| RECENT POSTS DATE 6/21/2021 DATE 6/20/2021 DATE 6/18/2021 DATE 6/18/2021 DATE 6/18/2021 DATE 6/17/2021 DATE 6/15/2021 DATE 6/13/2021 DATE 6/12/2021 DATE 6/12/2021 DATE 6/10/2021 DATE 6/8/2021 DATE 6/6/2021 DATE 6/3/2021 DATE 6/1/2021 DATE 6/1/2021 DATE 5/26/2021 DATE 5/24/2021 DATE 5/20/2021 DATE 5/20/2021 DATE 5/18/2021 DATE 5/16/2021 DATE 5/14/2021 DATE 5/13/2021 DATE 5/12/2021 DATE 5/10/2021 DATE 5/9/2021 DATE 5/8/2021 DATE 5/6/2021 DATE 5/5/2021 DATE 5/1/2021 DATE 4/29/2021 DATE 4/28/2021 DATE 4/27/2021 DATE 4/26/2021 DATE 4/25/2021 DATE 4/23/2021 DATE 4/22/2021 DATE 4/20/2021 DATE 4/20/2021 DATE 4/19/2021 DATE 4/17/2021 DATE 4/16/2021 DATE 4/15/2021 DATE 4/14/2021 DATE 4/13/2021 DATE 4/11/2021 DATE 4/8/2021 DATE 4/6/2021 DATE 4/4/2021 DATE 4/3/2021
| | |  CORY REYNOLDS | DATE 6/25/2015For a 1983 Postmodernism and Photography panel with Douglas Crimp, Richard Prince and Laurie Simmons, Sarah Charlesworth wrote, "Pop art pointed out that popular culture existed and was not in itself lethal to Art. Postmodernism is increasingly a part of that culture. But it is a critical part. The artificial, the posed, the stylized, the familiar are not so much a threat to this art, but a rich and rigorous syntax of social exchange and personal experience. To reveal through exploration and expression of convention its structures and meaning, its language of form, is a step toward consciousness within." Red Mask (1983) is reproduced from Sarah Charlesworth: Doubleworld, published to accompany the late artist's retrospective at the New Museum. NEW MUSEUM
Pbk, 8.75 x 11.75 in. / 164 pages / 100 color.
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