ARTBOOK BLOG

RECENT POSTS

DATE 9/26/2023

Turn-of-the-century typographic revolution in 'Die Fläche'

DATE 9/23/2023

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DATE 9/22/2023

Mindblowing info-design in Theo Deutinger's 'Joy and Fear: An Illustrated Report on Modernity'

DATE 9/21/2023

Hot book alert! ‘Chloe Sherman: Renegades’ is NEW from Hatje Cantz

DATE 9/20/2023

Groundbreaking and expansive: 'Simone Leigh'

DATE 9/18/2023

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DATE 9/15/2023

'Ed Ruscha / Now Then' is a book for life

DATE 9/14/2023

Rizzoli Bookstore presents Cynthia Carlson and Thomas Mellins launching 'Cynthia Carlson: Sixty Years'

DATE 9/14/2023

Highly anticipated 'Cynthia Carlson: Sixty Years' is NEW from D.A.P. Publishing

DATE 9/11/2023

Rizzoli Bookstore presents Tina Barney and James Welling on 'The Beginning'

DATE 9/11/2023

'Publish Your Photography Book' third edition… at last!

DATE 9/7/2023

Photo book joy in 'Corita Kent: Ordinary Things Will Be Signs for Us'

DATE 9/6/2023

Spiritualist and art historical revelations in ‘Anna Cassel: The Saga of the Rose’


IMAGE GALLERY

Featured spreads are from
CORY REYNOLDS | DATE 7/30/2022

In 'Virgil Abloh: Figures of Speech,' a record of genius

Featured spreads are from Virgil Abloh: Figures of Speech, the definitive 500-page catalog to the exhibition currently on view at the Brooklyn Museum—curated, in its current incarnation, by the late designer’s equally game-changing colleague and friend, Antwaun Sargent. Born in Chicago to Ghanian parents, Abloh exploded the boundaries between fashion, architecture, graphics, sound, art and entrepreneurialism. His death at the age of forty-one continues to reverberate. “Abloh often references the artist Marcel Duchamp as a hero,” Lou Stoppard writes. “He calls him his ‘lawyer’ as a means of explaining and legitimizing his tendency to borrow, displace, rename and rework. He is attracted to Duchamp’s interest in context and the manner in which anything can be elevated to the status of art at the artist’s whim, simply through the act of selection and designation. In homage, Abloh uses wording widely across Off-White products and outlets. Some are labeled simply as what they are—'Cap,’ ‘Website,’ ‘Runway Show Invite.’ Others are given a new definition—leather bags are ‘Sculpture.’ He has made himself ‘Virgil Abloh,’ an object in this pursuit, aware that how he labels and positions himself—whether at the helm of a luxury house, as the artist at the opening of a gallery exhibition or on the red carpet of fashion’s most-watched event, the Met Ball, wearing Air Jordans—challenges stigmas, conventions and canons and, in one way or another, moves culture onward.”

Virgil Abloh: Figures of Speech

Virgil Abloh: Figures of Speech

DELMONICO BOOKS/MUSEUM OF CONTEMPORARY ART CHICAGO
Clth, 9.5 x 12.75 in. / 496 pgs / 200 color / 1732 b&w.

$79.95  free shipping





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