DATE 7/22/2024

Explore the influence of Islamic art and design on Cartier luxury objects

DATE 7/18/2024

Join us at the San Francisco Art Book Fair, 2024!

DATE 7/18/2024

History and healing in Calida Rawles' 'Away with the Tides'

DATE 7/16/2024

Join us at the Atlanta Gift & Home Summer Market 2024

DATE 7/15/2024

In 'Gordon Parks: Born Black,' a personal report on a decade of Black revolt

DATE 7/14/2024

Familiar Trees presents a marathon reading of Bernadette Mayer's 'Memory'

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Early 20th-century Japanese graphic design shines in 'Songs for Modern Japan'

DATE 7/8/2024

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/5/2024

Celebrate summer with Tony Caramanico’s Montauk Surf Journals

DATE 7/4/2024

For love, and for country

DATE 7/1/2024

Summertime Staff Picks, 2024!

DATE 7/1/2024

Enter the dream space of Francesca Woodman and Julia Margaret Cameron

DATE 6/30/2024

Celebrate the extraordinary freedom of Cookie Mueller in this Pride Month Pick


"Kilroy" (1957) is reproduced from

Paul Feeley: 1957–1962

In Garth Greenan Gallery's concise new monograph on American painter Paul Feeley, David Anfan writes, "As a whole, what are Feeley's curves, colors and cool loveliness if not manifestations of a plain style, an ethical will to let simplicity and ease seem natural and effortless? Akin to the predilection for the primitive or the archaic, this ostensible directness in fact presupposes high sophistication. Both ideas hark back at least to the Roman orator Cicero.
 The casual air of Feeley's visual effects—done, as 
it were, with the left hand—reached fruition only toward the end of his life after decades of quite different work and he refined them through the painstaking crucible of his draftsmanship. This chimes with Cicero's observation: 'Plainness of style seems easy to imitate at first thought, but when attempted, nothing is more difficult.' 'Plain' also holds a dual meaning—in the manner that Jorge Luis Borges pinpointed when he wrote that 'the plain style... is doubly metaphoric, because style means, etymologically, a pointed instrument, and plain is akin to a flat plain, smooth, without cracks.' Borges' metaphors—style/stylus and plain/plane—measure the span of Feeley's artistic quest. It grew from observational drawing into a quietly captivating abstract fusion of outline, color and flatness. In such plain images, we might think that only elegance and neatness remain. If so, these modest riches suffice because, like the words of Cicero's artfully guileless orator, they continue to reward and resonate with the knowing eye and mind." Kilroy (1957) is reproduced from Paul Feeley: 1957-1962.

Paul Feeley: 1957–1962

Paul Feeley: 1957–1962

Garth Greenan Gallery
Hbk, 8.75 x 10.25 in. / 80 pgs / 39 color / 9 b&w.

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DATE 4/20/2024

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