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DATE 4/26/2015

Visit ARTBOOK at Paris Photo Los Angeles

DATE 4/26/2015

Off the Richter Scale! 'Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986' Launches at AIGA SF

DATE 4/26/2015

Peter Doig

DATE 4/24/2015

Black Dolls

DATE 4/24/2015

Tseng Kwong Chi: Performing for the Camera

DATE 4/22/2015

303 Gallery Launches Jens Hoffmann: (Curating) From A to Z

DATE 4/21/2015

Jan Schoonhoven

DATE 4/21/2015

Hokusai

DATE 4/18/2015

Edward Weston: The Flame of Recognition

DATE 4/17/2015

Marilyn Minter: Pretty/Dirty

DATE 4/16/2015

Luke Stephenson: An Incomplete Dictionary of Show Birds

DATE 4/15/2015

Lina Bo Bardi: 100

DATE 4/14/2015

Celebrating Abraham Lincoln

DATE 4/14/2015

Lance Wyman: México

DATE 4/13/2015

Drawing People: The Human Figure in Contemporary Art

DATE 4/12/2015

Drawing People: The Human Figure in Contemporary Art

DATE 4/11/2015

Walker Art Center’s ‘International Pop’ Reviewed in the New York Times

DATE 4/11/2015

Drawing People: The Human Figure in Contemporary Art

DATE 4/9/2015

In the News: Alice Neel Drawings and Watercolors 1927-1978

DATE 4/9/2015

Drawing People: The Human Figure in Contemporary Art

DATE 4/7/2015

Dennis Feldman: Hollywood Boulevard

DATE 4/5/2015

Richard Kraft: Here Comes Kitty

DATE 4/4/2015

Robert Overby: Works 1969–1987

DATE 4/3/2015

Greg Reynolds: Jesus Days

DATE 4/3/2015

Robert Overby: Works 1969–1987

DATE 4/2/2015

Sophie Calle: Suite Vénitienne

DATE 3/30/2015

Jacob Lawrence: The Migration Series

DATE 3/29/2015

Bookforum Reviews Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends

DATE 3/29/2015

Jacob Lawrence: The Migration Series

DATE 3/28/2015

Jacob Lawrence: The Migration Series

DATE 3/27/2015

New York Times: The Latin Aesthetic, at Home on Any Horizon

DATE 3/27/2015

Christo and Jeanne-Claude: In/Out Studio Launch at 192 Books

DATE 3/26/2015

Pedro Reyes: The Permanent Revolution

DATE 3/25/2015

The Birth of Rock and Roll

DATE 3/25/2015

Monir Shahroudy Farmanfarmaian: Cosmic Geometry

DATE 3/24/2015

Victor Moscoso: Psychedelic Drawings 1967-1982

DATE 3/22/2015

Masao Yamamoto: Small Things in Silence

DATE 3/20/2015

Victor Moscoso: Psychedelic Drawings Reviewed in NY Times

DATE 3/20/2015

The Forever Now

DATE 3/20/2015

Mujercitos!

DATE 3/20/2015

James Mollison: Playground

DATE 3/19/2015

Robert Adams: A Road Through Shore Pine

DATE 3/18/2015

Yves Saint Laurent's Studio: Mirror and Secrets

DATE 3/17/2015

Olaf Otto Becker: Reading the Landscape

DATE 3/14/2015

Modern Times: The Age of Photography

DATE 3/13/2015

Thomas Ruff: Editions 1988–2014

DATE 3/13/2015

Cameron: Songs for the Witch Woman

DATE 3/12/2015

Laurie Simmons

DATE 3/10/2015

David Wojnarowicz: Brush Fires in the Social Landscape

DATE 3/10/2015

Ken Schles: Night Walk

DATE 3/9/2015

ARTBOOK INTERVIEW: Badlands' 'New Lovers' Erotica Author Wednesday Black


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 6/3/2014

On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'

In the April issue of Swiss culture magazine Das Magazin, Serpentine Galleries curator and co-director Hans Ulrich Obrist contributes a piece on the monumental new artist's book by Paul Chan and his current solo show at the Schaulager Basel.

"In the 1970s Alighiero Boetti published a book with the prosaic title, The thousand longest rivers. He lists them, portrays them, describes them and analyzes them but can never come to a clear conclusion, because the actual length depends on how many sources one includes. Boetti

"In the 1970s Alighiero Boetti published a book with the prosaic title, The thousand longest rivers. He lists them, portrays them, describes them and analyzes them but can never come to a clear conclusion, because the actual length depends on how many sources one includes. Boetti's work is a so-called artist's book, which differentiates itself from other art books in so far as it is not about art or a particular artist, but is rather designed and put together by an artist. The artist's book is a completely unique form of artistic expression – like the pictures in an exhibition or the sculptures in a public space. And like all great art, the artist's book reflects its medium, the book. Boetti's "indication of source" is one of many great works of this genre. Paul Chan has added another one to the list.

On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'

Chan is perhaps best known for his video projections of silhouettes on walls, ceilings and tables. He shows us a world that has been turned on its head, that has come apart, or has fallen out of the sky. But he is also a man of books. In 2010 he founded the publishing house Badlands Unlimited and published his own and other people's texts, including three speeches by Saddam Hussein. For the New New Testament, he took the covers of 1005 books, painted over them and then placed one of his own texts next to each of these covers.

On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'
On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'
On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'
On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'

There are more than a thousand books in one book, like a Russian matryoshka, or as the title suggests, the Bible. It appears along with a catalog and an edition of his collected writings, on the occasion of a comprehensive Paul Chan exhibition, to which the Schaulager in Basel is devoting its entire exhibition space.

On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'
Installation shot of "Volumes" (2012) and other works at the Schaulager Basel, reproduced from Paul Chan: Selected Works.

Of course the books are no sideshow, they are a part of the works that are being shown and they, for their part, revolve around the book as an art-form: Chan's self-devised alphabets, documents in digitally-corroded formats, and a stone blackboard that reminds one of an iPad, in which he has chiseled a text. This massive blackboard makes perhaps the strongest case for the book—a question in stone that asks us what will remain of us if someday a digital Armageddon gobbles up all our data.

On Source Information: Hans Ulrich Obrist on Paul Chan's 'New New Testament'
"Tablet 3" (2014) is reproduced from Paul Chan: Selected Works.

Paul Chan: New New Testament

Paul Chan: New New Testament

SCHAULAGER, LAURENZ FOUNDATION/BADLANDS UNLIMITED
Clth, 7.75 x 10.75 in. / 1082 pgs / 1010 color.

$252.00  free shipping

DATE 3/11/2013

Mariana Cook: Justice

Mariana Cook: Justice


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