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DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/19/2026

AIGA presents '50 Books | 50 Covers: The Exhibition' at Pratt Institute, Brooklyn

DATE 3/18/2026

Westweek 2026 kicks off with Christopher Rawlins discussing Fire Island and the Modernist Beach House

DATE 3/15/2026

Artbook at MoMA PS1 presents Jin Mei and Chang Yuchen launching 'Jin Mei: jm'

DATE 3/14/2026

Artbook at MoMA PS1 presents J. Lester Feder and Miriam Elder in conversation for the launch of 'The Queer Face of War'

DATE 3/13/2026

McNally Jackson presents Oluremi C. Onabanjo in conversation with Air Afrique on 'Ideas of Africa'

DATE 3/11/2026

KAWS: FAMILY is back in stock!

DATE 3/9/2026

Obedience only to inspiration in 'Agnes Martin: On Beauty'

DATE 3/8/2026

Textile testimony in 'Women Affected by Dams: Embroidering Our Rights'

DATE 3/5/2026

Deeply strange, and deeply sympathetic: Marisol

DATE 3/4/2026

Revolutionary portraiture in 'Alice Neel: I Am the Century'

DATE 3/1/2026

May all your weeds be wildflowers: Staff Picks for Gardeners, 2026


IMAGE GALLERY

Featured spreads are from
CORY REYNOLDS | DATE 10/10/2022

Honoring Indigenous Peoples' Day with a powerful book on Native Art and Political Ecology

Featured spreads are from Exposure: Native Art and Political Ecology, back in stock from Radius Books and IAIA Museum of Contemporary Native Arts. With a particular focus on the impact of nuclear testing, accidents and uranium mining on Native peoples and the environment, this volume is edited by MoCNA Chief Curator Manuela Well-Off-Man. She writes: "The artists included in Exposure offer critical, experiential, and emotional analyses of the nuclear story and reveal the absence of Indigenous voices in the official narrative, which has been dominated by settler colonialism. Too often, governments, outsider mining companies and the military initiated uranium extraction and nuclear weapons testing on Indigenous lands without any permission from the tribes. As a result, toxic radiation can still be found in the environment and in the bodies of Indigenous people even decades after exposure. As the artworks in this exhibition reveal, the reasons for uranium mining and nuclear arms testing are rooted in the same ideologies that gave rise to colonialism. Many Indigenous cultures have stories that teach about the importance of leaving uranium in the ground to avoid harm. We need to return to a culture of respect and listen to these stories. Because the half-life of plutonium is 24,000 years and the half-life of U235 is 703.8 million years, it is crucial that artists keep exposing the threats of toxic radiation and nuclear catastrophes for present and future generations."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!