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DATE 4/22/2019

Celebrate Earth Day with 'Sun Seekers: The Cure of California'

DATE 4/21/2019

Titian's celebration of Easter, from 'The Christian Year in Painting'

DATE 4/20/2019

In honor of Passover, 'Modern Mystic: The Art of Hyman Bloom'

DATE 4/19/2019

Celebrate the Bauhaus Centennial with Lars Müller's remarkable Bauhausbücher facsimile editions

DATE 4/18/2019

'Berenice Abbott: Portraits of Modernity' is new from Fundacíon Mapfre

DATE 4/18/2019

Conversation & Book Launch: Larry Bell on ‘The Los Angeles Tapes’ at Hauser & Wirth Los Angeles

DATE 4/18/2019

Join us for the launch of Phyllis Galembo's 'Mexico Masks Rituals' at Howl!

DATE 4/17/2019

Matthew Wong's porous reality in 'Landscape Painting Now'

DATE 4/16/2019

Alison Elizabeth Taylor creates estrangement between images and their vehicle in 'Landscape Painting Now'

DATE 4/15/2019

The landscape itself inhabits Enrique Martínez Celaya as a ghost in 'Landscape Painting Now'

DATE 4/14/2019

Lois Dodd, dimension, simultaneity and time in 'Landscape Painting Now'

DATE 4/13/2019

Verne Dawson brings veiled erudition to 'Landscape Painting Now'

DATE 4/12/2019

'Corita Kent: International Signal Code Alphabet' screams to the heavens that freedom is vital

DATE 4/11/2019

Visit Artbook & Steidl at the LAABF 2019!

DATE 4/11/2019

Not for sissies. 'Alice Neel: Freedom' is NEW from David Zwirner Books

DATE 4/10/2019

Hello Texas — join us at the Dallas Art Fair 2019!

DATE 4/10/2019

What a wonderful illusion in 'Horst P. Horst'

DATE 4/10/2019

Alex Roth and David Griffith to launch 'Please Make Sure Your Camper is Secure' at MoMA PS1 Book Space

DATE 4/9/2019

Panel Discussion and Book Signing for 'David Casavant Archive' at MoMA PS1 Book Space

DATE 4/9/2019

Toulouse-Lautrec and the Stars of Paris opens at MFA Boston

DATE 4/8/2019

Revelations abound in 'Richard Neutra: The Story of the Berlin Houses 1920–1924'

DATE 4/7/2019

Nocturnal permissions in Jean-Vincent Simonet's 'In Bloom'

DATE 4/6/2019

Phyllis Galembo signing 'Mexico Masks Rituals' at AIPAD

DATE 4/5/2019

Mona Kuhn signing 'She Disappeared into Complete Silence' at AIPAD

DATE 4/5/2019

Karine Laval signing 'Poolscapes' at AIPAD

DATE 4/4/2019

Martha Wilson to sign 'The Two Halves of Martha Wilson's Brain' Friday at AIPAD

DATE 4/3/2019

Constructed reality in 'Landscape Painting Now'

DATE 4/2/2019

In 'Anthropocene,' Edward Burtynsky meets the enemy and he is us

DATE 4/1/2019

Order 'The Christian Year in Painting' in time for Easter

DATE 4/1/2019

For Easter: Saints & Sinners

DATE 4/1/2019

April Showers bring May Flowers

DATE 3/29/2019

Linda Weintraub to launch 'WHAT’S NEXT? Eco Materialism & Contemporary Art' at Artbook at Hauser & Wirth Bookstore, Los Angeles

DATE 3/29/2019

New Romantic Hernan Bas featured in 'Landscape Painting Now'

DATE 3/28/2019

Landscape Painting Now book launch and panel discussion at the Whitney

DATE 3/28/2019

Ruby Ray photographed punk and industrial culture in late '70s and early '80s San Francisco

DATE 3/27/2019

Join Artbook | D.A.P. for signings at AIPAD 2019!

DATE 3/27/2019

Harbingers of revolution in Picasso's Blue and Rose Periods

DATE 3/26/2019

Thierry de Duve and Herman Parret on 'Aesthetics at Large' at MoMA PS1 Book Space

DATE 3/26/2019

Edward Burtynsky to speak and sign 'Anthropocene' at Indigo Bay Bloor, Toronto

DATE 3/26/2019

Gorgeous 'Picasso: Blue and Rose Periods' celebrates the artist's earliest masterpieces

DATE 3/25/2019

Ruby Ray to launch 'Kalifornia Kool' at City Lights

DATE 3/25/2019

When Lee Friedlander pays tribute, it means something

DATE 3/24/2019

Celebrating Tintoretto through the eyes of John Ruskin

DATE 3/23/2019

Exhibition of the decade 'Soul of a Nation' opens at The Broad

DATE 3/22/2019

Honoring Yoko Ono

DATE 3/21/2019

Productive agitation and passionate enthusiasm in 'Gio Ponti: Archi-Designer'

DATE 3/20/2019

An entire galaxy of romantic whims in 'Ralph Eugene Meatyard: Stages for Being'

DATE 3/20/2019

Vince Aletti signing 'The Disco Files' in the MoMA PS1 Book Space during Come Together Music Festival and Label Market

DATE 3/19/2019

Mind-unbending 'Spectacle of Illusion' excerpted in the 'Financial Times.' Pre-order now!

DATE 3/18/2019

Revisiting the most spectacular unsolved art heist of all time with Kota Ezawa's 'The Crime of Art'

DATE 3/17/2019

'Mary Swanzy: Voyages' revives a pioneer of Irish Modernism


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 4/11/2015

Walker Art Center’s ‘International Pop’ Reviewed in the New York Times

Randy Kennedy writes, “For art lovers, and certainly for the collectors now paying tens of millions of dollars per painting at auction, Pop art and its trademark images — Marilyns, Ben-Day dots, Coca-Cola bottles, lipsticked lips — have become 20th century classicism, as canonical as Cubism and as appealing as candy."

Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Roy Lichtenstein, "Look Mickey" (1961).

"But for many artists working outside the United States during Pop’s birth in the early 1960s, the movement presented itself with all the charm of a steamroller. ‘In those years,' said Thomas Bayrle, a German painter who was making Mao’s portrait years before Andy Warhol did, 'it was like a football match in which one side was always winning and the other side couldn’t even score a single goal.’"

Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Evelyne Axell, "Ice Cream" (1964)

"Art history moved with unprecedented speed in defining Pop — the great curator Henry Geldzahler said it towed 'instant art history' in its wake — and the narrative that unfolded in museums and books has been predominantly American, with a pioneering British adjunct. But a half-century into the movement’s existence, its map is being redrawn with a vengeance."

Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Antonio Henrique Amaral, "Homenagem Sec. XX/XXI (20th/21st-Century Tribute)" (1967).

"An exhibition opening at the Walker Art Center on Saturday, International Pop one of the museum’s most ambitious historical shows in years, makes the case not only that Pop was sprouting in countless homegrown versions around the world but also that the term itself has become too narrow to encompass the revolution in thinking it represented for a generation of artists.”

Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Andy Warhol, "Sixteen Jackies" (1964).

To read the full review, continue to The New York Times.
Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Walker Art Center’s ‘International Pop’ Reviewed in the New York Times
Walker Art Center’s ‘International Pop’ Reviewed in the New York Times

International Pop

International Pop

WALKER ART CENTER
Hbk, 9 x 11.75 in. / 352 pgs / 230 color / 115 b&w.

$85.00  free shipping





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