ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 8/24/2016

Bruce Conner Brass Handles, A Project by Will Brown

DATE 8/23/2016

Muhammad Ali: Fighter's Heaven 1974 Book Trailer

DATE 8/23/2016

Bruce Conner Brass Handles

DATE 8/22/2016

Hannah Höch: Life Portrait

DATE 8/21/2016

Hannah Höch: Life Portrait, A Collaged Autobiography

DATE 8/21/2016

IN THE NEWS! Hannah Höch: Life Portrait

DATE 8/20/2016

Wallace Berman: American Aleph, Shirley Berman in boat

DATE 8/19/2016

Wallace Berman: American Aleph, Verifax Collage Multicolor Shuffle Neil Young

DATE 8/18/2016

Keith Haring: Manhattan Penis Drawings for Ken Hicks

DATE 8/17/2016

Kati Heck, Als Ob

DATE 8/16/2016

Cindy Sherman: 2016

DATE 8/15/2016

Hokusai’s Lost Manga

DATE 8/14/2016

Hokusai’s Lost Manga, volume 1

DATE 8/13/2016

Della Robbia: Sculpting with Color in Renaissance Florence, Madonna and Child with Lilies

DATE 8/12/2016

Della Robbia: Sculpting with Color in Renaissance Florence

DATE 8/11/2016

Gerhard Richter: Colour Charts, Six Yellows

DATE 8/10/2016

Peter Angelo Simon presents 'Muhammad Ali: Fighter's Heaven 1974' at Greenlight Bookstore

DATE 8/10/2016

Eugene Von Bruenchenhein: King of Lesser Lands

DATE 8/9/2016

NEW Yayoi Kusama Edition of Hans Christian Andersen's 'Little Mermaid'

DATE 8/8/2016

The Little Mermaid by Hans Christian Andersen & Yayoi Kusama

DATE 8/7/2016

Muhammad Ali: Fighter's Heaven 1974, in the ring

DATE 8/6/2016

Muhammad Ali: Fighter's Heaven 1974, Joe Frazier rock

DATE 8/5/2016

VIVA BRASIL!

DATE 8/5/2016

SOJOURNS

DATE 8/5/2016

Muhammad Ali: Fighter's Heaven 1974

DATE 8/5/2016

All Eyes on Brasília!

DATE 8/4/2016

Alejandro Aravena: Elemental

DATE 8/4/2016

The Films of Robert Frank at BAM, Frank Books at Greenlight Bookstore

DATE 8/3/2016

Brilliant Piece of Critical Writing by Badlands & Paul Chan

DATE 8/3/2016

Best of Fall 2016: Forthcoming Favorites from Mark Pearson

DATE 8/3/2016

Nicole Eisenman: Al-ugh-ories, Selfie

DATE 8/1/2016

Della Robbia: Sculpting with Color in Renaissance Florence, Bust of a Boy

DATE 8/1/2016

California Surfing and Climbing in the Fifties, Wendy Wagner and Tom Carlin Kaena Point

DATE 7/31/2016

Fire Island Modernist: Horace Gifford and the Architecture of Seduction

DATE 7/29/2016

Fire Island Modernist: Horace Gifford and the Architecture of Seduction

DATE 7/28/2016

Alexander Girard: A Designer's Universe, Braniff flight attendants

DATE 7/27/2016

Alexander Girard: A Designer's Universe, Miller House

DATE 7/26/2016

Mary Heilmann: Looking at Pictures, Primalon Ballroom

DATE 7/25/2016

Mary Heilmann: Looking at Pictures, Taste of Honey

DATE 7/24/2016

Save up to 30% at the ARTBOOK @ Swiss Institute Last Day Sale!

DATE 7/24/2016

Ed Ruscha: Ribbon Words, Okla.

DATE 7/23/2016

Ed Ruscha: Ribbon Words, Hollywood

DATE 7/23/2016

Ed Templeton: Wayward Cognitions Huntington Beach USA

DATE 7/21/2016

Separate Cinema: The First 100 Years of Black Poster Art, Josephine Baker

DATE 7/20/2016

The 2001 File: Harry Lange and the Design of the Landmark Science Fiction Film

DATE 7/20/2016

Visit Park Life & ARTBOOK | D.A.P. at the Inaugural SF Art Book Fair

DATE 7/19/2016

The 1960s: Photographed by David Hurn

DATE 7/19/2016

Billy Name, 1940-2016

DATE 7/19/2016

Wayne Koestenbaum 'Notes on Glaze' Reading & Launch at 192 Books

DATE 7/18/2016

WELCOME REEL ART PRESS! An Interview with Tony Nourmand

DATE 7/18/2016

Brigid Berlin: Polaroids


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 11/5/2011

Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery

Gerhard Richter: Panorama is reviewed in the November 4 issue of The New York Times, in the first edition of the Paper Gallery column, which highlights exceptional art books. Also featured is Bruce Davidson: Subway. An excerpt is reproduced below.


Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
"Stool in Profile," by Gerhard Richter.

Dana Jennings writes, "THE publication of “Panorama, a book tied to a retrospective of the German artist Gerhard Richter at the Tate Modern in London, is a perfect occasion for starting this column. After London, the exhibition will travel to Berlin and later to Paris. Most of us, I suspect, won’t be able to catch up with Mr. Richter overseas. But the book based on the show — a paper gallery, if you will — can be gazed at and grazed on from the plush comfort of couch or recliner.
Not every book here is linked to an exhibition, but each reflects the consistent focus and visual serendipity of any good museum or gallery show, without the viewer’s fretting over getting a parking space or having to box out to grab a spot before her favorite de Kooning.
As for the books themselves, each one here blossoms from crucial cultural moments of the 20th century. “Guts and Glory” revives the decades in which pro football became the country’s most riveting spectator sport. “Drawing Power” is an early chapter in the history of American mass media. Subway seizes on those dark years when New York was a city of fear. “Groundwaters” revels in the revelation that essential art wasn’t restricted to museum, gallery and academy. And Gerhard Richter: Panorama subtly wrestles with what it meant to be a significant artist in postwar Europe.
Cultural baggage aside, art — drawn, painted, photographed — succeeds or fails based on its ability to seduce the viewer. Feel free to be seduced."

Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
An untitled scene in Bruce Davidson's book Subway

BRUCE DAVIDSON
Subway
SUBHUMAN The critic Geoff Dyer once wrote: “The best photographers are to be listened to as well as looked at.” And Subway shimmies and shimmers in urban cacophony: The screeeeech of train brakes, the fluorescent 3-in-the-morning hum on an empty platform, the spray-can hiss of graffiti artists. Mr. Davidson entered this underworld in 1980 — “Subway” first came out in 1986 — and his graffiti-bleeding visions by way of Bosch have only gained in power.

Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
The opening spread of Gerhard Richter: Panorama, published by D.A.P. | TATE.

GERHARD RICHTER
Panorama
Edited by Mark Godfrey and Nicholas Serota
20TH-CENTURY GHOSTS Gerhard Richteris considered Germany’s essential postwar artist, and Panorama covers the more than 50 years of his career. The grand sweep of his work is all here, from eerie hyper-realism to bold abstraction, much of it painted in an infinite and textured palette of grays. It’s as if the smoke and ash from all the wars that shaped the 20th century had found their way into his work, into his very psyche."

Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery
Gerhard Richter: Panorama, Reviewed in The New York Times Paper Gallery

Gerhard Richter: Panorama

Gerhard Richter: Panorama

D.A.P./TATE
Hbk, 9.75 x 11.5 in. / 288 pgs / 290 color.



ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
155 Sixth Avenue
New York NY 10013
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com