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STAFF PICKS | FROM THE SHELVES

PRINT ORDER FORM   

SHARON HELGASON GALLAGHER | DATE 1/1/2019

The Class of 2018: Critics' Picks and Future Backlist Classics

Adrian Piper: A Synthesis of Intuitions 1965–2016Adrian Piper: A Synthesis of Intuitions 1965–2016
Andy Warhol's The Chelsea GirlsAndy Warhol's The Chelsea Girls
Bacon / GiacomettiBacon / Giacometti
BrassaiBrassai
Bruce Nauman: Disappearing ActsBruce Nauman: Disappearing Acts
The Conditions of Being ArtThe Conditions of Being Art
Dimensions of CitizenshipDimensions of Citizenship
The Disco Files 1973–78The Disco Files 1973–78
Karen Green: Frail SisterKaren Green: Frail Sister
GiacomettiGiacometti
Gordon Parks: The Flavio StoryGordon Parks: The Flavio Story
Gordon Parks: The New TideGordon Parks: The New Tide
Handbook of TyrannyHandbook of Tyranny
Hilma af Klint: Paintings for the FutureHilma af Klint: Paintings for the Future
Jack Whitten: OdysseyJack Whitten: Odyssey
Jack Whitten: Notes from the WoodshedJack Whitten: Notes from the Woodshed
Led Zeppelin by Led ZeppelinLed Zeppelin by Led Zeppelin
Night FeverNight Fever
Protest: The Aesthetics of ResistanceProtest: The Aesthetics of Resistance
Rachel Cobb: MistralRachel Cobb: Mistral
Saul Leiter: In My RoomSaul Leiter: In My Room
Shomei TomatsuShomei Tomatsu
Spomenik Monument DatabaseSpomenik Monument Database
The Swimming Pool in PhotographyThe Swimming Pool in Photography
Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980
Treatise on Modern StimulantsTreatise on Modern Stimulants
Whitewalling: Art, Race & Protest in 3 ActsWhitewalling: Art, Race & Protest in 3 Acts

Adrian Piper: A Synthesis of Intuitions 1965–2016Adrian Piper: A Synthesis of Intuitions 1965–2016

Published by The Museum of Modern Art, New York.
Edited by Christophe Cherix, Cornelia Butler, and David Platzker. With texts by Christophe Cherix, Cornelia Butler, David Platzker, and Adrian Piper. Backmatter compiled by Tessa Ferreyros

Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today.

Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper’s mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being—her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper’s pivotal position among her peers and for later generations.

Adrian Piper (born 1948) is a first-generation conceptual artist and analytic philosopher. She received an AA in Fine Art from the School of Visual Arts in 1969, a BA in Philosophy with a minor in Medieval and Renaissance Musicology from the City College of New York in 1974 and a PhD in Philosophy from Harvard University in 1981. Piper’s artwork is in the collections of The Museum of Modern Art, the Centre Pompidou, the Metropolitan Museum of Art, the Generali Foundation and the Museum of Contemporary Art of Los Angeles, among others.



Cornelia Butler is Chief Curator at the Hammer Museum, Los Angeles.

David Platzker is Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York.

Christophe Cherix is Chief Curator of Drawings and Prints at MoMA.

Tessa Ferreyros is Curatorial Assistant in the Department of Drawings and Prints at The Museum of Modern Art, New York.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 352 pgs / 373 color.

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Andy Warhol's The Chelsea GirlsAndy Warhol's The Chelsea Girls

Published by D.A.P./The Andy Warhol Museum.
Edited with text by Geralyn Huxley, Greg Pierce. Foreword by Rajendra Roy. Essay by Gus Van Sant. Contributions by Patrick Moore, Signe Warner Watson.

Warhol’s iconic portrayal of the Factory scene and ’60s New York

PUBLISHER
D.A.P./The Andy Warhol Museum

BOOK FORMAT
Hardcover, 9 x 12 in. / 328 pgs / illustrated throughout.

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Bacon / GiacomettiBacon / Giacometti

Published by Hatje Cantz.
Edited by Catherine Grenier, Ulf Küster, Michael Peppiatt.

"A pairing of modernist giants” –Jackie Wullschlager, Financial Times

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 11 x 12.25 in. / 204 pgs / 162 color.

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BrassaiBrassai

Published by Fundación Mapfre.
Edited with text by Peter Galassi. Text by Stuart Alexander, Antonio Muñoz Molina.

Brassai was the first great chronicler of the urban underbelly

PUBLISHER
Fundación Mapfre

BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 368 pgs / 212 bw.

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Bruce Nauman: Disappearing ActsBruce Nauman: Disappearing Acts

Published by The Museum of Modern Art, New York.
Edited by Kathy Halbreich, Isabel Friedli, Heidi Naef, Magnus Schaefer, Taylor Walsh. Text by Thomas Beard, Briony Fer, Nicolás Guagnini, Kathy Halbreich, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss.

With a magician’s sleight of hand, Nauman’s art makes disappearance visible

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9 x 10.5 in. / 356 pgs / 250 color.

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The Conditions of Being ArtThe Conditions of Being Art

Pat Hearn Gallery & American Fine Arts, Co.

Published by CCS Bard and Dancing Foxes Press.
Edited with text by Jeannine Tang, Lia Gangitano, Ann Butler. Text by Johanna Burton, Jill Casid, Lauren Cornell, Diedrich Diederichsen, Jennifer King, Mason Leaver-Yap, Kobena Mercer.

The Conditions of Being Art is the first book to examine the activities of groundbreaking contemporary art galleries Pat Hearn Gallery and American Fine Arts, Co. (1983–2004), and the transnational milieu of artists, dealers and critics that surrounded them.

Drawing on the archives of dealers Pat Hearn and Colin de Land—both, independently, legendary players on the New York art scene of the 1980s and '90s, and one of the great love stories of the art world—this publication illustrates their distinctive artistic practices, significant exhibitions and events, and daily business. Hearn and de Land championed art that challenged the business of running an art gallery; artists like Renée Green and Susan Hiller, Andrea Fraser and Cady Noland, who employed conceptualism and installation, social and institutional critique.

Contributing to the history of exhibitions, institutions and curating, The Conditions of Being Art addresses a significant gap in this literature around experimental commercial spaces in recent art history. This publication is the first book-length critical account of the alternative commercial gallery practices of the 1990s, a moment and a scene that is extremely influential to many of today's art dealers, curators and artists.

Hearn and de Land's gallery practices explored new experimental and ethical possibilities within the selling of art, testing the relationship of contemporary art to its markets. In this volume, full-color images, in-depth scholarly investigations and detailed gallery histories vibrantly document how Hearn and de Land tested new notions of what an art gallery could be.



PUBLISHER
CCS Bard and Dancing Foxes Press

BOOK FORMAT
Paperback, 7 x 9 in. / 304 pgs / 200 color / 40 bw.

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Dimensions of CitizenshipDimensions of Citizenship

Published by Inventory Press.
Foreword by Bill Brown. Preface by Jonathan Solomon. Introduction by Niall Atkinson, Ann Lui, Mimi Zeiger. Essays by Ingrid Burrington, Dan Handel, Ana María León, Nicholas de Monchaux, Jennifer Scappettone, Imre Szeman.

“A colorful, digestible guide to the late 21st century and the role that architects play or don't play in shaping our collective understanding of citizenship.” –Inc

PUBLISHER
Inventory Press

BOOK FORMAT
Paperback, 4.25 x 7 in. / 264 pgs / 40 color / 50 duotone / 50 bw.

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The Disco Files 1973–78The Disco Files 1973–78

New York's Underground, Week by Week

Published by D.A.P..
By Vince Aletti. Interview with Fran Lebowitz.

A new edition of the essential chronicle of disco culture

PUBLISHER
D.A.P.

BOOK FORMAT
Paperback, 6.75 x 9.5 in. / 474 pgs / 400 bw.

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Karen Green: Frail SisterKaren Green: Frail Sister

Published by Siglio.

From the author of Bough Down, a found, collaged and lovingly amended inquiry into how women disappear

PUBLISHER
Siglio

BOOK FORMAT
Hardcover, 7.5 x 10 in. / 168 pgs / 200 color.

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GiacomettiGiacometti

Published by Guggenheim Museum Publications.
Edited by Karole P.B. Vail, Megan Fontanella. Text by Valerie Fletcher, Catherine Grenier, Karole P.B. Vail.

A fresh appraisal of Giacometti's output, from painting to sculpture

PUBLISHER
Guggenheim Museum Publications

BOOK FORMAT
Hardcover, 8 x 11.25 in. / 160 pgs / 130 color.

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Gordon Parks: The Flavio StoryGordon Parks: The Flavio Story

Published by Steidl/The Gordon Parks Foundation.
Edited with text by Paul Roth, Amanda Maddox. Foreword by Peter W. Kunhardt, Jr., Flávio Pinheiro, Timothy Potts. Text by Sérgio Burgi, Beatriz Jaguaribe, Maria Alice Rezende de Carvalho, Natalie Spagnol.

The extraordinary story of one Life photo-essay by Gordon Parks and its impact

PUBLISHER
Steidl/The Gordon Parks Foundation

BOOK FORMAT
Clth, 9.75 x 11.5 in. / 300 pgs / 50 color / 150 bw.

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Gordon Parks: The New TideGordon Parks: The New Tide

Early Work 1940–1950

Published by Steidl/Gordon Parks Foundation/National Gallery of Art.
Edited by Peter W. Kunhardt, Jr., Philip Brookman. Foreword by Peter W. Kunhardt, Jr., Earl A. Powell III. Introduction by Sarah Lewis. Text by Maurice Berger, Philip Brookman, Richard J. Powell, Deborah Willis.

The emergence of a social conscience in rarely seen images from Parks' formative years

PUBLISHER
Steidl/Gordon Parks Foundation/National Gallery of Art

BOOK FORMAT
Clth, 9.75 x 11.5 in. / 304 pgs / 42 color / 126 bw.

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Handbook of TyrannyHandbook of Tyranny

Published by Lars Müller Publishers.
By Theo Deutinger.

Factual storytelling: graphic illustrations expose the new tyranny of the 21st century

PUBLISHER
Lars Müller Publishers

BOOK FORMAT
Hardcover, 8.25 x 11.75 in. / 160 pgs / 987 color.

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For assistance locating a copy, please see our list of recommended out of print specialists

Hilma af Klint: Paintings for the FutureHilma af Klint: Paintings for the Future

Published by Guggenheim Museum Publications.
Edited with text by Tracey Bashkoff. Contributions by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss.

Hilma af Klint's daring abstractions exert a mystical magnetism

PUBLISHER
Guggenheim Museum Publications

BOOK FORMAT
Hardcover, 8.5 x 11.25 in. / 244 pgs / 220 color.

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Jack Whitten: OdysseyJack Whitten: Odyssey

Sculpture 1963–2017

Published by Gregory R. Miller & Co..
Text by Katy Siegel, Kelly Baum, Jack Whitten, Richard Shiff, Kwame Anthony Appiah, Kellie Jones. Interview with Courtney Martin.

"Whitten's objects in carved wood and found materials revisit and reclaim the forms, rituals and spirituality of African sculpture." –Roberta Smith, New York Times

PUBLISHER
Gregory R. Miller & Co.

BOOK FORMAT
Hardcover, 9.5 x 11.5 in. / 192 pgs / 161 color.

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Jack Whitten: Notes from the WoodshedJack Whitten: Notes from the Woodshed

Published by Hauser & Wirth Publishers.
Edited by Katy Siegel.

Jack Whitten's writings articulate his tireless reinvention of abstraction

PUBLISHER
Hauser & Wirth Publishers

BOOK FORMAT
Paperback, 6.5 x 9.5 in. / 520 pgs.

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Led Zeppelin by Led ZeppelinLed Zeppelin by Led Zeppelin

Published by Reel Art Press.

Page, Plant and Jones have collaborated with Reel Art Press to publish the first illustrated book celebrating 50 years since Led Zeppelin formed

PUBLISHER
Reel Art Press

BOOK FORMAT
Clth, 9.75 x 12 in. / 400 pgs / 150 color / 160 bw.

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Night FeverNight Fever

Designing Club Culture 1960–Today

Published by Vitra Design Museum.
Edited by Mateo Kries, Jochen Eisenbrand, Catharine Rossi, Katarina Serulus. Text by Jörg Heiser, Tim Lawrence, Ivan Lopez Munuera, Catharine Rossi, Sonnet Stanfill, Alice Twemlow, et al. Interviews with Ben Kelly, Peter Saville, Ian Schrager, et al.

The nightclub as avant-garde architecture: from Studio 54 to the Double Club

PUBLISHER
Vitra Design Museum

BOOK FORMAT
Paperback, 8 x 10.5 in. / 400 pgs / 500 color.

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Protest: The Aesthetics of ResistanceProtest: The Aesthetics of Resistance

Published by Lars Müller Publishers.
Edited by Basil Rogger, Jonas Vögeli, Ruedi Widmer. Text by Michelle Akanji, Friedrich von Borries, Delphine Chapuis, Teju Cole, Hans-Christian Dani, Steven Duncombe, Anna Feigenbaum, Philipp Felsch, Marleen Fitterer, Meret Fischli, Corinne Gisel, Johannes Hedinger, Knut Henkel, Henriette Herm, Larissa Holaschke, Ines Kleesattel, Wolfgang Kraushaar, Wong Chi Lui, Elisio Macamo, Eva Mackensen, Franziska Meierhofer, Tine Melzer, Rabih Mroué, Maybell Eequay Reiter, et al.

Resistance: aesthetic tactics from the suffragettes to 1968 to our tumultuous present

PUBLISHER
Lars Müller Publishers

BOOK FORMAT
Paperback, 6.25 x 9.5 in. / 448 pgs / 126 color / 73 bw.

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Rachel Cobb: MistralRachel Cobb: Mistral

The Legendary Wind of Provence

Published by Damiani.
Introduction by Bill Buford.

"In beautifully evocative stills, a photographer captures the restless swirl of Province's famous wind.” –Kim Hubbard, People

PUBLISHER
Damiani

BOOK FORMAT
Hardcover, 9.75 x 12.5 in. / 192 pgs / 90 color.

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Saul Leiter: In My RoomSaul Leiter: In My Room

Published by Steidl.
Foreword by Robert Benton.

Leiter’s painterly, ravishing, yet informal nudes from the 1940s to the 1970s

PUBLISHER
Steidl

BOOK FORMAT
Clth, 8 x 8 in. / 192 pgs / 85 bw.

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ISBN 9783958291034 TRADE
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Shomei TomatsuShomei Tomatsu

Published by RM/Fundación Mapfre.
Text by Juan Vicente Ariaga, Ryuichi Kaneko, Hiromi Kojima, Carlos Martín García.

"Shomei Tomatsu is the pivotal figure of recent Japanese photography." –John Szarkowski

PUBLISHER
RM/Fundación Mapfre

BOOK FORMAT
Hardcover, 9.5 x 11 in. / 172 pgs / 63 color / 117 bw.

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Spomenik Monument DatabaseSpomenik Monument Database

Published by FUEL Publishing.
By Donald Niebyl. Edited by Damon Murray, Stephen Sorrell.

A guidebook to the wild world of communist minimalism in Tito's Yugoslavia

PUBLISHER
FUEL Publishing

BOOK FORMAT
Hardcover, 6.5 x 8 in. / 208 pgs / 200 color.

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ISBN 9780995745537 TRADE
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The Swimming Pool in PhotographyThe Swimming Pool in Photography

Published by Hatje Cantz.
Text by Francis Hodgson.

A photographic leap into cooling waters

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9 x 10.75 in. / 240 pgs / 200 color.

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Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980

Published by The Museum of Modern Art, New York.
Edited with text by Martino Stierli, Vladimir Kulic. Text by Tamara Bjazic Klarin, Vladimir Deskov, Andrew Herscher, Sanja Horvatincic, Theodossis Issaias, Ana Ivanovska Deskova, Jovan Ivanovski, Jelica Jovanovic, Anna Kats, Juliet Kinchin, Martina Malesic, Maroje Mrduljas, Arber Sadiki, Luka Skansi, Lukasz Stanek, Matthew Worsnick, Mejrema Zatric. Photographic portfolio by Valentin Jeck.

In Yugoslavia’s “Third Way” architecture, Brutalism meets the fantastical

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 200 pgs / 235 color.

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ISBN 9781633450516 TRADE
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Treatise on Modern StimulantsTreatise on Modern Stimulants

Published by Wakefield Press.
By Honoré de Balzac. Introduction and translation by Kassy Hayden. Illustrations by Pierre Alechinsky.

"A marvel of brash opinion, contemporary society, politics, and memoir.” –Bookforum

PUBLISHER
Wakefield Press

BOOK FORMAT
Paperback, 4.5 x 7 in. / 80 pgs / 15 bw.

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Whitewalling: Art, Race & Protest in 3 ActsWhitewalling: Art, Race & Protest in 3 Acts

Published by Badlands Unlimited.
By Aruna D'Souza.

"An exploratory case study in institutional racism as it has manifested in the New York City art world” —Brooklyn Rail

PUBLISHER
Badlands Unlimited

BOOK FORMAT
Paperback, 6 x 9 in. / 160 pgs.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2018 p. 87   

PRODUCT DETAILS
ISBN 9781943263141 TRADE
List Price: $19.99 CAD $27.95

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in stock  $19.99


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