CORY REYNOLDS | DATE 11/27/2025

Indigenous presence in 'Wendy Red Star: Her Dreams Are True'

“The Last Thanks” (2006) is reproduced from Wendy Red Star: Her Dreams Are True, published to accompany the exhibition on view now at The Trout Gallery at Dickinson College in Carlisle, Pennsylvania. “Red Star’s living body disrupts the settler-colonial gaze by refusing both disappearance and static representation,” Darren Edward Lone Fight writes; “instead, she occupies the ceremonial center with deliberate presence, her traditional regalia not a costume but a declaration of cultural continuity. … By placing herself at the center, alive, solemn and unflinching, she reclaims the visual field, an act of sovereignty that insists upon the living continuity of Indigenous presence, even in a space overrun by the plastic monuments of settler mythmaking.”