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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"La Relève" (1982) is reproduced from
CORY REYNOLDS | DATE 9/26/2017

The wonderful recently discovered studio portraits of Sanlé Sory

"La Relève" (1982) is reproduced from Sanlé Sory: Volta Photo 1965–85, the irresistible new collection of recently discovered “golden age” Burkina Faso studio portraits from Reel Art Press & Morton Hill. Sanlé traveled by motorbike to remote villages with his own power supply, "throwing parties, setting up lights and playing records so that people could enjoy modern life and dress up in their finest clothes,” Florent Mazzoleni writes. “Sory worked as a reporter, a record sleeve illustrator, an official photographer but mostly as a studio photographer … He created his own studio backdrops and these paintings—a modern city, a beach boardwalk, an airplane or an antique column—were quite outstanding and unlike those of any other photographers in his country. An active character who ran, lifted weights and practiced karate, Sory also captured his own physical evolution with numerous self-portraits, some of which are instant classics.”

Sanlé Sory: Volta Photo 1965–85

Sanlé Sory: Volta Photo 1965–85

Reel Art Press/Morton Hill
Hbk, 8 x 9.5 in. / 80 pgs / 40 b&w.





The New York Knicks

DATE 6/18/2026

The New York Knicks