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DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/1/2026

Hiroshi Sugimoto's terrestrial celestial masterpiece

DATE 3/29/2026

Celebrating Women's History Month and Frida-mania in NYC

DATE 3/27/2026

Gateways to other realms in 'Uman: After all the things'

DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/24/2026

Back in stock! 'Helen Frankenthaler: Painting without Rules'

DATE 3/23/2026

Head Hi presents a double-header book launch for 'We the Bacteria' and 'Sick Architecture'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/21/2026

The fearless self-portraiture of Frida Kahlo, timed for MoMA's Kahlo / Rivera show

DATE 3/20/2026

‘Tom Lloyd’ at Studio Museum

DATE 3/19/2026

AIGA presents '50 Books | 50 Covers: The Exhibition' at Pratt Institute, Brooklyn

DATE 3/18/2026

Westweek 2026 kicks off with Christopher Rawlins discussing Fire Island and the Modernist Beach House

DATE 3/17/2026

Sophie Calle finishes the unfinished


IMAGE GALLERY

"Two Shells" (1927) is reproduced from
CORY REYNOLDS | DATE 4/18/2015

Edward Weston: The Flame of Recognition

"Two Shells" (1927) is reproduced from Edward Weston: The Flame of Recognition, Aperture's fiftieth anniversary reissue of this classic volume by one of the giants of twentieth-century photography. In a July 25, 1927, entry in his daybook, made in Glendale, California, Weston writes, "I must take time to write about the reactions to my shell prints, as written by Tina [Modotti] from Mexico after showing them to several old acquaintances. First, to quote briefly the most salient remarks. 'My God Edward, your last photographs surely took my breath away. I feel speechless in front of them. What purity of vision. When I opened the package I couldn’t look at them very long, they stirred up all my innermost feelings so that I felt a physical pain… Edward—nothing before in art has affected me like these photographs. I cannot look at them long without feeling exceedingly perturbed, they disturb me not only mentally but physically. There is something so pure and at the same time so perverse about them. They contain both the innocence of natural things and the morbidity of a sophisticated, distorted mind. They make me think of lilies and embryos. They are mystical and erotic…'"



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!