CORY REYNOLDS | DATE 11/24/2024

Photorealism lives!

Amy Sherald’s 2017 oil painting, The lesson of falling leaves, is reproduced from new release Ordinary People: Photorealism and the Work of Art since 1968, published to accompany the major survey opening this week at MOCA LA. Spanning from the 1960s to today, and including everyone from Robert Bechtle and Richard Estes to Joan Semmel and Marilyn Minter, this book proves that the genre is not just alive and well, but sometimes challenging, weird and confrontational. In her catalog essay, MOCA curator Anna Katz discusses Sherald. “The dichotomy between painting and photography, drawn along lines of racial exclusion and inclusion, is stark in the work of self-described ‘American Realist’ Amy Sherald, who was catapulted to national fame at the unveiling of her portrait of First Lady Michelle Obama in 2018. The lesson of falling leaves exemplifies her selection of Black sitters, often strangers, whom she chooses for their ‘quality of existing in the past, present, and future simultaneously.’ … Sherald’s signature is the depiction of the bodies (skin, hair, nails, eyes) of her portrait subjects in grayscale. She uses grayscale to invoke the nineteenth-century daguerreotype, which comprised some of the earliest portraits of African Americans. In the history of European and North American art, Black people rarely figured in painted portraits and enjoyed their first opportunities to be portrait subjects upon the dissemination of the relatively accessible means of photography. The photographic is thus doing heavy lifting here: whereas in [works by artists like Jesse Treviño and Robert Bechtle], the nonhierarchical distribution of details anchors the images to a specific time and place, in Sherald’s painting the photographic locates a historical origin of representation for Black subjects, while also pointing out a history of absence and pointing toward a future inclusion. The photographic is a corruption, an acknowledgment and an abrogation of painting’s racist foundations.”