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DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 9/12/2026

MASS MoCA R&D Store presents 'three six five' author Lucy Ives in conversation with Lauren Levato Coyne

DATE 9/11/2026

The Strand presents Melissa Auf der Maur in conversation with Kelefa Sanneh for the NYC launch of 'Melissa Auf der Maur: My '90s Rock Photographs'

DATE 9/3/2026

If Emmett Till Lived

DATE 8/30/2026

"No room for squares." Graham Marsh's pocket guide to Ivy style

DATE 8/27/2026

Yayoi Kusama, (1929–2026)

DATE 8/25/2026

Hot book alert! ‘Melissa Auf der Maur: My ’90s Rock Photographs’ releases this week!

DATE 8/20/2026

Printed Matter presents Hugo Martinez, Danielle Becker, DIP, Octavio Zaya and Kevin Monaghan launching 'You Weren't There: ’90s Graffiti in New York'

DATE 8/20/2026

Illuminating ‘Miyoko Ito: Heart of Hearts’ is Back in Stock from Pre-Echo Press!

DATE 8/17/2026

In the tradition of Marianne Wex's landmark taxonomic project, 'Taking Back our Space' is new from MoMA

DATE 8/15/2026

Back to School Sale Staff Picks!

DATE 8/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 8/12/2026

Printed Matter presents Chang Yuchen & Ross Perlin in Conversation: a dictionary, a loom, a manifesto …


IMAGE GALLERY

"Bed" (1955) is reproduced from
CORY REYNOLDS | DATE 10/21/2025

Celebrating Robert Rauschenberg on his centenary

Robert Rauschenberg's "Bed" is among the most seminal of all seminal artworks of the twentieth century. Comprised of oil, pencil, toothpaste and red fingernail polish on pillow, quilt (previously owned by Dorothea Rockburne), and bedsheet mounted on wood supports, it is arguably the artist's first Combine. Produced in 1955, this hybrid artwork was completed seven years after Rauschenberg first encountered Josef Albers at Black Mountain College, four years after he met John Cage, three years after his travels through Europe and North Africa with painter and partner Cy Twombly, two years after he erased a drawing by Willem de Kooning and called it art, and one year from the time he met and became romantically involved with Jasper Johns, whose own masterpiece, "Flag," was also produced in 1955. One year later, Rauschenberg would write, "I consider the text of a newspaper, the detail of a photograph, the stitch in a baseball, and the filament in a light bulb as fundamental to the painting as brush stroke or enamel drip of paint. In the end, what one sees as my work is what I choose to make with no guarantee of enlightenment, humor, beauty or art."

Robert Rauschenberg

Robert Rauschenberg

The Museum of Modern Art, New York
Hbk, 9.5 x 12 in. / 392 pgs / 475 color.

$75.00  free shipping





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DATE 6/18/2026

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DATE 1/1/2026

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DATE 1/1/2026

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