DATE 7/18/2024

Join us at the San Francisco Art Book Fair, 2024!

DATE 7/18/2024

History and healing in Calida Rawles' 'Away with the Tides'

DATE 7/16/2024

Join us at the Atlanta Gift & Home Summer Market 2024

DATE 7/15/2024

In 'Gordon Parks: Born Black,' a personal report on a decade of Black revolt

DATE 7/14/2024

Familiar Trees presents a marathon reading of Bernadette Mayer's 'Memory'

DATE 7/11/2024

Early 20th-century Japanese graphic design shines in 'Songs for Modern Japan'

DATE 7/8/2024

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/5/2024

Celebrate summer with Tony Caramanico’s Montauk Surf Journals

DATE 7/4/2024

For love, and for country

DATE 7/1/2024

Enter the dream space of Francesca Woodman and Julia Margaret Cameron

DATE 7/1/2024

Summertime Staff Picks, 2024!

DATE 6/30/2024

Celebrate the extraordinary freedom of Cookie Mueller in this Pride Month Pick

DATE 6/28/2024

Celebrating Hip Hop and contemporary art, 'The Culture' opens at Cincinnati Art Museum


"Selfie" (2014) is reproduced from

Nicole Eisenman: Al-ugh-ories

Order now – we only have a few more copies of Al-ugh-ories, the catalogue to Nicole Eisenman's acclaimed recent exhibition at the New Museum. "Since it first gained attention, Eisenman’s work has been described with terms like 'punk,' 'queer,' 'feminist,' and 'radical,'" Grace Dunham writes. "But it would be an oversimplification of her career to relegate her to the position of outsider because of her identity as a gay woman in an overwhelmingly straight, cis-male profession. Eisenman’s paintings fold the marginal and the dominant into one another. She paints freaks and outliers using a visual lexicon that recalls the classics. She has criticized the inner functions of the art market while also benefiting from its institutional support. The emotional landscape of her paintings is queer to those who wish to see it that way; viewers can also opt out of perversion and simply engage with the technique of a master. The way in which Eisenman moves back and forth between the middle and the margins is not an inconsistency: it is the premise of her approach."

Nicole Eisenman: Al-ugh-ories

Nicole Eisenman: Al-ugh-ories

New Museum
Pbk, 7.25 x 9 in. / 92 pgs / 44 color / 48 b&w.

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino