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DATE 8/2/2026

Join Artbook | D.A.P. at Shoppe Object New York, August 2026

DATE 7/23/2026

Join us at the San Francisco Art Book Fair, 2026!

DATE 7/19/2026

Metrograph presents Collier Schorr signing ‘Writing a Letter: Akerman Ballet, Act 1’ followed by a screening of Chantal Akerman’s ‘Je tu il elle’ with joint introduction by Matt Wolf

DATE 7/17/2026

LACMA Store presents Audrey Sands and Rebecca Morse on 'Lisette Model: The Jazz Pictures'

DATE 7/13/2026

An exploration of dancehall, reggae en español, and reggaeton through contemporary art

DATE 7/12/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Karl Haendel, Andrea Gyorody and Aldy Milliken on 'Less Bad'

DATE 7/11/2026

LA Showroom Summer Sample Sale, Save 75–85%!

DATE 7/11/2026

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/8/2026

Conflict, culture and exchange in 18th-century art across the Americas

DATE 7/7/2026

Hot Town, Summer In (and Out) of the City

DATE 7/6/2026

Another kind of Americana in François Prost’s ‘Gentlemen’s Club’

DATE 7/4/2026

Declarations of Independence: America at 250

DATE 7/4/2026

Power and Resistance in 'Art in the Americas'


IMAGE GALLERY

"Bed" (1955) is reproduced from
CORY REYNOLDS | DATE 10/21/2025

Celebrating Robert Rauschenberg on his centenary

Robert Rauschenberg's "Bed" is among the most seminal of all seminal artworks of the twentieth century. Comprised of oil, pencil, toothpaste and red fingernail polish on pillow, quilt (previously owned by Dorothea Rockburne), and bedsheet mounted on wood supports, it is arguably the artist's first Combine. Produced in 1955, this hybrid artwork was completed seven years after Rauschenberg first encountered Josef Albers at Black Mountain College, four years after he met John Cage, three years after his travels through Europe and North Africa with painter and partner Cy Twombly, two years after he erased a drawing by Willem de Kooning and called it art, and one year from the time he met and became romantically involved with Jasper Johns, whose own masterpiece, "Flag," was also produced in 1955. One year later, Rauschenberg would write, "I consider the text of a newspaper, the detail of a photograph, the stitch in a baseball, and the filament in a light bulb as fundamental to the painting as brush stroke or enamel drip of paint. In the end, what one sees as my work is what I choose to make with no guarantee of enlightenment, humor, beauty or art."

Robert Rauschenberg

Robert Rauschenberg

The Museum of Modern Art, New York
Hbk, 9.5 x 12 in. / 392 pgs / 475 color.

$75.00  free shipping





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DATE 1/1/2026

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