| RECENT POSTS DATE 2/1/2020 DATE 2/1/2020 DATE 1/21/2020 DATE 1/20/2020 DATE 1/19/2020 DATE 1/18/2020 DATE 1/17/2020 DATE 1/16/2020 DATE 1/15/2020 DATE 1/15/2020 DATE 1/15/2020 DATE 1/14/2020 DATE 1/11/2020 DATE 1/11/2020 DATE 1/10/2020 DATE 1/10/2020 DATE 1/9/2020 DATE 1/8/2020 DATE 1/7/2020 DATE 1/6/2020 DATE 1/6/2020 DATE 1/2/2020 DATE 1/2/2020 DATE 12/31/2019 DATE 12/27/2019 DATE 12/27/2019 DATE 12/25/2019 DATE 12/22/2019 DATE 12/21/2019 DATE 12/20/2019 DATE 12/20/2019 DATE 12/17/2019 DATE 12/17/2019 DATE 12/17/2019 DATE 12/17/2019 DATE 12/16/2019 DATE 12/15/2019 DATE 12/15/2019 DATE 12/14/2019 DATE 12/13/2019 DATE 12/12/2019 DATE 12/10/2019 DATE 12/9/2019 DATE 12/8/2019 DATE 12/7/2019 DATE 12/7/2019 DATE 12/6/2019 DATE 12/5/2019 DATE 12/4/2019 DATE 12/2/2019 DATE 12/2/2019
| | |  CORY REYNOLDS | DATE 11/29/2015In Hiroshi Sugimoto: Seascapes, Damiani's gorgeous new monograph launching Dec 1 at the Strand, Munesuke Mita writes, "It is clear that Sugimoto's Seascapes possess a vitality that stands in contrast to Rothko's last paintings, which took the reductionist passion of modernism—the desire to erase everything—to its extreme. In composition and tonality, the Seascapes look strikingly similar to Rothko's final works, at first glance. What, then, is the difference between them? The difference between Seascapes and Rothko's Untitled (Black on Gray is… the seascape. It is the sky and the sea and their clear division. It is the air and the water with all their exuberant life. It is the minute variations in the shapes of the waves, the light, and the shadow. It is the way that Sugimoto once again affirms leela—the playfulness of the cosmos. It is a fertile tranquility of eternally recurring time." Featured image is Lake Superior, Eagle River, 2003. See more Top Holiday Gift Books of 2015. >> DAMIANI
Clth, 10 x 11 in. / 272 pgs / 220 b&w.
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