Richard Prince. His earliest works dismantled the codes of American suburbia and the myth of the west, but he quickly arrived at the practice for which he is best known today: the construction of formally simplified architectural models--arenas, monasteries, tunnels, factories--which Casebere lights and photographs in his studio. In the early 1990s, as the ramifications of Michel Foucault's critiques of architecture and power took hold in American culture, Casebere's practice developed into a study of architectural typologies of the Enlightenment era, particularly prisons. The lighting in his photographs is dramatic, or rather it plays with the rhetoric of dramatic lighting, qualified by the sheer artifice of the architectural models themselves. Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison. James Casebere: Works 1975-2010 is the most comprehensive monograph to date on this important American artist.

PUBLISHER
DAMIANI

BOOK FORMAT
Clth, 11.5 x 12 in. / 316 pgs / 260 color.

PUBLISHING STATUS
PUB DATE 10/31/2011
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CATALOG: FALL 2011 p. 92   

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ISBN 9788862081863 TRADE
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Performa 09: Back to FuturismPerforma 09: Back to Futurism

Published by Performa Publications.
Edited by Roselee Goldberg, Lana Wilson. Introduction by RoseLee Goldberg. Foreword by Hal Foster. Text by RoseLee Goldberg, Defne Ayas, Mark Beasley, Lana Wilson, Tairone Bastien, Esa Nickle, Claire Bishop, Linda Yablonsky, Emily Braun.

Written and edited by legendary performance art historian RoseLee Goldberg, Performa 09: Back to Futurism is the definitive document of the unforgettable Performa 2009 biennial. It is the third volume to draw content and inspiration from the world-renowned Performa biennials, and features creative documentation by the 150 artists who made Performa 09 so extraordinary--among them Guy Ben-Ner, Candice Breitz, Omer Fast, Dominique Gonzalez-Foerster, Mike Kelley, Arto Lindsay, Wangechi Mutu, Christian Tomaszewski and Yeondoo Jung (all of whom presented special Performa Commissions) and Keren Cytter, Tacita Dean, Alicia Framis, Loris Greaud, William Kentridge and Joan Jonas (who brought US premieres to the biennial). Photographs of each artist's performance and texts contributed by curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger artistic trends. Taking place at over 80 of New York's most exciting art and cultural venues, Performa 09 was created as a collaboration between all of these moving parts, so a portrait of the city's remarkable history of cultural innovation also emerges from these pages. Performa 09: Back to Futurism is not only a gorgeous document of a remarkable biennial, but also an invaluable reference guide to the most significant artists of our time, for art historians and fans alike.

PUBLISHER
PERFORMA PUBLICATIONS

BOOK FORMAT
Paperback, 7 x 9 in. / 400 pgs / 300 color.

PUBLISHING STATUS
PUB DATE 7/31/2011
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The New DécorThe New Décor

Published by Hayward Publishing.
Edited with an introduction by Ralph Rugoff. Text by Hal Foster, Michelle Kuo, Kirsty Bell, Christy Lange, Skye Sherwin.

The New Décor gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private worlds. In French the word "décor" refers to stage and film sets as well as interior design, and in a similar spirit the works in this volume occupy an arena midway between theater and everyday life. Remapping our relationships to a variety of interior spaces, the artists contributing to this volume are Monica Bonvicini, Martin Boyce, Tom Burr, Marc Camille Chaimowicz, Los Carpinteros, Jimmie Durham, Elmgreen & Dragset, Urs Fischer, Gelitin, Fabrice Gygi, Mona Hatoum, Diango Hernández, Yuichi Higashionna, Jim Lambie, Lee Bul, Sarah Lucas, Ernesto Neto, Manfred Pernice, Ugo Rondinone, Doris Salcedo, Jin Shi, Roman Signer, Pascale Marthine Tayou, Rosemarie Trockel, Tatiana Trouvé, Haegue Yang, Nicole Wermers and Franz West.

PUBLISHER
HAYWARD PUBLISHING

BOOK FORMAT
Hardcover, 8.75 x 10 in. / 156 pgs / 120 color.

PUBLISHING STATUS
PUB DATE 9/30/2010
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Bing Wright: Everyday PicturesBing Wright: Everyday Pictures

Published by Paula Cooper Gallery, New York.
Edited by Russell Isaacs. Conversation with Hal Foster.

American photographer Bing Wright (born 1958) marries modernist and conceptual leanings, creating highly formal work that explores the many roles of the photograph--as window or magnifying glass, marker of time or space for illusion. Known for his wide-ranging philosophical investigations and the stripped-down purity of his imagery, Wright can be simultaneously figurative and gorgeously abstract in his work, often calling on the gray light and rainy climate of his native Pacific Northwest. For example, in the Wet Windows series, part of his first body of work begun in 1988, random patterns of raindrops appear to pockmark the photographic surfaces. Deeply engaged with the technological and aesthetic history of the medium, Wright frequently references the work of other photographers from Edward Steichen’s roses to Man Ray’s tears. Bing Wright: Everyday Pictures surveys the artist’s work from 1989 to 2006 and includes a conversation between the artist and renowned art historian Hal Foster.

PUBLISHER
PAULA COOPER GALLERY, NEW YORK

BOOK FORMAT
Clth, 10 x 12.25 in. / 192 pgs / 26 color / 59 tritone.

PUBLISHING STATUS
PUB DATE 6/30/2010
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AC/DC: Contemporary Art/Contemporary DesignAC/DC: Contemporary Art/Contemporary Design

Published by JRP|Ringier.
Text by Paola Antonelli, Anthony Dunne, Alice Rawsthorn, Hal Foster, Gaetano Pesce, Wava Carpenter, Alexandra Midal, et al.

AC/DC: Contemporary Art/Contemporary Design tackles the difficult, traditionally divisive relationship between art and design. Recently, new practices and perspectives in both worlds have surfaced, putting this division under new scrutiny. An overview of the topic which will particularly appeal to students and specialists, this fully illustrated volume is one of the few anthologies to document the dialogue about the crossover between art and design taking place among experts from both fields. These experts include Paola Antonelli, Anthony Dunne, Alexandra Midal, Rick Poynor, Alice Rawsthorn, Paul Ardenne, Diedrich Diederichsen and Hal Foster. The book emerged from a symposium of the same name held in 2007 in Geneva, and is the companion volume to Wouldn't It Be Nice..., published in 2008, which addressed projects that dare to blur that once-impermeable line between art and design.

PUBLISHER
JRP|RINGIER

BOOK FORMAT
Paperback, 6.25 x 8.75 in. / 280 pgs / 94 color / 2 bw.

PUBLISHING STATUS
PUB DATE 8/31/2009
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Bauhaus 1919-1933Bauhaus 1919-1933

Workshops for Modernity

Published by The Museum of Modern Art, New York.
Text by Barry Bergdoll, Leah Dickerman, Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Clth, 9.5 x 12 in. / 328 pgs / 510 color.

PUBLISHING STATUS
PUB DATE 12/11/2009
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TheanyspacewhateverTheanyspacewhatever

Published by Guggenheim Museum.
Essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm

During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.

PUBLISHER
GUGGENHEIM MUSEUM

BOOK FORMAT
Hardback, 6.5 x 9.5 in. / 256 pgs / 85 color.

PUBLISHING STATUS
PUB DATE 10/1/2008
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CATALOG: FALL 2008 p. 100   

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Jon Kessler: The Palace at 4 A.M.Jon Kessler: The Palace at 4 A.M.

Published by Charta.
Text by Alanna Heiss, Hal Foster, Ludwig Seyfarth, Harald Falckenberg, Arthur Prinzhorn, Ethan Prinzhorn, Jon Kessler.

Jon Kessler's The Palace at 4 A.M., shown in 2006 at New York’s P.S.1 Contemporary Art Center, is a dizzying array of hundreds of monitors, surveillance cameras and miles of electric and video cable that simultaneously turn the viewer into voyeur, exhibitionist, spectator and surveilled subject. Mechanical sculptures rigged with cameras create live video feeds that the viewers experience in real time. Magazine images, toys and other found objects recombine to mimic, expose and subvert the horrors and hypocrisies of the war in Iraq and Hurricane Katrina, as well as life in a culture addicted to an overly saturated media experience. This volume documents the critically acclaimed project and includes essays by Alanna Heiss, Hal Foster and others.
Jon Kessler was born in Yonkers, New York in 1957. He has exhibited widely in galleries and museums around the world and he is the recipient many major awards, including grants from the Guggenheim Foundation and the National Endowment for the Arts. In addition to being represented in many of the country’s most important museum collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Museum of Contemporary Art in Los Angeles, he has been highly influential in his role at Columbia University’s School of the Arts, where he has taught graduate level courses for many years.

PUBLISHER
CHARTA

BOOK FORMAT
Hardback, 10.75 x 8.5 in. / 144 pgs / 105 color.

PUBLISHING STATUS
PUB DATE 1/1/2008
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Harald SzeemannHarald Szeemann

Individual Methodology

Published by JRP|Ringier.
Edited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola.

We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann’s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann’s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann’s collaborator for many years. Two of Szeemann’s most ambitious exhibitions are presented as case studies: Documenta V (1972) and L’Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann’s exhibitions and a selection of his writings complete this exhaustive survey.

PUBLISHER
JRP|RINGIER

BOOK FORMAT
Paperback, 6.25 x 9 in. / 240 pgs / 60 bw.

PUBLISHING STATUS
PUB DATE 3/1/2008
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Andy Warhol: Other Voices, Other RoomsAndy Warhol: Other Voices, Other Rooms

A Guide to 817 Items in 2 Hours 56 Minutes

Published by nai010 publishers.
Edited by Eva Meyer-Hermann. Text by Eva Meyer-Hermann, Matt Wrbican, Geralyn Huxley, Greg Pierce, Hal Foster.

Beyond the familiar Campbell’s Soup cans, Brillo boxes, silkscreened Marilyn Monroes and floating silver mylar pillows, 20 years after Pop icon Andy Warhol’s death, we are still picking through his incredibly prolific output to understand what his artistic legacy actually is. Andy Warhol: Other Voices, Other Rooms, published on the occasion of the major exhibition by the same name at Amsterdam’s Stedelijk Museum, provides some new insight, digging into Warhol’s lesser-known film, video and audio tape works. Important--and just a little scandalous--films like Blow Job and Kiss, audio tapes of celebrities, friends and anonymous hangers-on talking and other marginalia are considered alongside a selection of key photographs, drawings, screen prints and spatial installations, such as the spectacular “Silver Clouds,” originally shown in 1966. Edited by Eva Meyer-Hermann and with contributions by Geralyn Huxley, Greg Pierce and Warhol Museum Archivist, Matt Wrbican, who is currently unpacking hundreds of never-before-seen Warhol Time Capsules in Pittsburgh, this volume brings readers up to date with the most recent developments in the way we see the late artist’s oeuvre.

PUBLISHER
NAI010 PUBLISHERS

BOOK FORMAT
Paperback, 8 x 10.5 in. / 176 pgs / 135 color / 160 bw.

PUBLISHING STATUS
PUB DATE 3/1/2008
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Right About NowRight About Now

Art and Theory Since the 1990s

Published by Valiz.
Edited by Margriet Schavemaker, Mischa Rakier. Text by Jennifer Allen, Sophie Berrebi, Claire Bishop, Beatrice von Bismarck, Maaike Bleeker, Jeroen Boomgaard, Nicolas Bourriaud, Deborah Cherry, Hal Foster, Vít Havránek, Marc Spiegler, Olav Velthuis, Kitty Zijlmans.

Video art, the Internet, globalization, nomadism, itinerant curators and biennale artists, Installation and Process art, PowerPoint presentations, multiculturalism, design, magazines, fashion, lounges, the DJ, VJ and house culture, blockbuster exhibitions in art galleries, social works of art and socially engaged artists… The art of the past 15 years has moved into these new territories rapidly--so rapidly that more artwork than theoretical reflection or historical contextualization has been generated. During the 1960s, artists and critics were fiercely engaged in naming each new trend--Op Art, Pop Art, Minimalism, Conceptualism. Movements were mapped as they happened. In the 1990s, however, the art itself, and the experience it provided, became enough. Focusing on themes such as The Body, Interactivity, Engagement, Documentary Strategies, Money and Curating, Right About Now provides a map for this work, from the 1990s to the present.

PUBLISHER
VALIZ

BOOK FORMAT
Paperback, 6.5 x 9.5 in. / 184 pgs. / 14 bw.

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PUB DATE 3/1/2008
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Vanishing PointVanishing Point

Published by Wexner Center for the Arts.
Edited and Essay by Claudine Isé and Hal Foster. Foreword by Sherri Geldin.

Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. Vanishing Point conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms “non-places”--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artsists in Vanishing Point make an effort to “place” these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen and Amy Wheeler.

PUBLISHER
WEXNER CENTER FOR THE ARTS

BOOK FORMAT
Paperback, 7 x 9 in. / 100 pgs / 35 color / 7 bw.

PUBLISHING STATUS
PUB DATE 6/15/2005
Out of print

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CATALOG: SPRING 2005 p. 108   

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Silvia Kolbowski: Inadequate…Like...PowerSilvia Kolbowski: Inadequate…Like...Power

Published by Walther König, Köln.
Interview by Hal Foster. Essays by Rosalyn Deutsche, Stephan Schmidt-Wulffen and Mignon Nixon.

Documented here is Silvia Kolbowski's work from the 1980s through to today. At the center are the works, An Inadequate History of Conceptual Art, Like Looking Away, and her newest work, Proximity to Power: American Style. Accompanying these works are illustrations, text-excerpts and project-statements by the artist.

PUBLISHER
WALTHER KöNIG, KöLN

BOOK FORMAT
Hardcover, 6.5 x 8.75 in. / 176 pgs / 60 bw.

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PUB DATE 3/15/2005
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The Dada SeminarsThe Dada Seminars

Published by D.A.P./The National Gallery of Art, Washington.
Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

This volume of 12 essays fills a broad gap in Modernist art history. Taken together, these case studies on artists and concepts present Dada as a coherent movement with a set of operating principles. Among the “ tactics” elaborated are the hyperbolic mimicry of dominant social and linguistic conventions, the performance of gender and other aspects of identity, the usurpation of the modes of a new media culture and marketplace, and the recycling of history and memory as blasted in a world traumatized by war.The Dada Seminars developed out of a series of seminars held by the Center for Advanced Study in the Visual Arts at the National Gallery of Art, in advance of 2005's major traveling exhibition on international Dada. Contributors include George Baker, T.J. Demos, Leah Dickerman, Uwe Fleckner, Hal Foster, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

PUBLISHER
D.A.P./THE NATIONAL GALLERY OF ART, WASHINGTON

BOOK FORMAT
Hardcover, 7 x 10 in. / 320 pgs / 127 bw.

PUBLISHING STATUS
PUB DATE 5/15/2005
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CATALOG: SPRING 2005 p. 42   

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The Dada SeminarsThe Dada Seminars

Published by D.A.P./The National Gallery of Art, Washington.
Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

This volume of 12 essays fills a broad gap in Modernist art history. Taken together, these case studies on artists and concepts present Dada as a coherent movement with a set of operating principles. Among the “ tactics” elaborated are the hyperbolic mimicry of dominant social and linguistic conventions, the performance of gender and other aspects of identity, the usurpation of the modes of a new media culture and the marketplace, and the recycling of history and memory in a world traumatized by war. The Dada Seminars developed out of a series held by the Center for Advanced Study in the Visual Arts at the National Gallery of Art, in advance of 2005's major traveling exhibition on international Dada. Contributors include George Baker, T.J. Demos, Leah Dickerman, Uwe Fleckner, Hal Foster, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

PUBLISHER
D.A.P./THE NATIONAL GALLERY OF ART, WASHINGTON

BOOK FORMAT
Paperback, 7 x 10 in. / 320 pgs / 127 bw.

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PUB DATE 5/15/2005
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