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DATE 4/22/2019

Celebrate Earth Day with 'Sun Seekers: The Cure of California'

DATE 4/21/2019

Titian's celebration of Easter, from 'The Christian Year in Painting'

DATE 4/20/2019

In honor of Passover, 'Modern Mystic: The Art of Hyman Bloom'

DATE 4/19/2019

Celebrate the Bauhaus Centennial with Lars Müller's remarkable Bauhausbücher facsimile editions

DATE 4/18/2019

'Berenice Abbott: Portraits of Modernity' is new from Fundacíon Mapfre

DATE 4/18/2019

Conversation & Book Launch: Larry Bell on ‘The Los Angeles Tapes’ at Hauser & Wirth Los Angeles

DATE 4/18/2019

Join us for the launch of Phyllis Galembo's 'Mexico Masks Rituals' at Howl!

DATE 4/17/2019

Matthew Wong's porous reality in 'Landscape Painting Now'

DATE 4/16/2019

Alison Elizabeth Taylor creates estrangement between images and their vehicle in 'Landscape Painting Now'

DATE 4/15/2019

The landscape itself inhabits Enrique Martínez Celaya as a ghost in 'Landscape Painting Now'

DATE 4/14/2019

Lois Dodd, dimension, simultaneity and time in 'Landscape Painting Now'

DATE 4/13/2019

Verne Dawson brings veiled erudition to 'Landscape Painting Now'

DATE 4/12/2019

'Corita Kent: International Signal Code Alphabet' screams to the heavens that freedom is vital

DATE 4/11/2019

Visit Artbook & Steidl at the LAABF 2019!

DATE 4/11/2019

Not for sissies. 'Alice Neel: Freedom' is NEW from David Zwirner Books

DATE 4/10/2019

Hello Texas — join us at the Dallas Art Fair 2019!

DATE 4/10/2019

What a wonderful illusion in 'Horst P. Horst'

DATE 4/10/2019

Alex Roth and David Griffith to launch 'Please Make Sure Your Camper is Secure' at MoMA PS1 Book Space

DATE 4/9/2019

Panel Discussion and Book Signing for 'David Casavant Archive' at MoMA PS1 Book Space

DATE 4/9/2019

Toulouse-Lautrec and the Stars of Paris opens at MFA Boston

DATE 4/8/2019

Revelations abound in 'Richard Neutra: The Story of the Berlin Houses 1920–1924'

DATE 4/7/2019

Nocturnal permissions in Jean-Vincent Simonet's 'In Bloom'

DATE 4/6/2019

Phyllis Galembo signing 'Mexico Masks Rituals' at AIPAD

DATE 4/5/2019

Mona Kuhn signing 'She Disappeared into Complete Silence' at AIPAD

DATE 4/5/2019

Karine Laval signing 'Poolscapes' at AIPAD

DATE 4/4/2019

Martha Wilson to sign 'The Two Halves of Martha Wilson's Brain' Friday at AIPAD

DATE 4/3/2019

Constructed reality in 'Landscape Painting Now'

DATE 4/2/2019

In 'Anthropocene,' Edward Burtynsky meets the enemy and he is us

DATE 4/1/2019

Order 'The Christian Year in Painting' in time for Easter

DATE 4/1/2019

For Easter: Saints & Sinners

DATE 4/1/2019

April Showers bring May Flowers

DATE 3/29/2019

Linda Weintraub to launch 'WHAT’S NEXT? Eco Materialism & Contemporary Art' at Artbook at Hauser & Wirth Bookstore, Los Angeles

DATE 3/29/2019

New Romantic Hernan Bas featured in 'Landscape Painting Now'

DATE 3/28/2019

Landscape Painting Now book launch and panel discussion at the Whitney

DATE 3/28/2019

Ruby Ray photographed punk and industrial culture in late '70s and early '80s San Francisco

DATE 3/27/2019

Join Artbook | D.A.P. for signings at AIPAD 2019!

DATE 3/27/2019

Harbingers of revolution in Picasso's Blue and Rose Periods

DATE 3/26/2019

Thierry de Duve and Herman Parret on 'Aesthetics at Large' at MoMA PS1 Book Space

DATE 3/26/2019

Edward Burtynsky to speak and sign 'Anthropocene' at Indigo Bay Bloor, Toronto

DATE 3/26/2019

Gorgeous 'Picasso: Blue and Rose Periods' celebrates the artist's earliest masterpieces

DATE 3/25/2019

Ruby Ray to launch 'Kalifornia Kool' at City Lights

DATE 3/25/2019

When Lee Friedlander pays tribute, it means something

DATE 3/24/2019

Celebrating Tintoretto through the eyes of John Ruskin

DATE 3/23/2019

Exhibition of the decade 'Soul of a Nation' opens at The Broad

DATE 3/22/2019

Honoring Yoko Ono

DATE 3/21/2019

Productive agitation and passionate enthusiasm in 'Gio Ponti: Archi-Designer'

DATE 3/20/2019

An entire galaxy of romantic whims in 'Ralph Eugene Meatyard: Stages for Being'

DATE 3/20/2019

Vince Aletti signing 'The Disco Files' in the MoMA PS1 Book Space during Come Together Music Festival and Label Market

DATE 3/19/2019

Mind-unbending 'Spectacle of Illusion' excerpted in the 'Financial Times.' Pre-order now!

DATE 3/18/2019

Revisiting the most spectacular unsolved art heist of all time with Kota Ezawa's 'The Crime of Art'

DATE 3/17/2019

'Mary Swanzy: Voyages' revives a pioneer of Irish Modernism


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 4/9/2015

In the News: Alice Neel Drawings and Watercolors 1927-1978

Published to accompany the show on view at David Zwirner through April 18, Alice Neel: Drawings and Watercolors 1927-1978 is a gem. Reviews for the show have popped up everywhere from The New York Times to The New York Review of Books. In New York Magazine, Jerry Salz writes, "In a gathering of beautiful small drawings and watercolors—many of them done when she was young and living in Harlem with a series of lovers—Alice Neel's virtuosity resonates. She reveals, revels, and takes solace in the secret garden of deeply human, intimate moments between lovers, and her touch allows you just far enough into the work to let you know that all of this was real."

In the News: Alice Neel Drawings and Watercolors 1927-1978
ABOVE: "Richard" (1959).

In the book, essayist Jeremy Lewison writes, "What marks Neel out from her forebears is not the intimacy of the subject but the intimacy of her approach. Her concentration on family, while perhaps having a precedent in the work of Berthe Morisot or Mary Cassatt, the female Impressionists whose romanticism Neel decried, was entirely without sentimentality, at least subsequent to the death of her first child. From then on it was dispassionate and candid without eschewing the personal.

In the News: Alice Neel Drawings and Watercolors 1927-1978
ABOVE: "Hartley and Ginny" (1970).

Neel, who said that in another life she might have been a psychiatrist, worked from intimate knowledge of her sitters derived from talking to them, listening to them, and observing them while she held them captive in her lair. She described herself as a ‘collector of souls’ and, like any serious collector, she saw her task as understanding her specimens in the greatest depth possible.

In the News: Alice Neel Drawings and Watercolors 1927-1978
AVOVE: "Sam" (1958).

If Neel was not considered a radical in her time, because she did not conform to modernist orthodoxy, paradoxically we can see her in retrospect as radical precisely because she did not conform. Her decision not to follow fashion, to adhere to a more or less realist approach to making art in a period of high abstraction, was courageous as was her communist affiliation in the face of governmental hostility.

In the News: Alice Neel Drawings and Watercolors 1927-1978
ABOVE: "Self-Portrait Skull" (1958)

To remain apart, whether in the location of her dwelling in Spanish Harlem or in her stylistic choice, was a conscious refusal of normative behavior. Being true to yourself is more radical than to follow fashion and it is with hindsight that we can see that there were many alternative paths beside modernism that were equally valid, engaging, and exploratory.

In the News: Alice Neel Drawings and Watercolors 1927-1978
ABOVE: "Ginny" (1975).

Neel’s approach to drawing and painting, if not experimental, is authoritative, distinctive, and engaged with a long tradition that she sought to develop rather than to overthrow."

In the News: Alice Neel Drawings and Watercolors 1927-1978
In the News: Alice Neel Drawings and Watercolors 1927-1978
In the News: Alice Neel Drawings and Watercolors 1927-1978

Alice Neel: Drawings and Watercolors 1927-1978

Alice Neel: Drawings and Watercolors 1927-1978

DAVID ZWIRNER BOOKS
Hbk, 9 x 11 in. / 120 pgs / 127 color / 1 b&w.





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