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STAFF PICKS | FROM THE SHELVES

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AVERY LOZADA | DATE 3/1/2019

Just a few of the women who have blown our minds—in celebration of Women's History Month, 2019

Adrian Piper: A Synthesis of Intuitions 1965–2016Adrian Piper: A Synthesis of Intuitions 1965–2016
Agnes MartinAgnes Martin
Anne Collier: Women with Cameras (Self Portrait)Anne Collier: Women with Cameras (Self Portrait)
Annette Messager: Word for WordAnnette Messager: Word for Word
Beatriz Milhazes: CollagesBeatriz Milhazes: Collages
Carolee Schneemann: Uncollected TextsCarolee Schneemann: Uncollected Texts
Cindy ShermanCindy Sherman
Come Alive!: The Spirited Art of Sister CoritaCome Alive!: The Spirited Art of Sister Corita
Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My FriendsDorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends
Eva Hesse: One More than OneEva Hesse: One More than One
Frida Kahlo: Her PhotosFrida Kahlo: Her Photos
Georgia O'Keeffe: WatercolorsGeorgia O'Keeffe: Watercolors
Jill Freedman: Resurrection City, 1968Jill Freedman: Resurrection City, 1968
Karen Green: Frail SisterKaren Green: Frail Sister
Dorothea Lange: Migrant MotherDorothea Lange: Migrant Mother
Louise Bourgeois: SpiralLouise Bourgeois: Spiral
Marilyn Minter: Pretty/DirtyMarilyn Minter: Pretty/Dirty
Marlene Dumas: The Image as BurdenMarlene Dumas: The Image as Burden
Mary Heilmann: Looking at PicturesMary Heilmann: Looking at Pictures
Meret Oppenheim: Works in Dialogue from Max Ernst to Mona HatoumMeret Oppenheim: Works in Dialogue from Max Ernst to Mona Hatoum
Mickalene Thomas: I Can’t See You Without MeMickalene Thomas: I Can’t See You Without Me
Modern Women: Women Artists at The Museum of Modern ArtModern Women: Women Artists at The Museum of Modern Art
Nan Goldin: Diving for PearlsNan Goldin: Diving for Pearls
Niki de Saint PhalleNiki de Saint Phalle
See Red Women's WorkshopSee Red Women's Workshop
Sophie Calle: Rachel MoniqueSophie Calle: Rachel Monique
Susan Meiselas: MediationsSusan Meiselas: Mediations
Tina Modotti: Photographer & RevolutionaryTina Modotti: Photographer & Revolutionary
Yoko Ono: To the LightYoko Ono: To the Light

Adrian Piper: A Synthesis of Intuitions 1965–2016Adrian Piper: A Synthesis of Intuitions 1965–2016

Published by The Museum of Modern Art, New York.
Edited by Christophe Cherix, Cornelia Butler, and David Platzker. With texts by Christophe Cherix, Cornelia Butler, David Platzker, and Adrian Piper. Backmatter compiled by Tessa Ferreyros

Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today.

Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper’s mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being—her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper’s pivotal position among her peers and for later generations.

Adrian Piper (born 1948) is a first-generation conceptual artist and analytic philosopher. She received an AA in Fine Art from the School of Visual Arts in 1969, a BA in Philosophy with a minor in Medieval and Renaissance Musicology from the City College of New York in 1974 and a PhD in Philosophy from Harvard University in 1981. Piper’s artwork is in the collections of The Museum of Modern Art, the Centre Pompidou, the Metropolitan Museum of Art, the Generali Foundation and the Museum of Contemporary Art of Los Angeles, among others.



Cornelia Butler is Chief Curator at the Hammer Museum, Los Angeles.

David Platzker is Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York.

Christophe Cherix is Chief Curator of Drawings and Prints at MoMA.

Tessa Ferreyros is Curatorial Assistant in the Department of Drawings and Prints at The Museum of Modern Art, New York.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 352 pgs / 373 color.

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Agnes MartinAgnes Martin

Published by D.A.P./Tate.
Edited by Frances Morris, Tiffany Bell. Text by Marion Ackermann, Rachel Barker, Jacquelynn Baas, Tiffany Bell, Christina Bryan Rosenberger, Briony Fer, Lena Fritsch, Anna Lovatt, Frances Morris, Maria Müller-Schareck, Richard Tobin, Rosemarie Trockel.

The critically acclaimed, indispensible illustrated monograph on Agnes Martin, published to accompany the major retrospective exhibition organized by the Tate and on view in 2016 at the Los Angeles County Museum of Art and the Guggenheim

PUBLISHER
D.A.P./Tate

BOOK FORMAT
Hardcover, 8.25 x 10.5 in. / 272 pgs / 160 color.

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Catalog: SPRING 2015 p. 178   

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Anne Collier: Women with Cameras (Self Portrait)Anne Collier: Women with Cameras (Self Portrait)

Published by Karma, New York.
Text by Lynne Tillman.

This book collects images that New York–based artist Anne Collier (born 1970) originally presented as a slideshow of 80 35mm slides depicting found images of female subjects in the act of taking self-portraits. Dating from the 1970s to the early 2000s, these relics of the analog age were collected by Collier, each image discarded by its original owner but finding its way back to relevance in Collier’s work. The slideshow consists of amateur snapshots of women photographing themselves with film cameras prior to the advent of the digital "selfie." Instead of circulating on social media, these abandoned images once existed for a private audience. The resulting work is steeped in a deep sense of loneliness, illustrating photography’s contentious relationship to memory, loss and self-representation. The book represents a kind of sequel to Collier's 2017 book Women with Cameras (Anonymous).



PUBLISHER
Karma, New York

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Paperback, 10 x 10 in. / 168 pgs / 80 color.

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Annette Messager: Word for WordAnnette Messager: Word for Word

Published by D.A.P./Les Presses du Reel.
Edited by Marie-Laure Bernadac. Interviews with Harald Szeemann, Robert Storr, Bernard Marcadé and Suzanne Pagé.

Texts and words are of crucial importance to Annette Messager's work--for her, "words are images." And so words--at once autonomous from, parallel to, and the sources of her visual creativity--are woven throughout her production. She has looked directly at our diverse relationships to language in forms ranging from the early scrapbooks of the 1970s to the large sculpted words of the late 1990s, and others including personal diaries, letters, calligraphy, alphabets and primers. She works with the repeated, drawn, framed and sculpted word; newsprint, collage and montage of texts and photographs; and handwritten texts. Plays on words and palindromes turn up in her exhibition titles and, more recently, in her children's books. All of these uses of language stem as much from Dada and Surrealism as from the aesthetics of the banal and the everyday, and they give rise to unclassifiable texts, which call somewhere between a literature of the news item or photo-essay and poetic maxims for personal use. Messager's frequent recourse to copying down and to repetition then serves as a kind of exorcism: in those cases, writing is something like sewing, with a soothing function. The first section of Word for Word focuses on writing in Annette Messager's artworks. The second includes numerous texts published in magazines or catalogues, as well as unpublished notes on her work and personal reflections on art and life. All of her interviews from 1974 to the present are also included.

PUBLISHER
D.A.P./Les Presses du Reel

BOOK FORMAT
Hardcover, 7.75 x 10.25 in. / 416 pgs / 280 color / 20 bw.

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Catalog: SPRING 2006 p. 11   

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Beatriz Milhazes: CollagesBeatriz Milhazes: Collages

Published by Editora Cobogó.
Edited by Frédéric Paul. Interview by Richard Armstrong.

This is the first book on the collages of Brazilian artist Beatriz Milhazes (born 1960). During a residency in Brittany, in 2003, Milhazes offered chocolates and sweets to the art center team, asking them to return the wrapping papers afterward. From these the artist commenced a new project: her collages. Until this point, Milhazes had considered collage a secondary activity, a way of drafting her paintings. With time, her collage technique developed along its own path.

“Collages have a kind of dialogue with an imaginary journal,” she writes. “Collected papers come from a variety of interests: sometimes it’s an aesthetic attraction, but other times they’re part of a routine, such as with chocolate wrapping paper or cuttings remaining from existing impressions. That’s why composition in collage creates a dialogue that’s exclusive to collages.” As Frédéric Paul, the book’s editor, observes, by using disposable ingredients in her collages, Milhazes emphasizes the acceleration of cycles of taste. “The frivolity of sweets and shopping express the frivolous versatility of trend indicators. They are also, surely, an expression of the assumed decorative frivolity. Milhazes’s work has the extraordinary complexity of simple things and faces us with a breathtaking plastic evidence.”



PUBLISHER
Editora Cobogó

BOOK FORMAT
Hardcover, 8.75 x 9.5 in. / 240 pgs / 104 color.

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Catalog: SPRING 2019 p. 109   

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Carolee Schneemann: Uncollected TextsCarolee Schneemann: Uncollected Texts

Published by Primary Information.
Edited with text by Branden W. Joseph.

Uncollected Texts gathers out-of-print and unpublished early writings by groundbreaking artist Carolee Schneemann (born 1939).

PUBLISHER
Primary Information

BOOK FORMAT
Paperback, 6 x 9 in. / 120 pgs / 12 color.

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Catalog: FALL 2017 p. 150   

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Cindy ShermanCindy Sherman

Published by The Museum of Modern Art, New York.
By Eva Respini. Text by Johanna Burton. Interview by John Waters.

A comprehensive monograph on one of the most important and influential artists of our time, accompanying MoMA's major 2012 Cindy Sherman survey

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 264 pgs / 153 color / 102 bw.

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Catalog: SPRING 2012 p. 3   

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Come Alive!: The Spirited Art of Sister CoritaCome Alive!: The Spirited Art of Sister Corita

Published by Four Corners Books.
Text by Julie Ault, Daniel Berrigan.

The riotous and colorful artwork of famed catholic nun and educator Corita Kent

PUBLISHER
Four Corners Books

BOOK FORMAT
Paperback, 9.75 x 11.25 in. / 128 pgs / 100 color / 5 bw.

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Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My FriendsDorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends

Published by Siglio.
Edited by Lisa Pearson. Text by Trinie Dalton.

Iannone’s image–text works celebrate a joyful sexuality and spirituality

PUBLISHER
Siglio

BOOK FORMAT
Paperback, 7.25 x 9 in. / 320 pgs / 95 color / 210 bw.

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Catalog: FALL 2014 p. 22   

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Eva Hesse: One More than OneEva Hesse: One More than One

Published by Hatje Cantz.
Edited by Hubertus Gassner, Brigitte Kölle, Petra Roettig. Text by Renate Petzinger, Tom Doyle, Doug Johns, Brigitte Kölle, Lucy Lippard, Robert Mangold, Sylvia Mangold, Cindy Nemser, Petra Roettig, Franz Erhard Walther.

Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. Hesse emigrated with her family via the Netherlands and England to the United States in 1938. They settled in New York City, where she later studied painting at the Cooper Union School of Art from 1954 to 1957, and then continued her studies in the master class of Josef Albers at the Yale School of Art and Architecture from 1957 to 1959. At the invitation of Friedrich Arnhard Scheidt, a German industrialist and art collector, and his wife Isabel, Hesse and her husband Tom Doyle spent a year in Kettwig an der Ruhr during 1964–1965. This period is regarded as a turning point in Hesse’s artistic practice. Drawing inspiration from the materials she found in an abandoned textile factory in Kettwig, she made her first three-dimensional artworks, and when she returned to New York she devoted herself exclusively to sculpture, creating fragile works in unconventional materials such as polyester, fiberglass and latex. Hesse died of a brain tumor in 1970, aged just 34. The exhibition at the Hamburger Kunsthalle focuses on the latter part of the artist’s career, a highly productive period in which she created a substantial number of sculptures and drawings.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Paperback, 7.25 x 9.75 in. / 240 pgs / 138 color.

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Frida Kahlo: Her PhotosFrida Kahlo: Her Photos

Published by RM.
Edited by Pablo Ortiz Monasterio. Text by James Oles, Horacio Fernandez, Masayo Nonaka, Laura González, Mauricio Ortíz, Gerardo Estrada, Rainer Huhle, Gaby Franger.

The fullness with which Kahlo lived her life is seen best here, and her love for rich experience is reflected back at the reader, full of personality and vitality

PUBLISHER
RM

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 524 pgs / 460 duotone.

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Catalog: SPRING 2010 p. 89   

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Georgia O'Keeffe: WatercolorsGeorgia O'Keeffe: Watercolors

Published by Radius Books/Georgia O'Keeffe Museum.
Text by Amy Von Lintel.

Georgia O'Keeffe's turn toward abstraction: luscious watercolors of the Texan landscape and her own body

PUBLISHER
Radius Books/Georgia O'Keeffe Museum

BOOK FORMAT
Hardcover, 10 x 13 in. / 140 pgs / 55 color.

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Catalog: SPRING 2016 p. 6   

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Jill Freedman: Resurrection City, 1968Jill Freedman: Resurrection City, 1968

Published by Damiani.
Edited by Steven Kasher. Text by Jill Freedman, John Edwin Mason, Aaron Bryant.

The climax of Martin Luther King's Poor People's Campaign

PUBLISHER
Damiani

BOOK FORMAT
Hardcover, 9.75 x 12 in. / 176 pgs / 141 bw.

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Catalog: SPRING 2018 p. 39   

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Karen Green: Frail SisterKaren Green: Frail Sister

Published by Siglio.

From the author of Bough Down, a found, collaged and lovingly amended inquiry into how women disappear

PUBLISHER
Siglio

BOOK FORMAT
Hardcover, 7.5 x 10 in. / 168 pgs / 200 color.

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Dorothea Lange: Migrant MotherDorothea Lange: Migrant Mother

Published by The Museum of Modern Art, New York.
Text by Sarah Hermanson Meister.

Lange’s iconic portrait of Florence Owens Thompson, revisited

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 7.25 x 9 in. / 48 pgs / 35 color.

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Louise Bourgeois: SpiralLouise Bourgeois: Spiral

Published by Damiani.
Text by Louise Bourgeois.

An ode to Louise Bourgeois's fascination with the spiral, a shape "ubiquitous in art and nature and transfixing to the human eye” –Albert Mobilio, Bookforum

PUBLISHER
Damiani

BOOK FORMAT
Clth, 8.75 x 11.75 in. / 84 pgs / illustrated throughout.

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Marilyn Minter: Pretty/DirtyMarilyn Minter: Pretty/Dirty

Published by Gregory R. Miller & Co..
Text by Bill Arning, Elissa Auther, Nick Flynn, K8 Hardy, Richard Hell, Colby Keller, Eileen Myles, Jenni Sorkin, Neville Wakefield. Interview by Catherine Morris, Linda Yablonsky.

Minter’s art skews glamour with consumerist critique

PUBLISHER
Gregory R. Miller & Co.

BOOK FORMAT
Hardcover, 9.75 x 11 in. / 176 pgs / illustrated throughout.

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Catalog: SPRING 2015 p. 46   

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Marlene Dumas: The Image as BurdenMarlene Dumas: The Image as Burden

Published by Tate/D.A.P..
Edited by Leontine Coelewij, Kerryn Greenberg, Helen Sainsbury, Theodora Vischer. Text by Leontine Coelewij, Colm Toibin. Interview by Theodora Vischer.

The definitive catalogue on contemporary painter Marlene Dumas, with more than 100 museum-quality reproductions of her most important paintings as well as previously unpublished early works and writings

PUBLISHER
Tate/D.A.P.

BOOK FORMAT
Paperback, 9.25 x 12 in. / 196 pgs / 200 color.

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Mary Heilmann: Looking at PicturesMary Heilmann: Looking at Pictures

Published by Whitechapel Gallery.
Edited with text by Lydia Yee. Text by Briony Fer, Mary Heilmann.

Mary Heilmann pioneered the infusion of abstract painting with craft tradition and pop culture

PUBLISHER
Whitechapel Gallery

BOOK FORMAT
Hardcover, 9.25 x 10.75 in. / 176 pgs / 100 color.

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Catalog: FALL 2016 p. 84   

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Meret Oppenheim: Works in Dialogue from Max Ernst to Mona HatoumMeret Oppenheim: Works in Dialogue from Max Ernst to Mona Hatoum

Published by Skira.
Edited by Guido Comis, Maria Giuseppina Di Monte.

Meret Oppenheim (1913–85) is one of the most recognized 20th-century artists. This catalog examines her entire career, from the 1930s to the late works, revealing the creative network of relationships she nurtured with her peers during her time in Paris. Man Ray, Marcel Duchamp, Max Ernst, Alberto Giacometti, Hans Arp and others are documented in this publication through some of their most significant works.

What emerges is the extent to which the artist influenced the Surrealist vocabulary in which objects turn into fetishes, oneiric and erotic fantasies intermingle and women are seen as innocent or evil, enveloped in mysterious nature. Her creative freedom and the extraordinary evocative power of her works have made her a key figure for many generations of artists, as can be seen here through parallels with creations by Daniel Spoerri, Birgit Jürgenssen, Robert Gober and Mona Hatoum.



PUBLISHER
Skira

BOOK FORMAT
Hardcover, 9 x 11 in. / 224 pgs / 144 color.

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Catalog: SPRING 2018 p. 129   

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Mickalene Thomas: I Can’t See You Without MeMickalene Thomas: I Can’t See You Without Me

Published by Wexner Center for the Arts.
Foreword by Sherri Geldin. Text by Nicole R. Fleetwood, Michael Goodson, Beverly Guy-Sheftall, Antwaun Sargent.

Deconstructing the charged connections between sitter, artist and viewer

PUBLISHER
Wexner Center for the Arts

BOOK FORMAT
Paperback, 8.5 x 11 in. / 128 pgs / 40 color.

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Catalog: FALL 2018 p. 54   

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List Price: $39.95 CDN $53.95 GBP £35.00

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Modern Women: Women Artists at The Museum of Modern ArtModern Women: Women Artists at The Museum of Modern Art

Published by The Museum of Modern Art, New York.
Edited by Cornelia Butler, Alexandra Schwartz. Introductions by Cornelia Butler, Griselda Pollock, Aruna D'Souza.

This landmark survey represents the first effort by a major North American museum to examine its collection by highlighting the production of modern and contemporary women artists. Featuring essays by nearly 50 writers, including both MoMA curators and outside scholars, among them many of the strongest voices in current research on art and gender, this groundbreaking publication presents a variety of generational and cultural perspectives. Modern Women focuses on a diverse range of artists active from the late nineteenth century to the present whose works span the spectrum of mediums and genres in the Museum's collection. Organized chronologically into three sections—“Early Modernism,” “Mid-Century” and “Contemporary”—the book comprises both long and short essays emphasizing new research on women artists within these historical time periods. Subjects include women at the Bauhaus, design collaborations, photographers between the wars, the legacy of Maya Deren, Latin American artists, performance art, architecture, land art, “Riot Grrrls,” African American artists, collage and assemblage in contemporary portraiture as well as essays on individual artists such as Lillian Gish, Sybil Andrews, Diane Arbus, Ida Lupino, Hanne Darboven, Bridget Riley, Ana Mendieta, Louise Bourgeois, Adrian Piper, Nan Goldin, Zaha Hadid, Janet Cardiff and Lin Tianmiao. Heavily illustrated with works from the collection, Modern Women constructs a conversation between past considerations of MoMA's collection and current feminist narratives of art history, putting these varied modes of exploration in productive dialogue.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9 x 10.5 in. / 512 pgs / 400 color.

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Catalog: SPRING 2010 p. 74   

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ISBN 9780870707711 TRADE
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Nan Goldin: Diving for PearlsNan Goldin: Diving for Pearls

Published by Steidl.
Text by Nan Goldin, Lotte Dinse, Glenn O’Brien.

"Getting a good picture is like diving for pearls. You take a thousand pictures to get a good one." –Nan Goldin

PUBLISHER
Steidl

BOOK FORMAT
Clth, 9.25 x 9 in. / 208 pgs / 169 color.

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Catalog: SPRING 2016 p. 40   

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Niki de Saint PhalleNiki de Saint Phalle

Published by La Fábrica/Guggenheim Museum Bilbao.
Text by Bloum Cardenas, Camille Morineau, Catherine Francblin, et al.

This gorgeous volume offers the most complete overview in print of the oeuvre of Niki de Saint Phalle, one of the most influential and popular artists of the postwar period. The French-American artist was educated according to the social codes of upper-class New York society, but boldly rejected the expectations of her family to instead choose a career in art. Moving to Paris in the 1960s, she befriended the Nouveau Réaliste artists Martial Raysse, Daniel Spoerri and Jean Tinguely, creating her famous Shooting Paintings, the Nanas (brightly chromatic biomorphic sculptures of female archetypes), as well as experimental films, decors and costumes for ballet productions and collaborations with Tinguely, Robert Rauschenberg and others. Saint Phalle was adept at using the media to consolidate her public image, and soon became an icon of the 1960s art scene, attaining a broad cultural profile that was furthered by her numerous public art projects, including the Tarot Garden in Tuscany and the Stravinsky Fountain in Paris. This superbly produced publication—which features a die-cut cover through which Saint Phalle peers, aiming her gun—presents her works in all media, along with ephemera and archival photographs documenting her rich career and life.

Niki de Saint Phalle (1930-2002) was born near Paris and moved to the US in 1933. During her teen years Saint Phalle was a fashion model and appeared on the cover of Life in 1949 and, three years later, on the cover of French Vogue. At 18 Saint Phalle eloped with author Harry Mathews and moved to Cambridge, Massachusetts, and later to Paris, where she exhibited at the Alexander Iolas Gallery. In 1971 Saint Phalle married Jean Tinguely, and throughout that decade created the public sculptures and parks for which she became celebrated. Saint Phalle died of emphysema in California in May 2002.

PUBLISHER
La Fábrica/Guggenheim Museum Bilbao

BOOK FORMAT
Hardcover, 10 x 11.75 in. / 368 pgs / illustrated throughout.

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Catalog: SPRING 2015 p. 84   

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See Red Women's WorkshopSee Red Women's Workshop

Feminist Posters 1974–1990

Published by Four Corners Books.
Foreword by Sheila Rowbotham. Text by Prudence Stevenson, Susan Mackie, Anne Robinson, Jess Baines.

"Girls are powerful": the ‘70s feminist posters of See Red Women’s Workshop

PUBLISHER
Four Corners Books

BOOK FORMAT
Paperback, 8.75 x 12.25 in. / 184 pgs / 90 color / 25 bw.

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Catalog: SPRING 2017 p. 25   

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Sophie Calle: Rachel MoniqueSophie Calle: Rachel Monique

Published by Editions Xavier Barral.
Text by Sophie Calle, Monique Szyndler.

The haunting story of Sophie Calle’s mother, told through diary excerpts and family photographs

PUBLISHER
Editions Xavier Barral

BOOK FORMAT
Clth, 6.75 x 9.5 in. / 208 pgs / 38 color / 57 bw.

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Susan Meiselas: MediationsSusan Meiselas: Mediations

Published by Damiani.
Foreword by Carles Guerra, Marta Gili. Text by Ariella Azoulay, Eduardo Cadava, Carles Guerra, Marianne Hirsch, Kristen Lubben, Isin Onol, Pia Viewing.

“For me, the essence of documentary photography has always been to do with evidence.” —Susan Meiselas

PUBLISHER
Damiani

BOOK FORMAT
Hardcover, 7 x 9.5 in. / 184 pgs / illustrated throughout.

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Catalog: SPRING 2018 p. 37   

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Tina Modotti: Photographer & RevolutionaryTina Modotti: Photographer & Revolutionary

Published by La Fábrica.
By Margaret Hooks.

Between politics and form: the life and work of Tina Modotti

PUBLISHER
La Fábrica

BOOK FORMAT
Paperback, 6 x 9 in. / 288 pgs / 130 bw.

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Catalog: FALL 2017 p. 42   

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Yoko Ono: To the LightYoko Ono: To the Light

Published by Walther König, Köln.
Foreword by Yoko Ono. Text by Alexandra Munroe. Chrissie Iles. Interview by Julia Peyton-Jones, Hans Ulrich Obrist.

A concise introduction to the vast career of an era-defining artist

PUBLISHER
Walther König, Köln

BOOK FORMAT
Paperback, 8.75 x 9.75 in. / 96 pgs / 4 color / 40 bw.

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Catalog: SPRING 2013 p. 104   

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