| RECENT POSTS DATE 11/8/2024 DATE 11/5/2024 DATE 11/3/2024 DATE 11/2/2024 DATE 11/1/2024 DATE 11/1/2024 DATE 11/1/2024 DATE 10/31/2024 DATE 10/27/2024 DATE 10/26/2024 DATE 10/24/2024 DATE 10/21/2024 DATE 10/20/2024
| | | CORY REYNOLDS | DATE 10/15/2024“We are living in our imagined future,” Academy Museum curator Doris Berger writes in her Introduction to Cyberpunk: Envisioning Possible Futures through Cinema.
“The current debates about artificial general intelligence and cybersecurity, the fear of sentient machines harming humanity, and the destruction of our environment due to climate change connect our lived reality with cyber¬punk narratives. These bleak scenarios—stable ingredients of futurist cinema since the late 1970s—feel so familiar now, as many of those imaginations have become real. Cyberpunk narratives combine cybernetics and digital culture with a punk attitude. They explore and reflect on topics such as new tech¬nologies, artificial intelligence, transhumanism, cyborgs, hacking culture, capitalism, colonialism, and race, gender, and class relations as well as climate change, often through a defiant approach toward established hierarchies. As these stories present visions of the future on our planet rather than in faraway galaxies, they also comment on our earthly past and present. … As digital media theorist Jason Edward Lewis once stated, “We’re all immigrants in cyberspace.’” Pictured here, Arnold Schwarzenegger and James Cameron during production of The Terminator (1984).DelMonico Books/Academy Museum of Motion Pictures Flexi, 8.5 x 10.75 in. / 192 pgs / 229 color / 35 b&w. $45.00 free shipping
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